Archive for the ‘Gretsch.com’ Category

Gretsch Greatest Hits . . . and Hitters

Monday, December 29th, 2014

Tony Williams: The Innovator

by Fred W. Gretsch

Music is, and always has been, an ever-evolving medium. Styles are developed, made popular, changed, and re-developed as something new again. And just as it takes a drummer to propel a band, it often takes a drummer to propel these stylistic changes.

I’m proud to say that many of the drummers who have provided this propulsion over the past decades have done so on Gretsch drums. And while each of those drummers has had his or her own distinctive playing style and sound, the “Great Gretsch Sound” of their drums has been the starting point.

From time to time I’m going to take the opportunity to share with you just a few performances by some of those great Gretsch drummers. I hope they’ll encourage you to do your own exploration to see and hear what made these incredible artists so important to the history of music.

Tony Williams - The Early Days

There’s simply no better drummer to start this series with than the great Tony Williams. While not the earliest “Great Gretsch Drummer” (and we’ll get to those earlier drummers in the future), Tony is arguably the single most influential drummer of the 20th century. Initially identified as a “jazz” drummer—mainly because he arrived on the scene as a member of Miles Davis’s legendary 1960s quintet—Tony quickly demonstrated that he was not to be pigeonholed within any style. His playing encompassed elements of jazz, rock, R&B, and Latin music. He combined these with formidable technique and unbridled passion to create dynamic performances that electrified audiences around the world—and sent millions of drummers racing to their practice rooms. Many of today’s greatest drum figures cite Tony Williams as their most important influence.

Tony and his Big Gretsch Kit

So check out the following YouTube clips as a starting point for your own exploration into the talent, passion, and undeniable uniqueness that defined Tony Williams:

1.  This is a performance by the Miles Davis Quintet at the Stadthalle in Karlsruhe, Germany, in November of 1967. Tony was only twenty-one years old at this time, but he had already become recognized as the drummer to watch on the jazz scene.  WATCH.

2.  By 1979 Tony was leading his own groups. At this performance in France Tony gets funky –and incredibly dynamic—on a tune called “Wild Life.”  WATCH.

3.  From the same concert, here’s Tony’s drum solo from “There Comes The Time.”  WATCH.

4.  For an idea of how Tony drove a band, there’s no better example than this recording made live in New York in 1989 by Tony’s Quartet. This clip is Part 1.  WATCH.

5.  And here’s Part 2. What it must have been like to be in the audience for this show!  WATCH.

6.  Here’s another incredible drum solo from Tony, performed at the International Jazz Festival in Berghausen, Austria, in 1989.  WATCH.

Enjoy!

Tony's Famous Yellow Gretsch

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“Fluke” Holland: Drummer for The Man In Black

Monday, December 15th, 2014

A Rock & Roll Pioneer On Gretsch Drums

By Fred Gretsch

Fluke with Gretsch Kit

On a recent trip to Nashville, Tennessee, my wife Dinah and I had the opportunity to visit the Johnny Cash museum (an experience we heartily recommend). In addition to all the fascinating information and memorabilia on display about the legendary “Man In Black,” we discovered a particular exhibit that immediately captured our attention: a classic 1950s-era Gretsch drumkit. This was the kit played during Johnny Cash’s early touring years by W. S. “Fluke” Holland, who was Johnny’s one and only drummer throughout the singer’s storied career.

As a member of Carl Perkins’ band in the mid-’50s Fluke recorded many of Carl’s hits at Memphis’ Sun Recording Studio. These included such classics as “Blue Suede Shoes,” “Matchbox,” and “Honey Don’t.” Fluke toured with other rock pioneers—including Elvis Presley, Jerry Lee Lewis, and Roy Orbison—and was the first musician to play a full set of drums on the stage of the world-famous Grand Ole Opry at the Ryman Auditorium in Nashville.

Fluke on Snare with Johnny Cash

Holland went on to perform on the “Million Dollar Quartet” session that featured Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash. This brought him to Johnny’s attention, and in 1960 the singer asked Fluke to join his band for what was to be a two-week tour. But instead of two weeks, Fluke stayed with “The Man In Black” until the singer’s retirement in 1997. Along the way Fluke played in all of Johnny’s backing bands, including The Tennessee Three, The Great Eighties Eight, and The Johnny Cash Show Band.

Fluke is also heard on many of Johnny’s famous recordings, including “Ring of Fire.” The sound that became famous on virtually all of Johnny’s hit records (known as the “Tennessee Three sound”) was largely developed by Fluke’s “train-like” rhythms and driving beat.

The Gretsch drumkit that caught our eyes in the Johnny Cash museum is the one that Fluke played first with the Carl Perkins band and later for many years on the road with Johnny. It’s also the kit that was the first to grace the stage of the Grand Ole Opry. In addition to its “Great Gretsch Sound,” the kit has a unique feature. Its bass drum has a front head made of Naugahyde, with a zipper that opens to provide access to the inside of the drum. When Fluke toured in the early days with Johnny, they traveled in a car, with very little room for instruments and luggage. So, in true “road warrior” style, Fluke opened the zipper on the bass drum and packed his clothes inside!

For more information on W. S. “Fluke” Holland, visit his website. You can also check him out on YouTube. Suggested clips include an interview with Fluke, a live performance of “I Walk The Line,” and a 1963 performance of “Ring Of Fire.” (Note Fluke’s “backwards setup,” with his hi-hat on his right. He says he set the drums up this way on his first recording session with Carl Perkins because he’d never played a drumset before!)

Fluke Holland’s contribution to rock & roll and the signature sound of Johnny Cash’s Tennessee Three has earned him recognition the world over as a true American music pioneer. Dinah and I are proud that—as has happened so many times—a Gretsch drumset helped to make such an important contribution to music history.

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Christmas 4 Kids Charity Auction

Monday, December 8th, 2014

From Christmas 4 Kids:

The 14th Annual Charlie Daniels and Friends Concert to benefit Christmas 4 Kids was held on Monday, November 24 at the famous Ryman Auditorium in Nashville. The concert is the cornerstone of Christmas 4 Kids fundraising efforts.  This year The Gretsch Foundation provided two wonderful guitars for a silent auction.

Fred Gretsch with Gary Morgan

The first was a Keith Scott 6120KS Nashville featuring a brilliant gold top that contrasts beautifully with dark walnut stained sides and back.  The 24 ½” scale neck has an ebony fingerboard with humped block position markers on a rock maple neck.  The 16” wide multiple bound body also featured oversized f-holes, master and individual pickup volume controls, tone control and Gretsch’s Space Control bridge.  Gretsch single coil DynaSonic pickups give the Keith Scott model the tone of the mid-fifties guitars, duplicating the pickup that was used until 1958.  This beauty came complete with 24k gold plated hardware and Gretsch Bigsby vibrato and included a Gretsch padded carry bag as well as a 6120 Gretsch book by Ed Ball.  This guitar was purchased by Gary Morgan from Batavia, OH for $3,600!

Fred Gretsch and Jason DentonThe second guitar was a Gretsch acoustic guitar which was made into “historic guitar art”.  It is entitled “POWER OF ME” and was painted by Alexis Vear.  This beautiful guitar was purchased by Jason Denton, Lebanon, TN for $1,100.  Jason actually shopped with us as a child and has been a wonderful supporter of our organization for several years, volunteering his legal services and coming to shop with our kids.

Congratulations and our sincere Thanks! to both Gary Morgan and Jason Denton for purchasing these wonderful guitars to support Christmas 4 Kids.

For over 20 years Christmas 4 Kids has provided the joy of Christmas for thousands of Middle Tennessee elementary school children who might not otherwise experience it.  Each December local businesses, volunteers celebrities, recording artists, and bus drivers set aside two days from their busy schedule for these special children.  To learn more about this great organization please via the web site at www.christmas4kids.org.

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Great Gretsch Educators: Stanton Moore

Wednesday, October 29th, 2014

Stanton Moore: From New Orleans To The World

by Fred W. Gretsch

There’s an old adage that says: “Those who can, do; those who can’t, teach.” Well, all you have to do to disprove that adage is to take a look at the incredible Gretsch drummers who most certainly can and do play brilliantly, and who still take the time to share their knowledge and talent with other drummers in clinics, master classes, and drum camps.

Just as one stellar example, check out Stanton Moore’s recent schedule. Hard on the heels of recording and releasing a wonderful new jazz trio album called Conversations, Stanton has been on the road doing a series of clinics and master classes in Europe and the UK. Most recently he played with his jazz trio at the famous Blue Note in New York City. (This guy has so many things going on at the same time that it makes you wonder when he sleeps.)

It won’t be in December, because that’s when Stanton will be anchoring a unique educational experience for drummers: Stanton Moore’s SONO-NOLA Drum Camp. “SONO” stands for “Sounds of New Orleans,” and “NOLA” is, of course, the acronym for New Orleans, Louisiana, where this unique event will be held from December 5th through the 7th. This exclusive camp celebrates the legacy and rich musical tradition that is uniquely New Orleans’. From Mardi Gras Indian to the evolution of jazz and funk, students will enjoy three days of hands-on drumming, live performances, a private tour of the Old U.S. Mint’s “New Orleans Jazz” exhibit and much more. For more information go to StantonMoore.com; to sign up go to www.muso-mart.com.

Photos: Allison Murphy.

Stanton is just one of the Great Gretsch drummers who are willing to share his unique talents with other drummers around the world. In the future I’ll tell you about other great Gretsch drummer/educators, so stay tuned!

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A Great Gretsch Weekend-Plus In Nashville

Friday, October 24th, 2014

This past September 20 through 23 saw Fred and Dinah Gretsch in Music City USA—Nashville, Tennessee. The extended weekend was packed with activities involving Gretsch history, Gretsch drums, and Gretsch artists.

Nashville Drum Show

To begin with there was the Nashville Drum Show, held September 20 and 21 at the Nashville Expo Center on the Tennessee State Fairgrounds. Gretsch Drums was proud to be an exhibitor and supporter. This popular event—which drew over 1,000 attendees—connects consumers, retailers, manufacturers, and distributors. There’s also a grass roots swap meet/drummers’ hang component that includes vintage drum collectors and dealers, used gear sales and consignments, a drum museum sponsored by Not So Modern Drummer, and drumkits set up outside for attendees to play and show off.

The show also presents drum performers in clinic appearances, and Gretsch artists were key among those. Veteran country drummer Pat MacDonald (of the Charlie Daniels Band) was on hand—just having arrived from Oklahoma City, where he was helping his boss celebrate his 50th wedding anniversary. Also performing was stellar drummer/educator Bob Harsen, who has performed with Tiger Okoshi, Randy Brecker, and the Paul Butterfield Blues Band, as well as teaching at the Berklee College of Music.

Fred Gretsch’s personal narrative about the history of the Gretsch Family and the Gretsch Company was a big hit with show-goers.

But if anyone was to appear on behalf of Gretsch Drums, who better than Fred Gretsch himself? On Saturday afternoon the fourth-generation drum maker fascinated attendees with his historical presentation regarding the Gretsch Family and its conduct of Gretsch company business over more than 130 years.

Commenting on Fred’s presentation, Gary Forkum (owner of top Nashville drum retailer Fork’s Drum Closet and a supporter of the Nashville Drum Show) says, “Fred has done a ton of research about his family history. That’s very interesting to me, and I think it’s interesting to most serious drum people who have a respect for drum history. I think it’s vital for them to know that there was somebody named Gretsch who started things. There are a lot of drum companies where there’s no Mr. Gretsch, Mr. Ludwig—or Mr. Anybody—who stands for the company. Fortunately, Fred was able to get the company back into the family and has been able to keep it going. I definitely

The Great Gretsch Drums team: (from left) Fred Gretsch, product marketing manager John Palmer, and factory production manager Paul Cooper.

have customers to whom it matters that Fred is involved…that there’s a human face to the company, and not just a corporate one. In fact, that’s one of the reasons that I personally like the Gretsch company so much. Gretsch was the very first line that I carried in my store when I started, thirty-two years ago. And I’ve been playing Gretsch drums myself ever since. I know the drums are distributed by another company today, but Fred is still involved. And the people that are involved in the day-to-day of the business, like John Palmer, Paul Cooper, and Joe Mazza, are passionate about it too.”

Meeting Mr. Gretsch

Following Fred Gretsch’s presentation, show attendees were pleased to have an opportunity to meet Fred in person, have a photo taken with him, and share with him their feelings about Gretsch drums past and present. “I was proud to meet so many Gretsch fans,” says Fred, “and to hear their comments—especially since I was the only person present at the Nashville Drum Show whose name was actually on many of the drums on display.”

Broadkasters Are Back

Gretsch Drums used the occasion of the Nashville Drum Show to launch the newly re-introduced Broadkaster drum series. This legendary line originally debuted in 1937.

And speaking of “drums on display,” the Nashville Drum Show was the setting for the launch of the newly re-introduced Gretsch Broadkaster drumset, which was personally conducted by Fred Gretsch (with the able assistance of key Gretsch personalities Paul Cooper, Joe Mazza, and John Palmer). This legendary drum series was originally introduced in 1935, and the new versions faithfully re-create the 3-ply non-reinforced shell that gave them their rich, warm tone. As part of his introduction, Fred Gretsch commented, “No other drums made today offer the unique sound—and the equally unique pedigree—of this historic line.”

When asked his opinion of the Broadkaster launch, Gary Forkum replies, “I think it’s a home run. It’s still early on, but we’ve sold a few kits already. It’s a different sound with the 3-ply shell. And it’s resurrecting a period of Gretsch manufacturing that’s been very popular in terms of used vintage kits. So now, with the USA Custom and the Brooklyn Series Gretsch has three US-made product lines with three distinctive sounds. That’s very valuable.”

At least one show-goer agreed; after having his photo taken with Fred Gretsch in front of a Broadkaster kit, he came back later to purchase that very kit.

Pat MacDonald of the Charlie Daniels Band presented his clinic on a Broadkaster kit.

The versatile and talented Bob Harsen gave his clinic on his personalized Gretsch USA Custom kit.

The versatile and talented Bob Harsen gave his clinic on his personalized Gretsch USA Custom kit.

Bob Harsen's Gretsch Kit.

Drummer and Gretsch fan Perry Curtis got a thrill from playing on a new set of Broadkasters at the Gretsch booth.

All photos above courtesy of Bob Campbell.

Going To A Party

Following the close of Saturday’s show, Fred and Dinah Gretsch were Gary Forkum’s guests at a music festival that Gary hosts each year on his South Creek farm just outside of Nashville. Officially called the South Creek Music Festival but nicknamed “Forkfest” by most locals, the event brings the Nashville music community together. Says Gary, “We have a couple of bands, plenty of food. This year we had about 250 people who came and enjoyed the great weather, the camaraderie, and the music. It was a good night with lots of fun.

The Music Didn’t Stop

Fred and Dinah enjoyed another night of music on Tuesday, September 23, when they attended the Tom Petty concert at Nashville’s Bridgestone Arena. Tom’s band, the legendary Heartbreakers, is anchored by great Gretsch drummer Stephen Ferrone, and the Gretsches made a point to visit with Steve prior to the opening of the show. They were accompanied by Gary Forkum and his son Matt, and by Gretsch Drums production manager Paul Cooper. Paul had brought with him a snare drum made expressly for Steve, and the visitors all took pleasure in seeing his response. Steve was so pleased, in fact, that he took it on stage and played it that very night!

Matt and Gary Forkum with Fred Gretsch and Paul Cooper.

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Dinah and Fred Gretsch Receive Georgia Governor’s Award

Friday, October 10th, 2014

Industry Icons Honored For Contributions To The Arts

Dinah and Fred Gretsch (center) with Georgia governor and first lady Nathan and Sandra Deal following the presentation of the Governor’s Award For The Arts. Photo: Spark St. Jude/MagicOnFilm.

On Tuesday, October 7 Fred and Dinah Gretsch (president and CFO, respectively, of The Gretsch Company) were honored as recipients of the third annual Governor’s Awards for the Arts and Humanities. Presented by the Office of The Governor in partnership with the Georgia Council for the Arts and the Georgia Humanities Council, the award recognized the Gretsches for their significant contributions to Georgia’s civic and cultural vitality through service to the humanities or excellence in the arts. The awards program was held at the Georgia State Capitol in Atlanta.

As members of Georgia’s arts and humanities community, Fred and Dinah Gretsch were among a select group chosen from among dozens of nominations from around the state. These recipients represent a diverse group of individuals and organizations that have laid the groundwork for Georgia’s growing creative industry through innovative programs, community collaboration and long-term financial commitment.

Commenting on the awards, Georgia governor Nathan Deal said, “Georgia’s arts and humanities sectors propel our state forward by improving quality of life for the citizens and businesses of our state. The individuals and organizations honored here today are committed to growing and sustaining Georgia’s vibrant culture and history, and I am grateful for their significant contributions to our state.”

Reflecting on her feelings at receiving this prestigious award, Dinah Gretsch says, “We are very humbled, and grateful that we are able to do this for the music industry.” Fred Gretsch adds, “It was a special pleasure to meet with first lady Sandra Deal. She has visited schools in every county in Georgia promoting education—and Georgia has the most counties of any state in the union. In keeping with our personal goal of ‘enriching lives through participation in music,’ we’d love to see Georgia step forward as the most musical state in the USA!”

Gretsch guitar artist "Hot Rod Walt" Richards provided entertainment from the steps of the Capitol Rotunda. Photo: Spark St. Jude/MagicOnFilm.

Following the ceremony, a reception for award recipients and their guests was held in the Capitol Rotunda. Entertainment was provided by Gretsch guitar artist “Hot Rod Walt” Richards See video of award and performance below.

About Fred and Dinah Gretsch

In addition to being key figures in the music industry for more than thirty years, Fred and Dinah Gretsch have been—and continue to be—tireless advocates of music education and outreach programs, both within the state of Georgia and on a national level. To this end they created the Gretsch Foundation, which has a long history of helping schools and promoting music participation through grants, scholarships, and fund-raising efforts.

In 2003 the Atlanta Chapter of the National Academy of Recording Arts and Sciences presented Fred and Dinah with the organization’s Heroes Award, which is given to recognize individuals who have improved the environment for the creative community. In 2008 Fred and Dinah’s ongoing accomplishments earned them induction into the Georgia Music Hall of Fame.

Acting on her belief that music has the power to change children’s lives in a positive way, in 2010 Dinah Gretsch created the Mrs. G’s Music Foundation to help support music teachers and in-school programs in Savannah-area schools. The Mrs. G’s Foundation also sponsors a Visiting Artist program, presenting top contemporary musicians in seminars, workshops, and concerts. And a 50/50 funding partnership with North Carolina’s “Music For Learning” program has put music education into six different Head Start daycare centers in Savannah.

In January of 2014 Dinah was honored by the Women’s International Music Network (WiMN) with the organization’s 2014 She Rocks Award. As a leader in the music industry, Dinah was recognized for her unique talents, accomplishments, and philanthropic works.

In February of 2014 The College of Liberal Arts and Social Sciences at Georgia Southern University named Fred and Dinah Gretsch as the 2014 Betty Foy Sanders Patrons of the Arts in recognition of their ongoing support of music education. This award recognizes community members who best demonstrate the dedication required to make fine arts programming successful.

In May of 2014 Fred and Dinah Gretsch were chosen by the GRAMMY Foundation to present the Savannah Arts Academy with a GRAMMY Signature Schools Enterprise Award. The Signature Schools program honors public high schools for outstanding commitment to their music education programs. The GRAMMY foundation considered Fred and Dinah Gretsch to be uniquely suited to act as presenters of this important award.

Dinah & Fred Gretsch Among Georgia Governor’s Awards Winners

Tuesday, October 7th, 2014

FROM THE OFFICE OF GEORGIA GOVERNOR NATHAN DEAL:

Dinah & Fred Gretsch with Georgia Governor and First Lady Nathan & Sandra Deal.

October 7, 2014–Gov. Nathan Deal announced today at the state Capitol the recipients of the third annual Governor’s Awards for the Arts and Humanities. Thirteen Georgia citizens and organizations were recognized for their significant contributions to innovation and growth of the state’s civic and cultural vitality. The awards were presented in partnership with the Georgia Council for the Arts and Georgia Humanities Council.

“Georgia’s arts and humanities sectors propel our state forward by improving quality of life for the citizens and businesses of our state,” said Deal. “The individuals and organizations honored here today are committed to growing and sustaining Georgia’s vibrant culture and history, and I am grateful for their significant contributions to our state.”

Dinah & Fred Gretsch with Walt "Hot Rod" Richards and his wife Sharlene.

Thirteen members of Georgia’s arts and humanities communities were chosen from a selection of nominations from around the state. The recipients represent a diverse group of individuals and organizations that have laid the groundwork for Georgia’s growing creative industry through innovative programs, community collaboration and long-term financial commitment.

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The recipients of the 2014 Governor’s Award for the Arts and Humanities are:

Syd Blackmarr, Tifton
Leslie Gordon, Atlanta
Fred and Dinah Gretsch, Savannah
Paul Hudson, Clarkston
Carl Purdy, Atlanta
Douglas Scott, Atlanta
The Activities Council of Thomson, Thomson
Atlanta Ballet, Atlanta
Brenau University, Gainesville
Center for Civil and Human Rights, Atlanta
Freedom Singers, Albany
Meridian Herald, Atlanta
Richard B. Russell Library of Political Research and Studies, Athens

Detailed information about the recipients available here.

About the Award

The 2014 Governor’s Award was handcrafted by Whelchel Meaders, a distinguished member of a famous family of Georgia folk potters. His father was L.Q. Meaders, one of six potter sons of John Milton Meaders, who founded Meaders Pottery in 1892 in the Mossy Creek community of Southern White County. Whelchel continues this hundred year old tradition of producing functional ware coated with woodash- and lime-based alkaline glazes. His runny-textured ash glaze exemplifies the high-firing, green or brown glazes unique to the South, this distinctive Southern stoneware tradition. Represented in the Folk Pottery Museum of Northeast Georgia at Sautee Nacoochee, Whelchel joins some 30 potters of the state who maintain a craft tradition continuous since the early 19th century.

About the Award Partners

The Georgia Council for the Arts (GCA) is a division of the Georgia Department of Economic Development that works to cultivate the growth of vibrant, thriving Georgia communities through the arts. GCA provides grant funding and statewide programs and services that support the vital arts industry, preserve the state’s cultural heritage, increase tourism and nurture strong communities. Funding for GCA is provided by appropriations from the Georgia General Assembly and the National Endowment for the Arts. Visit www.gaarts.org.

The Georgia Humanities Council promotes and preserves the stories and cultural legacies of the state’s people — from the past to the present and into the future — to enrich their lives and strengthen their communities. An informed and educated Georgia understands historical and cultural trends, respects the life of the mind, utilizes critical thinking in decision-making, and promotes mutual respect and civility. Funding for the Georgia Humanities Council is provided by the state of Georgia, the National Endowment for the Humanities, foundations, donors and our partners. Visit www.georgiahumanities.org.

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John Lennon’s Gretsch 6120 Being Auction by TracksAuction.com

Monday, October 6th, 2014

RELEASE BY TRACKSAUCTION.COM

TracksAuction.com are to auction John Lennon’s Gretsch 6120 guitar which John gave to his cousin David Birch MBE in 1967.  Expected to make around $1 million at auction. Online bidding begins at 4pm on 14th November 2014 at www.TracksAuction.com, concluding with a live auction at Le Meridien Hotel, Piccadilly, London at 2pm on 23rd November 2014.

John Lennon With The Gretsch 6120, EMI Studio 3 14th April 1966. Paperback Writer Session.

The Gretsch 6120 is a historically important instrument from the former Beatle’s personal collection, used and photographed during the Paperback Writer session held at EMI Studio 3, Abbey Road, London on the 14th April 1966. The Gretsch 6120 is, perhaps, the most significant of John’s guitars to come onto the market in the last 30 years.

Please check our website www.TracksAuction.com to view a promotional video for the Gretsch guitar. It includes commentary from owner David Birch and Beatles historian and author Mark Lewisohn.

David Birch was given the guitar when he visited John in Weybridge in November 1967.  David recalls that one day John and himself were chatting in the home studio located at the top of the house in Kenwood. David asked John if he had a guitar that he no longer wanted as he was trying to get a group together with some mates at the time. “I was just cheeky enough to ask John for one of his spare guitars”, he remembers, “I had my eye on a blue Fender Stratocaster that was lying in the studio but John suggested the Gretsch and gave it to me as we were talking”. The younger cousin was absolutely thrilled with his gift. The Gretsch 6120, serial number 53940, has been owned by David Birch ever since.

The guitar comes with indisputable proof of its authenticity. The Beatles Monthly Book photographer, Leslie Bryce, took a number of black & white and colour photos of John Lennon using the Gretsch during the Paperback Writer session of 14th April. There are close-up photos from the session clearly showing the wood grain on the front of the headstock of the instrument. When these images of the wood grain are compared to the wood grain on the headstock of the actual guitar the two can be seen to match up identically. Wood grain is exactly the same as a fingerprint in that no two examples are identical. This provides conclusive proof that the Gretsch 6120, serial number 53940, is the guitar that John played on the Paperback Writer session.

John Lennon owned and played guitars from the Beatles period are extremely rare in themselves but a Lennon owned guitar which has the history of a close family connection, unquestionable legal title and clear-cut picture identification is rare beyond belief. It is difficult to recall any of John’s guitars with all of these combined attributes being offered for sale previously. Not only is the sale of this Gretsch 6120 a rare chance to acquire a piece of John Lennon’s musical legacy but in terms of the guitar’s provenance, authenticity, desirability and scarcity the sale of this iconic instrument represents a prime music-related investment opportunity. The guitar is estimated at £400,000 to £600,000 ($650,000 – $1 million USD).

John Lennon far left With David Birch And Family Edinburgh 1952.

The auction contains over 100 lots of Beatles memorabilia including a copy of the Sgt. Pepper album signed by John, Paul, George and Ringo estimated at £100,000 to £150,000, various items from the collection of John Lennon’s life-long friend Pete Shotton and the banjo played by Rod Davis in John’s original group, the Quarrymen. The sale will also include numerous lots of quality rock ‘n roll memorabilia including signed items from the Rolling Stones and The Who, original Sex Pistols concert and promotional posters and a set of handwritten Kate Bush lyrics to the song Wuthering Heights.

TracksAuction.com is a division of Tracks Ltd. established in 1989, Tracks has developed into one of the world’s leading dealers of rare Beatles and pop memorabilia. It’s staff of specialists have over 20 years of experience of appraising, authenticating, evaluating and selling Beatles and rock ‘n roll collectables at the highest level.

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