Archive for the ‘Gretsch Events’ Category

Gretsch Supports AROTR: America’s Largest Beatles Festival

Thursday, September 6th, 2012

Bands at Abbey Road on the River played inside the Potomac Ballroom of the Gaylord Convention Center as well as outside on the pier. Photo: Joshua Yospyn.

The 2012 Abbey Road on the River festival—held this past August 30-September 3 at the Gaylord National Hotel & Convention Center in National Harbor, Maryland—is America’s largest musical celebration of all things Beatles. This five-day music festival takes place twice each year: In Louisville, Kentucky over Memorial Day weekend, and in the Washington, D.C. area over Labor Day weekend. The D.C. festival includes two indoor and four outdoor stages, as well as additional rooms for speakers and film screenings.

The festival had its start in 2002 in Cleveland, Ohio, and then moved to its current locations in 2005. Since the move, Abbey Road on the River has expanded greatly, with an average of over sixty bands annually. Many are full-on tribute acts that strive to recreate as faithfully as possible the sound and image of The Fab Four at various points in their career. Other bands play Beatles music accurately, but don’t dress or act like Beatles. Still others honor the music of Lennon & McCartney and George Harrison without trying to reproduce the Beatles’ sound.

Giving their tribute to The Beatles was Jukebox, from Puerto Rico.

In addition to bands from across the USA, many come from around the world to take part in AROTR. This year’s lineup included The Beatrips (Japan), The Beafore (Germany), All You Need Is Love (Canada), Jukebox (Puerto Rico), and The Day Trippers and The LSB Experience (both from Holland). Altogether it makes for a lot of great entertainment, so it’s not surprising that AROTR draws nearly 30,000 Beatles fans from all over the globe. These fans also enjoy presentations by Beatles-related speakers, discussion panels, film screenings, and the sale of Beatles merchandise.

The drummer for The Beatrips enjoyed the sound of great drumkit provided by Gretsch Drums. Photos: Joshua Yospyn.

AROTR also draws a variety of industry sponsors. In particular, this past weekend’s event benefited from just about as much Gretsch participation as it was possible to receive. There were Gretsch drums on the stages, as well as Gretsch guitars in the hands of many players as a tribute to the instruments that helped George Harrison and John Lennon create their signature sounds.

Fred spent time visiting with AROTR attendees, signing autographs and chatting about the connection between The Beatles and Gretsch guitars. Pictured with Frank Ceresi.

And there was Fred Gretsch himself, on hand to greet Gretsch aficionados, sign autographs, and take part in the popular “Fred & Joe Show.” In tandem with Joe Carducci of Gretsch Guitars, Fred outlined the history of the Gretsch Family and its multi-generational place within the musical instrument industry. And, in keeping with the spirit of the AROTR event, Fred & Joe offered a special “Tribute To George Harrison” feature.

On Saturday, September 1 festival-goers were also given an opportunity to bid at a live auction that offered three great Gretsch guitars from the AROTR private collection. These classic models included a Country Gentleman, a Tennessee Rose, and a George Harrison Signature Duo Jet. Partial proceeds from the auction went to benefit The Desmoid Tumor Foundation and The American Red Cross.

Gretsch Electromatic G5422 TDC Guitar

Gretsch Guitars also donated a beautiful Electromatic G5422 TDC electric guitar in walnut stain to be raffled off on Saturday in support of the Red Cross. Later that evening Gretsch Guitars sponsored the Love Album Live concert, featuring All You Need Is Love, Britbeat, and The Newbees.

The mission statement of the Abbey Road on the River festival states: “Because John Lennon, Paul McCartney, George Harrison, and Ringo Starr made the world a happier place, we promise to extend their vision by creating a welcoming and carefree environment for their fans to come together with friends and family to experience their gift of music, written and performed with peace, love, and non-violence at its heart. We further pledge to emulate their gentleness and compassion, and as John and George lived on their own terms, so too, do Paul and Ringo continue to live in good health and communicate their unique talents and love for humanity. It is with great respect and gratitude that we celebrate their music and
the spirit that continues to bring us all together. In their names, we pledge to have fun.”

There’s no doubt that this year’s AROTR Labor Day Weekend event lived up to that pledge.

The next Abbey Road On The River festival will be held from Thursday, May 23 through Monday, May 27, 2013 in Louisville, Kentucky. For more information visit abbeyroadontheriver.com.

For more information on Gretsch history as well as Gretsch guitars and drums, visit gretsch.com.

More event photos:

Fred Gretsch with John Martellaro, winner of the Gretsch George Harrison Signature Duo Jet.

The same Gretsch kit helped CB Radio’s drummer entertain the ballroom crowd. Photo: Joshua Yospyn.

Fred Gretsch (at microphone) and Joe Carducci offered their popular “Fred & Joe Show” historical presentation.

Yet another Gretsch kit powered the Steve Sizemore Group’s set on the AROTR pier stage. Photo: Joshua Yospyn.

Tim Seiwert of the Cincinnati-based rock band The Newbees created a left-handed version of the Gretsch kit during the band’s “All Together Now” performance. Photo: Joshua Yospyn.

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Additional photos from the event can be seen in this PHOTO GALLERY.

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Great Gretsch Weekend in Nashville

Monday, July 30th, 2012

The weekend of this past July 13 and 14 saw a once-in-a-lifetime confluence of events in Nashville, Tennessee, otherwise known as “Music City USA.” And Gretsch was an important participant in all of them.

NAMM In Nashville

To begin with, there was the summer NAMM show, an annual trade show conducted by The National Association of Music Merchants. That organization is a not-for-profit association created to strengthen the global musical instruments industry, while promoting the pleasures and benefits of making music to people of all ages. NAMM is comprised of more than 9,000 member companies in eighty-seven countries around the world.

Each summer’s NAMM show brings many of the world’s top musical instrument manufacturers to Nashville to display their wares. This year’s show, presented July 12 through July 14 at the city’s downtown convention center, featured 372 exhibitors from across the globe.

As you might expect from its Nashville setting, the summer NAMM show tends to be heavily populated by manufacturers of guitars and guitar accessories—and heavily attended by guitar aficionados. So it was the perfect place for The Gretsch Company to showcase its Bigsby brand of True Vibratos.

Paul Bigsby was a musician, a guitar-maker, and an inventor. In 1951 he presented the first Bigsby True Vibrato to guitar pioneer Merle Travis—immediately revolutionizing guitar design. From that day to this, Bigsby Vibratos have been making major contributions to guitar history.

They’ve been featured continuously on Gretsch guitars since 1955, and they’ve been heard on recordings in almost every musical genre from punk to folk and from country to rock. Versions are now available to fit almost every brand and model of guitar on the market.

Visitors to the Gretsch/Bigsby booth during the three days of the summer NAMM show had the opportunity to examine all of the Bigsby True Vibratos first-hand. But visitors on Friday, July 13 got a special treat: the opportunity to meet and speak with Fred W. Gretsch himself. Representing the fourth generation of Gretsch musical instrument makers, Fred greeted and signed autographs for Gretsch fans from across the country.

Also on hand at the booth was Gene Haugh, a long-time Gretsch guitar craftsman who was instrumental in the development of the famous Chet Atkins “Super Chet” signature guitar model.

Gretsch guitar craftsman Gene Haugh (left) and Gretsch Company representative Adam Seutter (center) were joined by Fred W. Gretsch at the Gretsch Company booth at the summer NAMM show in Nashville.

These Bigsby True Vibrato tailpieces were the focal point of the Gretsch Company booth.

Gretsch drums were at the show in spirit if not in fact, as represented by this T-shirt sporting the classic Gretsch drum logo.

The Gretsch Company also holds title on another classic American drum brand: Leedy. This custom-crafted Leedy snare drum is a faithful reproduction of a vintage Leedy model.

For more information about Bigsby True Vibratos visit www.bigsby.com. For more information about NAMM visit www.namm.org.

Closing Ceremonies For The Chet Atkins: Certified Guitar Player Exhibit At The Country Music Hall of Fame® & Museum

Just three blocks away from the Nashville Convention Center is the Country Music Hall of Fame® and Museum, which is home to a variety of unique historic exhibits.

On this particular weekend the Hall was holding a series of events to mark the closing of one such exhibit: a fond and fascinating look at the life and career of Chet Atkins. Titled Chet Atkins: Certified Guitar Player, it paid tribute to the versatility and vision of the legendary guitar artist, with historic information, personal memorabilia, performance clips, and guitars of all descriptions on display.

After opening on August 12, 2011, the exhibit was originally scheduled to run through June 11, 2012 but was extended due to popular demand. Throughout its duration it was accompanied by an ongoing series of educational and performance programs. By the time of its closing on July 15, 2012 it had hosted more than 300,000 visitors.

The Gretsch Company was the title sponsor for the Chet Atkins exhibit. Gretsch enjoyed a long and fruitful association with Chet, during which he helped design and popularize several guitar models that are still best-sellers today.

At a reception held prior to the public opening of the Chet Atkins exhibit in August of 2011, Fred Gretsch, said, “As a guitar manufacturer Gretsch is proud of its long association with Chet. As a family, we cherish the special relationship that we had with such a fine individual. We’re honored to be the title sponsor for the Country Music Hall of Fame® and Museum’s tribute to Chet, and we share the Hall’s commitment to ensuring that his unrivaled legacy will continue to be celebrated for generations to come.”

A highlight of the exhibition’s opening weekend came on Saturday, August 13, 2011, when Steve Wariner and Chet Atkins’ daughter Merle read a proclamation bestowing the final “Certified Guitar Player” honor on Paul Yandell, who was Chet Atkins’ bandleader, friend, and confidant for more than thirty years. Chet coined the term “Certified Guitar Player” to describe an artist who personified the ultimate in performance skill and musical quality. Only four other guitarists—Wariner, Jerry Reed, Tommy Emmanuel, and John Knowles—had received such recognition from Chet. It was a bittersweet tribute, as Yandell was ill and would pass away only a few months later.

A Quick Walk Through The Chet Atkins: Certified Guitar Player Exhibit

The exhibit featured multiple screens showing clips of Chet from throughout his career.

By the mid-1950s Chet had established himself as one of the most successful guitar soloists of all time—earning him the name of “Mr. Guitar.” And in 1954 he began his long association with the Gretsch company.

Pictured below and on the left is a 1959 Gretsch Country Gentleman that was one of Chet’s primary guitars throughout the 1960s and ’70s. Chet modified it with a Super ’Tron neck pickup and an internal phase shifter. On the right is a 1954 Streamliner special-order model that became the basis for the legendary Gretsch Chet Atkins Signature (6120) hollow-body guitar.

In addition to his performing skills, Chet enjoyed success as an executive with RCA Records. Below is a letter written to Chet in 1968 by then-Gretsch Company president Fred Gretsch Jr., congratulating Chet on his appointment as vice president at RCA.

Chet was a skillful and talented producer. In addition to signing and producing many top country artists, he also branched out into the pop field. This photo below shows him in the studio with crooner Perry Como in 1973.

Of course, it was as a performer that Chet made his greatest impact…and earned his greatest rewards. Below are the Grammys he won in 1967 for his Chet Atkins Picks The Best album and in 1971 for his recording of “Snowbird.”

Chet was an inveterate “tinkerer” whose hobbies included photography and ham radio in addition to electronics and recording. The exhibit included a faithful display of Chet’s home workshop, just as it was left upon his passing in 2001.

Closing Luncheon

To commemorate the Chet Atkins: Certified Guitar Player exhibit at its closing, the Country Music Hall of Fame® and Museum hosted two special events. The first was a private luncheon held on Friday, July 13, 2012 and attended by a select group of individuals who had been instrumental in the establishment of the exhibit.

Attendees included Hall board chairman Steve Turner and museum director Kyle Young, as well as exhibit sponsors Fred and Dinah Gretsch (and their grandson Logan Thomas), Merle Atkins Russell (Chet’s daughter), Marie Yandell (widow of Paul Yandell), and CGP guitarist John Knowles.

Fred and Dinah Gretsch and grandson Logan with Merle Atkins Russell, daughter of Chet Atkins.

As a gesture of thanks for the Gretsch Company’s support of the exhibit, Kyle Young presented Fred and Dinah Gretsch with a scrapbook containing photos and other material documenting every stage of the exhibit’s creation.

Country Music Hall of Fame® and Museum director Kyle Young (left) and board chairman Steve Turner (rear) presented Fred and Dinah Gretsch with a scrapbook documenting every step of the creation of the Chet Atkins: Certified Guitar Player exhibit.


Friends & Flamekeepers Concert

The second special closing event took place on Saturday, July 14 in the Hall of Fame’s Ford Theater. A concert “Chet Atkins: Friends And Flame Keepers,” featured a stellar group of performers. Some were veteran artists who had enjoyed personal relationships with Chet; others were rising stars who were influenced by Chet and are carrying on and expanding his unique fingerstyle guitar technique. The lineup included John Knowles, Muriel Anderson, Meagan Taylor (great-niece of Chet Atkins), Ben Hall, Thom Bresh, Brooks Robertson, and Gretsch guitar artists Guy Van Duser and Joe Robinson.

Anecdotes and stories about Chet Atkins were plentiful, and the musical performances were heartfelt and beautiful. It was an amazing—and entirely appropriate—tribute to the memory of a man who had such an important impact on guitarists everywhere.

A full-length performance video of the Friends & Flamekeepers concert may be viewed HERE.

For additional information on the Country Music Hall of Fame® and Museum visit Countrymusichalloffame.org. For more information on Gretsch and its association with Chet Atkins, visit gretsch.com.

Chet Atkins Appreciation Society Convention

While the Summer NAMM show and the Country Music Hall of Fame® and Museum events were taking place in downtown Nashville, the Chet Atkins Appreciation Society was holding its 28th annual convention at the Music City Sheraton Hotel & Convention Center just outside of town. From July 11 through 14 attendees enjoyed fully-packed days and nights of the music of the legendary guitarist.

Through 2000, Chet Atkins himself participated in the CAAS conventions, and his presence was warmly appreciated by the members. Since his passing in 2001, the Society has continued to preserve his legacy and to encourage young and old alike to keep his music alive and appreciate the many contributions he made to the guitar and the music of America.

Current CAAS president Dr. Mark Pritcher, his wife Carol, and an able staff of dedicated volunteers keep the organization running and growing. Although membership is around 1,000, this year’s CAAS convention welcomed over 1,500 avid Chet Atkins fans.

The convention hosted a variety of guest artists who performed concerts, played at intimate close-up sessions, and conducted top-notch workshops for attendees. Performances ran concurrently on two stages and in nearby meeting rooms. The main stage hosted concerts each night until late evening. In between all of these activities, retailers, collectors, and guitar makers displayed instruments, recordings, and memorabilia for sale. Personal interaction between established artists, professional and hobbyist musicians, and just plain fans was a great part of the fun for everyone in attendance.

A particularly popular feature at the convention was the Gretsch guitar display (presented in cooperation with Broadway Music of Nashville.) Not only did the display showcase a bevy of beautiful instruments, it also presented ongoing performances by great Gretsch guitar artists including Pat Corn, Bobby Gibson, and Richard Kiser. And, to the delight of convention goers, Fred W. Gretsch dropped by the display on Friday, July 13 to introduce some of the performers. Fred then stayed to chat with fans and sign autographs—which he did on programs, T-shirts . . . and one brand-new Gretsch guitar!

From left: Pat Corn, Bobby Gibson, and Richard Kiser performed at the Gretsch Guitars display.

Fred Gretsch was on hand to autograph programs, T-shirts...and this Gretsch guitar.

Veteran Gretsch guitar craftsman Gene Haugh (who helped develop the “Super Chet” model) admired the display of beautiful new Gretsch guitars.

The Gretsch Family and Gretsch Guitars have been major supporters of the Chet Atkins Appreciation Society for many years. As a result, coming to the CAAS convention has become a regular family event for Fred and Dinah Gretsch—as well as for their grandson Logan, who was at the show this year.

Logan Thomas, grandson of Fred and Dinah Gretsch

When asked how he was enjoying the convention, the articulate twelve-year-old replied, “This is the fourth or fifth year that I’ve come here, and it’s always great. But it’s especially great for me this year, because I’ve been studying the guitar myself for the past year. One of my favorite players is Joe Robinson, and he’s playing at the convention, which is really cool.”

In addition to pursuing his musical goals, Logan is also an athlete, playing quarterback for his team at Thomas Heyward Academy in his home town of Ridgeland, South Carolina. Ridgeland is also home to the Gretsch USA drum manufacturing operation. As a sixth-generation member of the Gretsch family, Logan occasionally helps out at the factory. As he proudly explained, “I’ve been helping move things around to make more space for The Vineyard.” Logan’s reference is to Gretsch’s unique collection of vintage drum shells from the 1980s and earlier, which are used to create historically authentic custom drumkits.

Chet Atkins Tribute Concert

The CAAS convention came to a rousing conclusion on Saturday, July 14 with a gala Chet Atkins tribute concert. This show featured special guests from the Nashville pantheon of performers, as well as international guest artists. Most of these had taken part in earlier convention activities, and many had also appeared at the Country Music Hall of Fame & Museum’s “Friends & Flamekeepers” tribute concert. Like that earlier event, this concert showcased fingerstyle guitar playing by newcomers and established stars alike.

The evening’s many fond recollections of Chet Atkins were joined by remembrances of Paul Yandell, whose long association with Chet—as well as his own noteworthy musical accomplishments—had made him an important figure on the Nashville scene for decades. The verbal and musical tributes offered to these two guitar giants gave a very personal quality to each performance.

Family and friends at the CAAS closing concert, from left: Judy Edwards, Nokie Edwards, Deed Eddy, Gretsch guitar great Duane Eddy, Dinah and Fred Gretsch, and Logan Thomas.

Special moments abounded during the concert. Just a few of those included:

The introduction of Fred Gretsch by CAAS president Mark Pritcher, and Fred’s comments regarding Paul Yandell and Chet Atkins, both of whom had long associations with Gretsch guitars.

Fred and Dinah Gretsch and grandson Logan presenting a 1959 Gretsch 6119 guitar to lucky raffle winner Jimmy Lapham, who came to the CAAS convention from Camilla, Georgia.

Fifteen-year-old Australian phenom Josh Needs playing an original composition on a Gretsch Country Gentleman guitar that had been given to the CAAS by guitar great Scotty Moore—who had himself been given the guitar by Chet Atkins.

Gretsch artist and guitar icon Duane Eddy presenting a custom replica of Buddy Holly’s guitar to long-time Ventures lead guitarist Nokie Edwards. Nokie was being honored with the Buddy Holly Legacy Award, presented by the Buddy Holly Education Foundation in recognition of outstanding artistry.

Rising Gretsch guitar star Joe Robinson wowing the crowd with his unique combination of blazing technique and musical creativity on an original tune appropriately titled “It’s Not Easy.”

After relating how they each had learned Chet Atkins’ “Happy Again,” a moving trio performance of the tune by John Knowles, Thom Bresh, and Brooks Robertson.

Gretsch artist Guy Van Duser—and the entire concert audience—performing “We Love You Chet,” an original tune composed in tribute to the guitar great.

In addition to the artists named above, the roster of performers at the CAAS closing concert included Shane Adkins, Rick Allred, Craig Dobbins, Phil Hunt & Eddie Estes, Pat Kirtley, Jimmy, John, and Morning Nichols, Ben Owings, Eddie Pennington & Paul Moseley, and Sean Weaver.

For more information on the Chet Atkins Appreciation Society, go to ChetSociety.com.

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Gretsch Helps Celebrate Sam Ulano’s Birthday

Friday, July 20th, 2012

Teaching Legend Is Going Strong At Ninety-Two

Sam Ulano

The New York City drumming community came together this past July 10 to honor and enjoy the wit and wisdom of drum teacher and icon Sam Ulano. The event—hosted by DrumSummit.com’s Peter Greco and held at Sam Ash Music on 48th Street—combined a clinic by Sam with a celebration of his August 12 birthday, when he’ll turn ninety-two.

With sixty years as a performer and teacher to his credit, Sam is equally revered and controversial. Besides his private teaching practice, the drum studio he founded in the 1950s hosted such guest artist/instructors as Art Blakey, Max Roach, and Papa Jo Jones. Sam also had the first-ever drum-oriented cable TV program, which ran from 1975 to 1981. And he’s released literally dozens of self-produced books and CDs, along with over 2,500 pamphlets that he calls “Foldys.”

Sam’s publications are almost comically “lo-fi” in production values, but they’re nonetheless high in informational content. In what is perhaps his most controversial teaching philosophy, Sam denounces rudiments as having nothing to do with playing a drumset. Instead, Sam focuses on reading, timekeeping, and providing the foundation for a band in a musical situation. “Your hands can’t see, hear, or think,” Sam declared at his clinic. “You do that all with your brain. That’s where you learn to play the drums. And that’s the only way you’re going to be successful as a player in the music industry.”

Sam’s philosophy may not be for everyone, but it’s been enough for some pretty stellar former students including Marvin “Smitty” Smith, Tony “Thunder” Smith, Allen Schwartzberg, and Art Taylor. These drummers—and dozens like them—have benefited from Sam’s major premise, which is that reading is the means to success. According to Sam, drummers who can read—and who can play in many styles as a result—are more likely to get work than are drummers with great rudimental technique or blazing speed.

Another controversial recommendation from Sam is regular practicing with metal sticks to improve hand and arm strength. If metal sticks aren’t available, short lengths of copper pipe will do, as Sam demonstrated at his clinic. “If I hadn’t practiced with metal sticks all these years,” he said, “there’s no way I could still be playing at ninety-two years old.”

And play he does. Sam still gigs regularly in Manhattan clubs, focusing primarily on swing and Dixieland music. To demonstrate his playing skills, Sam was accompanied at his clinic by keyboardist Les Kurtz, saxophonist Tom Olin, and vocalists Michelle Zelkin and Diana Nikolos.

ENJOY A SHORT VIDEO OF THE SKILLFUL SAM ULANO IN ACTION

The combined clinic/birthday celebration at Sam Ash Music drew many of Sam’s current and former students, as well as professional drummers who cite Sam as an inspiration. Key among those was veteran TV and Broadway drummer Ray Marchica, who’s currently in his eighth year of drumming for the Broadway production of Mamma Mia. Ray told the audience that he’d been inspired to play the drums as a youngster, after seeing Sam perform one of his “drum stories” at a clinic presented at Ray’s elementary school.

Sam has proudly played Gretsch drums since 1947—quite possibly making him the oldest and longest-running Gretsch drummer currently active. To commemorate this long association, Dinah and Fred Gretsch sent a personal birthday card to Sam, offering the good wishes of everyone at the Gretsch Company. Dinah and Fred also sent a number of souvenir Gretsch coin banks as giveaways. The banks are reproductions of models that date back more than seventy-five years to the Great Depression, when Gretsch encouraged people to save in order to purchase musical instruments.

Also on hand was Modern Drummer magazine’s ad director Bob Berenson. Bob informed the audience that Sam’s feature in the September 2011 MD had helped to make that issue a quick and total sellout.

In addition to Gretsch Drums, Sam’s clinic was co-sponsored by Sabian Cymbals, Remo Heads, Sam Ash Music, and DrumSummit.com. For more information on Sam, visit samulano.com.

SAM ULANO SHARES HIS PHILOSOPHY ON RUDIMENTS AND A HINT ABOUT DRUM SOLOS

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The Great Gretsch Jazz Drummers Summit of 1973

Saturday, July 7th, 2012

An Audio Portrait of Four Percussive Legends

by Fred Gretsch

On July 7, 1973 the Gretsch Drum Company sponsored a unique musical event: A live concert that brought together a bevy of the company’s top artists. This “summit” of Great Gretsch Drummers featured the cream of the jazz drumming world.

The host for this historic event was promoter/producer George Wein, who has been called “the most famous jazz impresario” and “the most important non-player” in jazz history. Among his many accomplishments, Wein founded the Newport Jazz Festival—probably the best-known jazz festival in America—as well as the Playboy Jazz Festival in Los Angeles and the  New Orleans Jazz & Heritage Festival. But in 1973 Wein was at the Wollman Amphitheater in New York’s Central Park, acting as emcee for the Great Gretsch Drummers summit.

The full roster included performances by virtually all of the top jazz drummers of the day. These included established star Max Roach, the then-young-phenomenon Tony Williams, and the unique drum-and-percussion collective led by Roach called M’Boom. Regrettably, those performances were not captured for posterity.

However, four other Great Gretsch Drummers on the bill were recorded. That stellar group included Elvin Jones, Mel Lewis, Freddie Waits, and “Papa” Jo Jones.  Their remarkable presentations have been made available for listening at Wolfgang’s Vault HERE.

ELVIN JONES: FIRE AND PASSION

Elvin Jones

The first recorded performance is by Elvin Jones, who, by 1973, had already set the jazz world on its ear during his six-year stint in the John Coltrane Quartet. In fact, many music critics regard Elvin as the most influential drummer in the history of jazz. His revolutionary multilayered rhythmic approach transformed the drums as a traditional time-keeping instrument, serving as an inspiration for drummers seeking greater improvisational freedom.

Critic and historian Leonard Feather explained Elvin’s significance this way: “His main achievement was the creation of what might be called a circle of sound, a continuum in which no beat of the bar was necessarily indicated by any specific accent, yet the overall feeling became a tremendously dynamic and rhythmically important part of the whole group.” With this freewheeling approach Elvin helped lay the foundation for the avant-garde and fusion jazz movements.

For his Gretsch Summit performance Elvin begins with a polyrhythmic exploration of the kit. Then he’s joined by Moog synthesizer player Joe Galavant and wah-wah-inflected guitarist Paul Mitsky. Their far-out, futuristic fusion jam—fueled by Elvin’s signature rolling thunder on the kit—is the edgiest and most freewheeling of the day’s performances. At the climax of the jam, Elvin lashes into the toms, driving the electronic mix to Hendrixian heights and prompting emcee George Wein to announce: “Elvin Jones, ladies and gentlemen! Strange things are happening!”

Wein then presents Elvin with his award as #1 drummer in the Down Beat International Critics Poll for 1973. In his unmistakable basso croak, Elvin responds with a gracious speech of acceptance.

MEL LEWIS: TASTE AND MUSICALITY

Mel Lewis

As co-leader of the Thad Jones/Mel Lewis Orchestra, Mel Lewis was widely recognized for bringing a tasteful, small-group approach to his big-band drumming. In an interview, Mel once described his subtle but highly musical style as “not pushing or pulling, but supporting.”

Mel didn’t lack for technique; he could play at break-neck tempos for lengthy periods and hardly break a sweat. But he was never one for blazing fills around the drums. For him, chops had to do with control of the instrument, a sense of color, and, above all, the ability to swing. “I learned that the power of the drums was in this smooth glide of rhythm,” he once told Stanley Crouch. “It wasn’t the volume.” So Mel wasn’t flashy or loud—just tasteful, and highly musical.

When it came to sound, Mel was a purist. He insisted on playing genuine Turkish-made cymbals, favoring lightweight models that were dark and rich with overtones. His standard setup included a 21″ ride, a 19″ crash-ride, and a 22″ “swish-knocker” with rivets. The sound of these cymbals, combined with the rich, warm sound of his wood-shell Gretsch drums equipped with natural calfskin top heads produced a sonic identity that was uniquely Mel’s.

Mel opens up his Great Gretsch Summit performance slowly, using mallets and sticks to play deliberate strokes on his toms and cymbals. Extending the solo musically as well as rhythmically, he artfully orchestrates a thoughtful and dramatic piece that highlights the melodic potential of the complete drumkit.

FREDDIE WAITS: POWER AND INTENSITY

Freddie Waits

Next up was Freddie Waits. While never the jazz superstar that Elvin Jones was or that Tony Williams would become, Freddie was the embodiment of the solid, in-demand working drummer during the late 1960s and early ’70s. While in college Freddie played blues with Ivory Joe Hunter and Percy Mayfield. Later he became a “house drummer” for Motown Recording Studios in Detroit, where he worked with such legendary artists as The Temptations, Marvin Gaye, Martha Reeves & The Vandellas, The Supremes, and Stevie Wonder. (Freddie drummed on Stevie’s first hit Fingertips.)

Freddie entered the jazz scene after moving to New York, where he became a member of the original New York Jazz Sextet. He went on to tour with Ella Fitzgerald, and to work with such other greats as Betty Carter, Donald Byrd, Nancy Wilson, Sonny Rollins, Freddie Hubbard, McCoy Tyner, and Johnny Hodges.

Freddie also devoted a great deal of his time and energy to the versatile percussion group M’Boom. The ensemble featured Max Roach, Omar Clay, Roy Brooks, Joe Chambers, Warren Smith, Fred King, and Ray Mantilla, all of whom contributed a tremendously wide range of ideas and influences to the group’s collective percussive identity.

For his part of the Summit, Freddie opens with an audacious eruption on the kit. Employing a take-no-prisoners approach from the outset he dives in headfirst and continues to blaze unabated over the course of eight minutes. Midway through this dynamic percussive deluge Freddie is joined by fellow M’Boom member Joe Chambers on marimba and assorted hand percussion. Together they bring the intensity of the performance to a breathtaking crescendo.

PAPA JO JONES: A SIGNATURE APPROACH

Papa Jo Jones

When Papa Jo Jones took the stage, he was the acknowledged elder statesman among the drummers on the bill—and among jazz drummers worldwide. As one-fourth of the legendary All-American Rhythm Section in the Count Basie band (with Basie on piano, Freddie Green on guitar, and Walter Page on bass) from 1936 through 1948, Papa Jo provided the swinging momentum for that legendary musical organization. In so doing, he established a standard for style and taste on the drums that influenced drummers for generations to come.

More than any other drummer in history, Papa Jo Jones developed the hi-hat into an instrument of great rhythmic and tonal variety. His hi-hat style has been characterized as swinging and driving, but never obtrusive. So it isn’t surprising that Papa Jo’s Great Gretsch Drum Summit solo spot features the hi-hat—only the hi-hat.

According to jazz author and historian Michael Steinman, “Legend has it that the young Tony Williams and the middle-aged Max Roach came out and did their best to show all the ways in which they could make sounds by using every part of their drum kits. Sly and subversive, Papa Jo came out with only his hi-hat cymbals and a pair of sticks and ‘washed them all away.’” The sixty-two-year-old drumming great held the crowd spellbound with his myriad of hip approaches to playing his signature instrument.

It’s a shame that these classic performances were not filmed so that we could have a visual as well as an audio record. But if you’re a drummer—or even just a drumming aficionado—it’s really not hard to imagine what it might have been like to witness these Great Gretsch Drummers in action. Just listen…close your eyes . . . and enjoy!

June 30 is Gretsch Day at Cream City Music

Thursday, June 21st, 2012

Gretsch guitars and Cream City Music are excited to announce the “Gretsch Day” Event, featuring “The Fred & Joe Show,” taking place on Saturday, June 30, 2012, from 11 am to 4 pm CDT at the Cream City Music store on 12505 West Bluemound Road in Brookfield, Wisconsin.

The event, which is free of cost to all guests and open to the public, will feature continuous musical performances beginning at 2:00 p.m. by Bluegrass guitar pickers Nik & Sam, fingerstyle guitarist Bobby Gibson, and acoustic guitar sensation Jake Allen. Guests making very special appearances include Fred Gretsch, the fourth-generation owner of the iconic Gretsch Guitar Company, and Gretsch Guitars Product Specialist, Joe Carducci.

In addition, guitar artist Sarah Gallenberger will unveil her newest masterpiece painted on a Gretsch G6120 guitar. This one-of-a-kind Gretsch will be up for grabs in an online auction benefitting the Milwaukee-based charity Guitars for Vets.

Special offers on Gretsch products and guitars will be available to attendees throughout the day along with a special Gretsch gift bag for the first twenty guests through the door.

For more information, call Cream City Music or visit their website.

*****

About Cream City Music
Cream City Music is on a constant search for great deals to pass on to its customers. Whether it is new, used or vintage items you are looking for, Cream City Music probably has a better price. Its staff is knowledgeable and friendly, and they also like to share their expertise. With a broad assortment of new, used, discontinued, and scratch and dent deals, there is a lot to choose from. Cream City Music takes pride in giving detailed, accurate descriptions of everything they sell, and is trying to provide the best one-on-one customer service available on the planet. For more information, visit their website.

About Guitars for Vets
Guitars for Vets, Inc. (G4V) is a federally registered 501(c)(3) non-profit organization that enhances the lives of ailing and injured military veterans by providing them with guitars and music instruction. Through self-expression and the healing power of music, it is our intent to restore the feelings of joy and purpose that can be lost after suffering trauma. For more information, visit their website.

Chet Atkins: CGP Exhibit To Close with Slew of Special Programs

Monday, June 18th, 2012

From The Country Music Hall of Fame® and Museum:

Slate of Finale Programs Includes a Special June 30 Performance by Earl Klugh, Tribute Concerts, Film Screenings and More.

The Country Music Hall of Fame® and Museum is preparing to bid farewell to the cameo exhibit Chet Atkins: Certified Guitar Player, Made Possible by the Gretsch Company, which opened in the museum’s East Gallery on August 12, 2011.  In recognition of the exhibit’s July 15 finale, the museum is offering a packed lineup of Atkins-themed programs including a special program starring Grammy-winning guitarist Earl Klugh on Saturday, June 30; additional concerts by some of Atkins’ friends, peers and protégés; a series of film screenings; and daily instrument demonstrations.

The Earl Klugh program, instrument demonstrations and concerts are included with museum admission and free to museum members; admission to the film screenings is free. Visit the museum’s website for complete admission details.

Born Chester Burton Atkins on June 20, 1924, in Luttrell, Tennessee, Chet Atkins became one of the most respected musicians and producers in American music history.   His unparalleled achievements were acknowledged formally with his 1973 induction into the Country Music Hall of Fame.  Atkins died on June 30, 2001, and was posthumously inducted into the Rock and Roll Hall of Fame the following year.

Renowned for his sweet tone and his mastery of the acoustic guitar, Grammy Award-winner Earl Klugh ranks as one of the world’s finest guitarists. He was barely a teen in Detroit when he was awestruck by seeing Atkins play guitar on television. After meeting in the late 1970s, Klugh and Atkins collaborated frequently. “Earl can wail with the best,” Atkins told Guitar Player magazine, “but he prefers to touch people emotionally. He reaches your heart with that romantic special something.”

On Saturday, July 7, the museum will pay tribute to Atkins’ thumbpicking inspiration, Merle Travis, with the concert Muhlenburg County Thumbpickers, a reference to Travis’ birthplace in Kentucky. Award-winning Muhlenburg County-area guitarists Joe Hudson, Paul Mosely, Eddie Pennington and Freddie Russell will perform.

On Saturday, July 14, at 1:30 p.m., Chet Atkins: Friends and Flame Keepers will honor Atkins’ legacy as a generous teacher, collaborator, and even a student of other guitarists. The concert will highlight the relationships forged and nurtured around Atkins’ music, as well as the artists who are carrying on and expanding Atkins’ guitar style. Performers include John Knowles, c.g.p., Guy Van Duser, Thom Bresh with Brooks Robertson, Ben Hall with Megan Taylor Anderson and more.

A complete list of closing programs presented in conjunction with the exhibition follows below:

Chet Atkins: Certified Guitar Player, Made Possible by the Gretsch Company, Closing Programs–

Sunday, June 24, 2:00 p.m., CDT – Film Screening: Chet Atkins and Friends: Music from the Heart (1987)

Chet Atkins fronts an ace band and hosts this concert special, originally recorded for television in Nashville. Guest performers include the Everly Brothers, Emmylou Harris, Waylon Jennings, Mark Knopfler, Michael McDonald, Willie Nelson, and others. 60 Minutes. Free.

Saturday, June 30, 1:30 p.m., CDT, Concert: Earl Klugh

Grammy-winning guitarist Earl Klugh will perform solo in tribute to his hero, Chet Atkins. This concert will be streamed live at www.countrymusichalloffame.org. Following the program, Klugh will sign copies of his CDs and a limited edition Hatch Show Print.

Sunday, July 1, 2:00 p.m., CDT, Film Screening: The Jerry Reed Show (1976)

This colorful episode of The Jerry Reed Show features performances by and interviews with Lynn Anderson, Atkins, Jerry Clower, and Terry McMillan. Reed performs “Baby’s Coming Home” with Atkins, and all the guests join in on “Thank God I’m a Country Boy.” The live house band is conducted by Bill Justis. 45 minutes. Free.

Saturday, July 7, 1:30 p.m., CDT, Concert: Muhlenburg County Thumbpickers

Chet Atkins was inspired by the complex fingerstyle guitar playing of Merle Travis called “thumbpicking.” This guitar style has been developed, passed down, preserved, and expanded by generations of players around Travis’s birthplace in Muhlenburg County, Kentucky. Award-winning Muhlenburg area guitarists Joe Hudson, Paul Mosely, Eddie Pennington, and Freddie Russell will perform.

Sunday, July 8, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: Joe Edwards

Sunday, July 8, 2:00 p.m., CDT, Film Screening: Nine Pound Hammer (1998)

In the early 20th century a few guitar players in Western Kentucky developed a unique style of guitar playing that used the thumb to pick out a steady bass rhythm while the first finger played a melody. This style, which became known as “thumbpicking” was popularized by Capitol Records recording artist and Muhlenburg County native Merle Travis, and had a significant influence on Chet Atkins. This film features stories and performances from eight Kentucky thumbpickers, some of whom have been playing since the time Travis rose to stardom, while others are from a younger generation of guitarists who have carried on and expanded this traditional style. 52 minutes. Free.

Monday, July 9, 1:00 p.m., CDT, Vocal and Fingerstyle Guitar Demonstration: Jim and Morning Nichols

Tuesday, July 10, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: Phil Hunt and Eddie Estes

Wednesday, July 11, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: Mark Mazengarb and Loren Barrigar

Thursday, July 12, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: John Standefer

John Standefer is the winner of the 2002 National Fingerstyle Guitar Championship at Winfield, Kansas, and the Open Division winner of the 2004 International Home of the Legends Competition. He teaches and performs yearly at the Chet Atkins Appreciation Society convention in Nashville. Made possible by Gibson Guitar Corporation. Presented in support of the exhibit Chet Atkins: Certified Guitar Player, made possible by the Gretsch Company. Limited seating. Program pass required.

Thursday, July 12, 1:00 p. m., CDT, Offsite Chet Atkins Appreciation Society Program: Panel Discussion: Remembering Chet

John Rumble, senior historian for the Country Music Hall of Fame and Museum, will lead a panel discussion featuring four highly acclaimed music veterans who worked closely with Chet Atkins for many years. Panelists include Jim Ed Brown, Ray Edenton, Charlie McCoy, and Wayne Moss. Presented in support of the exhibit Chet Atkins: Certified Guitar Player, made possible by the Gretsch Company. [program at CAAS - NOT HELD AT THE MUSEUM]

Friday, July 13, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: Jonathan Brown

Jonathan Brown is a fingerstyle guitarist and composer from Nashville. His influences include Jerry Reed, Chet Atkins, Merle Travis, George Benson, Lenny Breau, and Tommy Emmanuel. Offered as part of the special exhibition Chet Atkins: Certified Guitar Player, Made Possible through the Generous Support of the Gretsch Company. Included with museum admission. Free to museum members. Limited seating. Program pass required.

Saturday, July 14, 11:30 a.m., CDT, Lecture-demonstration: Chet Atkins with Strings: Pat Kirtley

Starting in the late 1950s, Chet Atkins, Owen Bradley, Ken Nelson, and arranger Anita Kerr brought violins, violas, and cellos into the sonic blend that would become the Nashville Sound. The sophisticated arrangements created for Eddy Arnold, Patsy Cline, Jim Reeves, and others attracted new listeners and sold millions of records. Atkins was also a pioneer in using string sections on his own recordings. Guitarist Pat Kirtley and the Endless Road Strings will tell the story by recreating some of Chet’s signature pieces, with added commentary on the history of pop and country string sections in Nashville. Offered as part of the special exhibition Chet Atkins: Certified Guitar Player, Made Possible Through the Generous Support of the Gretsch Company. Included with museum admission. Free to museum members. Limited seating. Program pass required.

Saturday, July 14, 1:30 p.m., CDT, Concert: Chet Atkins: Friends and Flame Keepers

Chet Atkins was known as an innovative guitarist; as a producer who helped define the Nashville Sound; as a generous teacher and collaborator; and even as a student of other guitarists. This exhibit-closing concert will highlight the relationships that have been sparked and continue to grow around Chet’s music, as well as the artists who are carrying on and expanding Chet’s guitar style. John Knowles, c.g.p., will host this tribute with guest performances by Megan Taylor Anderson, Muriel Anderson, Thom Bresh, Guy Van Duser, Ben Hall, Brooks Robertson, Joe Robinson, and others.  The program will be streamed live on www.countrymusichalloffame.org. Offered as part of the special exhibition Chet Atkins: Certified Guitar Player, Made Possible Through the Generous Support of the Gretsch Company. Included with museum admission. Free to museum members. Limited seating. Program pass required.

Sunday, July 15, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: Brooks Robertson

Oregon-based Brooks Robertson is a composer and arranger in the style of Merle Travis, Jerry Reed, Thom Bresh, and his own mentor, Buster B. Jones. In 2004, Robertson won first place in Prairie Home Companion’s Talent from Twelve to Twenty Contest.  Offered as part of the special exhibition Chet Atkins: Certified Guitar Player, Made Possible Through the Generous Support of the Gretsch Company. Included with museum admission. Free to museum members. Limited seating. Program pass required.

Sunday, July 15, 2:00 p.m., CDT, Film Screening: Austin City Limits – “Chet Atkins and Friends” (1987)

In this episode of the long-running public television series, Chet Atkins demonstrates his trademark guitar style as well his love of collaboration. His guests include Thom Bresh, Larry Carlton, Johnny Gimble, Peter Ostroushko, Butch Thompson, and the Prairie Home Companion Band. Offered as part of the special exhibition Chet Atkins: Certified Guitar Player, Made Possible Through the Generous Support of the Gretsch Company. 55minutes. Free.

These programs are made possible, in part, by grants from the Metropolitan Nashville Arts Commission and by an agreement between the Tennessee Arts Commission and the National Endowment for the Arts. Film screenings are made possible by Iron Mountain Film and Sound Archives.

Accredited by the American Association of Museums, the Country Music Hall of Fame® and Museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The museum’s mission is the preservation of the history of country and related vernacular music rooted in southern culture.  With the same educational mission, the foundation also operates CMF Records, the museum’s Frist Library and Archive, CMF Press, Historic RCA Studio B and Hatch Show Print®.

More information about the Country Music Hall of Fame® and Museum is available at www.countrymusichalloffame.org or by calling (615) 416-2001.

Gretsch Day 2012 at Street Sounds in Brooklyn

Friday, June 1st, 2012

A Huge Success!

Street Sounds and Gretsch guitars teamed up once again to present the Gretsch Fred & Joe Rock ‘n’ Roll Revival event on Saturday, June 2, 2012, from 12 p.m. to 7 p.m. at the Street Sounds music store on 9206 3rd Avenue in Brooklyn, NY.

The free event featured top-notch musical performances beginning with Foxy Studs, followed by The Octanes, Paul Pigat and Cousin Harley, Nik & Sam, and headliners, the pop rock quartet Fountains of Wayne.

Fred Gretsch and Gretsch Guitars product specialist Joe Carducci presented their popular “Fred & Joe Show” and OK Go frontman Damian Kulash kicked off the evening by signing autographs for fans.  In addition, guests were treated to a hands-on guitar clinic with Gretsch Guitars Custom Shop Master Builder, Stephen Stern, as well as the opportunity to meet Gretsch Girl Kim Falcon who graciously signed her new posters for attendees.

During the evening two lucky attendees won guitars including a Gretsch Double Jet with Bigsby and a Chet Atkins Country Gentleman 12-String.  Other prizes were awarded as well.

A special thank-you to The GretschPages for streaming the event, and to Rocky and his fantastic team at Street Sounds.

Check out images from the evening below:

Street Sounds Brooklyn--Rocky & Gretsch families baked Gretsch collector cookies for event. First-come, first-served!

Fred Gretsch Gets Damian Kulash's Autograph for Granddaughters!

Gretsch Master Builder Stephen Stern Talks Gretsch Guitars

Stephen Stern Knows His Stuff

Fred & Joe - What a Team!

The Foxy Studs Kicked Off the Evening's Live Music

The Foxy Studs

Joe Introduces Our Lovely Gretsch Girl Kim Falcon

Adam Burchfield of The Octanes

The Octanes

Paul Pigat & Cousin Harley

Paul Pigat Working His Guitar Magic

Nik & Sam

Fred Gretsch with Nik & Sam

Toni from Brooklyn Wins a Gretsch Chet Atkins Country Gentleman 12-String Guitar!!

Headliners Fountains of Wayne

Fountains of Wayne

Fountains of Wayne

Thanks Everyone! See You Next Year!

Chet Atkins Exhibit Extended Through July 15!

Friday, April 13th, 2012

From the Country Music Hall of Fame® and Museum:

COUNTRY MUSIC HALL OF FAME® AND MUSEUM TO EXTEND ITS EXHIBITION CHET ATKINS: CERTIFIED GUITAR PLAYER THROUGH JULY 15, 2012

Upcoming Programs Include April 28 Interview with Jerry Bradley and May 5 Concert, Guitar Man: A Tribute to Jerry Reed

The Country Music Hall of Fame® and Museum’s special exhibition Chet Atkins: Certified Guitar Player, which was originally scheduled to close June 11, 2012, has been extended through July 15, 2012, museum officials announced.  The exhibit is being held over in part to accommodate members of the Chet Atkins Appreciation Society, who will visit Nashville in July; the extension also allows the museum to present additional public programs exploring the Hall of Fame member’s robust career and lasting influence.   Among the upcoming programming highlights are an April 28 interview with Jerry Bradley, and a May 5 concert saluting Jerry Reed.

On April 28, music executive Jerry Bradley will sit down with museum Senior Historian John Rumble for an interview at 1:30 p.m. in the museum’s Ford Theater. Bradley, son of Country Music Hall of Fame member Owen Bradley, learned record engineering and production from his father before working at RCA Records with Chet Atkins. First Atkins’ assistant then his successor, Bradley headed RCA Nashville from 1973–82. He signed Alabama and Ronnie Milsap, among others, and contributed greatly to the creation of country music’s ‘Outlaw’ movement. Bradley will discuss his career and the influence Atkins had on it.

On May 5, Guitar Man: A Tribute to Jerry Reed, a concert celebrating the music of Chet Atkins’ friend and collaborator, will begin at 1:30 p.m. in the museum’s Ford Theater. Jerry Reed was known for his innovative fingerstyle guitar playing; his catalog of boisterous country hits including “When You’re Hot, You’re Hot” and “She Got the Goldmine (I Got the Shaft)”; and his good-humored film roles (Smokey and the Bandit). Chet Atkins helped shepherd Reed’s career at RCA, recorded dozens of his musical compositions and gave him the coveted honorary designation certified guitar player (c.g.p.).  Thom Bresh, Craig Dobbins, John Knowles c.g.p., Brent Mason, Richard Smith, Mark Thornton, Darrell Toney and Sean Weaver, backed by a house band of Steve Bryant, Ric McClure and Matt Raum, will perform their favorite Reed tunes.

Both programs, offered as part of the special exhibition Chet Atkins: Certified Guitar Player, made possible through the generous support of the Gretsch Company with additional support provided by Great American Country Television Network, are included with museum admission and free to museum members. The Ford Theater offers limited seating. Museum ticket or membership does not guarantee entry to museum programs. Both programs will also be streamed live at www.countrymusichalloffame.org.

Chet Atkins:  Certified Guitar Player Upcoming Programs Schedule

All programs are included with museum admission and free to museum members, except as noted below.

Sunday, April 29, 1:00 p.m., CDT

Fingerstyle Guitar Demonstration: Pat Kirtley

Guitarist Pat Kirtley blends the musical heritage of Merle Travis and Chet Atkins with an eclectic and contemporary repertoire, in genres from bluegrass to Brazilian. Kirtley has won the title of U.S. National Fingerstyle Champion, and in 2006 he was inducted into the National Thumbpicking Hall of Fame.

Sunday, April 29, 2:00 p.m. CDT

Film Screening: Chet Atkins: Rare Performances 1976-1995 (FREE)

Saturday, May 12, 1:00 p.m. CDT

Family Program: Introduction to Thumbpick Guitar (FREE)

Learn to play guitar like Chet Atkins and Merle Travis. This hands-on workshop will teach the basics of thumbpick guitar. Led by versatile guitar player Sean Weaver, recipient of awards from Home of the Legends Thumbpickers Contest and the Jimi Hendrix Electric Guitar Competition. Guitars provided. Ages 6 to 18. No reservations required.

Sunday, May 13, 1:00 p.m. CDT

Fingerstyle Guitar Demonstration: Craig Dobbins

Craig Dobbins is an Alabama-based guitarist, writer, and composer. He has authored many books and recordings about fingerstyle guitar, and has contributed to Acoustic Guitar, Acoustic Guitar Workshop, Fingerstyle Guitar and Just Jazz Guitar magazines.

Saturday, May 19, 2:00 p.m. CDT

Community Outreach: Introduction to Thumbpick Guitar at Nashville Public Library, Goodlettsville Branch

205 Rivergate Parkway, Nashville, TN 37072. (615) 862-5862. Ages 13 to 19. No reservations required. Free.

Museum programs are made possible, in part, by grants from the Metropolitan Nashville Arts Commission and by an agreement between the Tennessee Arts Commission and the National Endowment for the Arts.

Accredited by the American Association of Museums, the Country Music Hall of Fame® and Museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The museum’s mission is the preservation of the history of country and related vernacular music rooted in southern culture. With the same educational mission, the foundation also operates CMF Records, the museum’s Frist Library and Archive, CMF Press, Historic RCA Studio B and Hatch Show Print®.

More information about the Country Music Hall of Fame® and Museum is available at www.countrymusichalloffame.org or by calling (615) 416-2001.