Archive for the ‘Gretsch News’ Category

Stanton Moore Brings N’Awlins Down Under

Monday, August 29th, 2011

Stanton Moore

Gretsch drum great Stanton Moore recently completed a whirlwind clinic/performance tour of Australia, where he delighted drummers with his New Orleans-flavored funky style. Stanton’s appearances were part of the Drumscene Live Australia Tour 2011, sponsored by Drumtek, the country’s largest percussion retailer.

From August 14 through August 21 Stanton and his tour mates crossed the continent, entertaining drummers in Brisbane, Sydney, Canberra, Newcastle, and Adelaide. They finished up at the 2011 edition of Australia’s Ultimate Drummers Weekend & Drum Expo in Melbourne, where Stanton conducted master classes on Saturday the 20th and closed the show on Sunday the 21st.

As a native son of New Orleans, Stanton is especially connected to that city, its culture, and its collaborative spirit. Inspired by a thriving music scene that includes such greats as Professor Longhair, Doctor John, and The Meters, Stanton is now regularly mentioned amongst these Big Easy mainstays.

In the early ’90s, Stanton helped found the New Orleans-based essential funk band Galactic. Their first album, 1996’s widely acclaimed Coolin’ Off, led to intense touring over the next ten years. Six additional albums later, Galactic continues to amass a worldwide audience.

In 1998 Stanton launched his solo career, aided by guitar virtuoso Charlie Hunter and saxophonist Skerik. The group’s All Kooked Out! release evolved into another project, leading to the first Garage a Trois release, Mysteryfunk (1999). In 2000 the trio was joined by percussionist Mike Dillon and has since released three more albums: Emphasizer in 2003, Outre Mer in 2005, and Power Patriot in 2009.

Stanton is also highly regarded as a clinician and educator. His Groove Alchemy book/DVD/CD package has been hailed by drummers and teachers alike, and was named best educational book and DVD in the 2011 Modern Drummer Readers Poll.

More information on the Drumscene Live tour is available at drumtek.com.au. More information on Stanton Moore is available at Gretschdrums.com and StantonMoore.com.

Fred Gretsch Salutes Chet Atkins

Wednesday, August 24th, 2011

Gretsch Company President Speaks at Opening of Country Music Hall of Fame’s Exhibit Honoring Guitar Great

This past August 10 saw the opening reception for the Country Music Hall of Fame® and Museum’s new exhibit, Chet Atkins: Certified Guitar Player. The star-studded gala hosted many luminaries from the guitar world, including Steve Wariner, Duane Eddy, and Paul Yandell.

Fred & Dinah Gretsch. Fred spoke to reception attendees on behalf of six generations of the Gretsch family. Photo by Donn Jones Photography.

An equally important figure in attendance was Fred Gretsch, fourth-generation Gretsch Company president. Along with his wife (and Gretsch CFO) Dinah, his son Fred Jr., and grandson Will. Fred was on hand to salute the museum’s unique tribute to one of America’s genuine musical giants. The Gretsch Company is the major sponsor of the exhibit, which opened to the public on August 12 and will run through June of 2012.

Fred’s remarks to the audience during the opening ceremonies offered a combination of personal history and heartfelt admiration. Speaking “on behalf of six generations of the Gretsch family, three generations of which are here this evening,” Fred expressed the family’s pleasure at being involved with the new exhibit. “We can think of no better way to honor Chet’s memory,” Fred continued, “than to illustrate his accomplishments in such an entertaining and educational fashion.”

In outlining Chet Atkins’ achievements, Fred stated, “Few musicians have single-handedly defined a musical genre by virtue of their unparalleled instrumental technique. Fewer still have gone on to transcend time, style, and genre to forever alter the course of popular music. Chet Atkins is one of those few. Along with his profound influence on the modern electric guitar and those who play it, Chet was the architect of ‘The Nashville Sound,’ a new and distinctive approach to country music that vastly expanded its appeal around the world.”

Fred & Dinah Gretsch at the Chet Atkins: Certified Guitar Player exhibition, for which Gretsch is the title sponsor.

With an obvious sense of personal pride, Fred explained that the Gretsch Family shares a special connection to Chet. “My uncle, Fred Gretsch Jr, first signed Chet as a Gretsch guitar artist in 1954. Over his long association with the company, Chet was instrumental in the creation of the 6120 Nashville, Country Gentleman, and Tennessean signature guitars. All three are bestsellers still today, but the Country Gentleman is particularly revered by guitarists—ironically because of its use by another guitar great: George Harrison. The legendary Beatle was a tremendous admirer of Chet, of his music, and of the guitars he designed. Check out those famous clips of The Beatles on the Ed Sullivan Show 1964, and you’ll see George playing his Chet Atkins Signature Country Gentleman guitar.”

Fred concluded by saying, “The Gretsch Company is proud of its long friendship with Chet Atkins, and our family cherishes the special relationship that we had with such a fine individual. Today, we are honored to be the title sponsor for this terrific exhibition. We share the Country Music Hall of Fame’s commitment to ensuring that Chet’s unrivaled legacy will continue to be celebrated for generations to come.”

Gretsch USA Custom Drums: It’s All About Options

Monday, August 22nd, 2011

Gretsch’s top-of-the-line drums are called USA Custom for two very good reasons. The first reason is the fact that every drum is hand-crafted in Gretsch’s Ridgeland, South Carolina factory. The second reason is the staggering number of options available to drummers who want to create truly personalized kits.

USA Custom Gold Glass Nitron

USA Custom toms and bass drums all start with legendary Gretsch 6-ply shells. They’re given the famous Silver Sealer interior coating, 30-degree bearing edges, and Gretsch’s trademark die-cast hoops. From there on, the choices are almost endless.

Decisions, Decisions
Sizes? How ‘bout twenty bass drums, thirty-eight rack toms, and nine floor toms. Finishes? Pick from twenty-six Nitron wraps, twenty-three nitro cellulose gloss lacquers, and fourteen nitro cellulose satin lacquers. Any of those lacquers can be combined with black in a diamond pattern called Harlequin, and any lacquer finish can be applied over an outer ply of highly figured curly maple.

USA Custom Satin Ebony

But the options don’t stop there. Gretsch USA Custom bass drums can be ordered with a variety of hoops, T-rods, spurs, mufflers, tom mounts, and cymbal holders. Floor toms can be fitted with four different models of leg brackets, including Millennium or Vintage Diamond. And virtually all of these hardware components are available in chrome, black, and gold finish.

That Special Drum
Most drummers consider the snare to be their most personal drum. The USA Custom line of wood snare drums offers seven sizes and five lug configurations (ranging from six to twenty) to suit virtually any musical application. And if those aren’t enough, four solid-maple and four solid-walnut G-5000 models are also hand-crafted in the Ridgeland factory…along with unique signature snares designed with and for Vinnie Colaiuta, Stephen Ferrone, and Stanton Moore.

Any snare drum may be ordered with the drummer’s choice of the classic Gretsch Lightning, Nickel Drumworks, or Dunnet strainer and butt. And now there’s a fourth choice: the fabled and much-loved Gretsch Micro-Sensitive strainer.

Just like it used to be, only better.

Making History…Again
The 2011 Micro-Sensitive strainer is actually a re-launch of a design that graced Gretsch snares from the mid-1950s to 1969, and that’s been a favorite of players and collectors alike ever since. But the new version has the added advantage of updated internal mechanics designed to meet contemporary standards of functionality. It’s a classic case of “just like it used to be…only better.”

Also available in a revamped and improved version is the new G5463 bass drum claw. It’s modeled after the classic G5462 claw hook, which has been in use since the 1950s. The new version is die-cast and triple chrome plated, and it features an interior pad that acts as a buffer between the claw and the bass drum hoop.

Along with the dozens of other options available, the return of the revered Micro-Sensitive strainer and the G5463 claw hook provide even more choices to make your USA Custom kit truly your own.

To see the complete line of Gretsch drums, visit the Gretsch Drums website.

Chet Atkins Exhibit Opening Reception Kicks Event Off With Style

Wednesday, August 10th, 2011

Kyle Young. Photo by Donn Jones Photography.

A very special Exhibition Opening Reception took place Wednesday evening, August 10, at The Country Music Hall of Fame® and Museum.  Approximately 200 enthusiastic guests were warmly welcomed by museum director Kyle Young and treated to a memorable musical performance by world-class guitar-slinger Steve Wariner, who, in 1997, received official “C.G.P.” status from Chet Atkins.  Special remarks were also made by Fred Gretsch, fourth generation Gretsch Company president, about Chet Atkins and his long-time association with the Gretsch family and company.  At the conclusion of the program, guests were given the opportunity to take an exclusive advance tour of the Chet Atkins: Certified Guitar Player exhibition which officially opens to the public on Friday, August 12.

Fred & Dinah Gretsch. Photo by Donn Jones Photography

During the exhibition opening weekend, the public will be able to enjoy an exhibit introduction and talk by a Museum curator; a panel discussion featuring Ray Stevens, Steve Wariner, and Billy Edd Wheeler and illustrated with photos, film footage, and recordings from the Museum’s Frist Library and Archive; film screenings; and much more.

This amazing cameo exhibition, made possible through the support of the Gretsch Company with additional support by the Great American Country Television Network, pays tribute to Chet’s legendary versatility and vision and is scheduled to run through June 11, 2012.  The exhibition will be accompanied by an ongoing series of programs throughout its duration.

For additional exhibition information, visit The Country Music Hall of Fame® and Museum’s website.

Additional photos from the reception:

Steve Wariner Interviewed by Local Media

Fred Gretsch, Duane Eddy, Ken Kramer

Ken Kramer, Fred Gretsch, and Jimmie Webster's Son Raey

Fred Gretsch, Duane Eddy, and Members of Hot Rod Walt and the Psycho-DeVilles

Steve Wariner, Fred Gretsch, Merle Russell & Kyle Young. Photo by Donn Jones Photography.

Fred & Dinah Gretsch with Joe Carducci. Photo by Donn Jones Photography.

Dinah & Fred Gretsch Receive Special Gift from Kyle Young. Photo by Donn Jones Photography.

Steve Wariner Performs. Photo by Donn Jones Photography.

Ben Hall. Photo by Donn Jones Photography.

Three Generations of the Gretsch Family Attend Reception. Photo by Donn Jones Photography.

Reception Attendees Treated to Special Preview. Photo by Donn Jones Photography.

Chet Atkins Exhibit at the Country Music Hall of Fame and Museum. Photo by Donn Jones Photography.

The Gretsch Foundation: Raising Funds for Nuci’s Space

Sunday, August 7th, 2011

Guitar Art by Lou Kregel

With the help of The Gretsch Foundation’s Guitar Art Program, musician-focused nonprofit Nuçi’s Space (www.nuci.org) presented its inaugural “Guitar Art Show and Music Memorabilia Auction” in Athens, Georgia earlier this year. The unique event raised $8,000 for the musicians’ support and resource center.

Nuçi’s Space is named in memory of Nuçi Phillips, a talented musician and student at the University of Georgia who committed suicide in 1996 after a long battle with depression. The organization’s mission is to prevent such tragedies by providing obstacle-free treatment for musicians suffering from depression and other psychological disorders, as well as to promote the emotional, physical, and professional well-being of musicians. Since opening in 2000, Nuçi’s Space has provided direct financial assistance for mental health treatment to over 1,000 musicians.

Guitar Art by Chris Gholson

The idea for the auction event was first conceived nearly four years ago when The Gretsch Foundation’s Guitar Art Program awarded Nuçi’s Space four small acoustic guitars, three full-size acoustic guitars, and a beginner-level drumset.

“Athens is the perfect home for this type of event,” says Nuçi’s Space executive director Bob Sleppy. “The music and arts scenes are so intertwined as to be nearly indistinguishable from one another. Almost every musician is an artist, and every artist is a musician. And although it took us several years to get this show together, the collection of instruments and music memorabilia we had available for auction was very impressive.”

The Guitar Art Show and Auction was an unforgettable night, filled with great music and art. Musicians Kyshona Armstrong and the Artie Ball Swing Band performed for an appreciative crowd throughout the evening. Featured “Gretsch Guitar Art” artists included Lou Kregel, Chris Bilheimer, Chris Wyrick, Chris Gholson, John Gholson, Jamie Calkin, Wes Freed, Jason McFarland, Lamar Wood, Jeff Hannan, and Wilma Pittard. Music memorabilia included items autographed by the B-52s, Kenny Rogers, Drive-By Truckers, Colt Ford, Green Day, R.E.M., Counting Crows, Kris Kristofferson, and Oscar winner Jeff Bridges (from the film Crazy Heart).

Guitar Art by Wes Freed

Since the Guitar Art program began nine years ago, Gretsch has donated over 1,000 guitars that have raised more than $400,000 in support of worthwhile programs and projects. For more information on how to apply for this donor program or to see other examples of Gretsch Guitar Art projects, visit www.guitarart.org.

Gretsch Foundation Supports 4th Banjo Workshop

Tuesday, July 12th, 2011

Participants of the 4th Banjo Assembly Workshop

The fourth annual Banjo Assembly Workshop presented by the Savannah Folk Music Society ended with a happy group of participants walking out the garden gate with good-looking and good-playing banjos in their hands. The event, which took place on June 18 on the grounds of the Ships of the Sea Museum in Savannah, Georgia, drew 27 enthusiastic participants this year.  The workshop focused on the construction of real, playable banjos by amateur banjo enthusiasts. Kits, tools, and instruction were provided by the Savannah Folk Music Society and the Ships of the Sea Museum.

Workshop participants spent an intense day learning how to create instruments for themselves using banjo parts donated by the Gretsch Foundation, the charitable arm of the Gretsch family, as well as strings donated by LaBella Strings. Fred and Dinah Gretsch—owners of the Pooler, Georgia-based Gretsch Company—are long-time supporters of the Savannah Folk Music Society.

As usual, the Gretsch Company and the Gretsch Foundation were pleased to be a part of this unique workshop for the benefit of Savannah area musical enthusiasts.

For more information on the Savannah Folk Music Society visit  www.savannahfolk.org . For more information on the Gretsch Foundation and the Gretsch Company, visit www.gretsch.com.

Chet Atkins: Certified Guitar Player Exhibit Opens August 12

Monday, July 11th, 2011

Press release issued by The Country Music Hall of Fame® and Museum–

The Country Music Hall of Fame® and Museum will pay tribute to one of country music’s most versatile and visionary artists, Chet Atkins, with Chet Atkins:  Certified Guitar Player, a biographical exhibit opening Friday, August 12, 2011, for a 10-month run in the Museum’s East Gallery.  The exhibition, which is made possible through the generous support of the Gretsch Company with additional support provided by Great American Country Television Network, will run through June 11, 2012.

Opening weekend festivities will include an exhibit introduction and talk by a Museum curator; a panel discussion featuring Ray Stevens, Steve Wariner and Billy Edd Wheeler and illustrated with photos, film footage and recordings from the Museum’s Frist Library and Archive; a film screening and more.  (A detailed schedule of grand opening activities is below.)

The exhibit will be accompanied by a richly detailed, lavishly illustrated, 96-page companion book, also titled Chet Atkins: Certified Guitar Player. Published by the Museum’s Country Music Foundation Press, the volume will include essays by noted Atkins authorities Walter Carter (on Chet and his guitars), Michael Cochran (on Chet’s life and career), Rich Kienzle (on Chet’s development and prowess as a guitarist) and Museum Senior Historian John Rumble (on Chet’s work as a producer and record label executive). Also included are tributes to Chet from Tommy Emmanuel, John Knowles, and Steve Wariner, recipients of Chet’s honorary C.G.P. designation; from Mark Pritcher, president of the Chet Atkins Appreciation Society; and from Fred W. Gretsch, president of the Gretsch Company.  The book will be available in the Museum Store and at www.countrymusichalloffame.org.

“Chet Atkins was country music’s ultimate Renaissance man, one of the greatest instrumentalists in American music history and a true musical savant,” said Museum Director Kyle Young.  “His signature guitar licks shaped recordings by scores of legendary artists, including the Everly Brothers, Elvis Presley and Kitty Wells, and his playing influenced future rock gods Duane Eddy, George Harrison, Mark Knopfler and many more.  As a producer, Chet was an architect of the ‘Nashville Sound’; he was also a brilliant record executive who signed and propelled a generation of country artists – including Waylon Jennings, Dolly Parton and Charley Pride – to fame.  Chet’s guiding hand shaped much of the bedrock of country music, and we’re honored to tell his story, one we know will resonate with country fans old and new.

“We are grateful to Chet’s family and friends for sharing their mementos and memories and allowing us to tell this extraordinary tale.”

Chet Atkins: Certified Guitar Player,
Made Possible Through the Generous Support of the Gretsch Company

Born Chester Burton Atkins on June 20, 1924, in Luttrell, Tennessee, Chet Atkins became one of the most respected musicians and producers in American music history.   His unparalleled achievements were acknowledged formally with his 1973 induction into the Country Music Hall of Fame.  Atkins died on June 30, 2001, and was posthumously inducted into the Rock and Roll Hall of Fame the following year.

Employing a wealth of instruments, vintage photos, personal possessions and correspondence, career-spanning audio and video and more, Chet Atkins:  Certified Guitar Player will explore the life and impact of this incomparable musician, producer and executive.

Nearly 20 of Atkins’ guitars will be featured in the exhibit, including the following:

* Chet’s first guitar, a Sears Silvertone he acquired at age 11 and upon which he taught himself to play

* Chet’s 1938 Gibson L-10; the guitar was custom-designed for its original owner, Les Paul, and handed over to Atkins in 1945

* A 1948 Gibson L-7 guitar used by Atkins in the recording studio, and onstage with Maybelle and the Carter Sisters, in the late 1940s

* Four Gretsch Chet Atkins model guitars, including a 1976 fire-engine-red Gretsch Chet Atkins Super Axe

Other notable artifacts include:

* A recording contract with Bullet Recording Co., dated July 20, 1946, stating that for Atkins’ recording of “Pickin’ the Blues,” the artist would receive a “one-cent royalty for all records listed to sell at a retail price of more than 50 cents.”

* Atkins’ 1954 guitar instruction manual, Chet Atkins Guitar Method

* A meticulous re-construction of the work-bench and shelves in Chet’s basement home studio, including tools, meters and personal effects including photos of Jerry Reed, Ray Stevens and others

* Atkins’ framed C.G.P. (“Certified Guitar Player”) diploma, which he bestowed on himself in 1997

Chet Atkins: Certified Guitar Player Grand Opening Month Program Schedule

All programs are included with Museum admission and free to Museum members, except as noted below.

Friday, August 12, 1:30 p.m.
Curator’s Exhibit Talk
A museum curator offers an introduction to Chet Atkins:  Certified Guitar Player.

Saturday, August 13, 1:30 p.m.
Panel Discussion
Steve Wariner, Billy Edd Wheeler, and others discuss Atkins’ legacy.

Sunday, August 14, 1:00 p.m.
Guitar Demonstration: Ben Hall
The 2005 International Thumbstyle Guitar Champion, Ben Hall has performed or recorded with Charlie Louvin, Jeannie Seely and others. Hall will demonstrate the thumb-pick style of Chet Atkins and Merle Travis.

Sunday, August 14, 2:00 p.m.
Film Screening: Chet Atkins: A Life in Music (2000)

Sunday, August 21, 1:00 p.m.
Guitar Demonstration with David Anderson.

Sunday, August 21, 2:00 p.m.
Film Screening: Chet Atkins Rare Performances 1955 – 1975

Saturday, August 27, 2:00 p.m.
Concert: Tommy Emmanuel C.G.P. Salutes Chet Atkins
Tommy Emmanuel, one of a handful of legatees upon whom Atkins bestowed the C.G.P. designation, performs songs from Atkins’ catalog.

Sunday, August 28, 1:00 p.m.
Instrument Demonstration:  John Knowles, C.G.P
John Knowles, one of a handful of legatees upon whom Atkins bestowed the C.G.P. designation, demonstrates some of what he learned from Atkins.

Sunday, August 28, 2:00 p.m.
Film Screening: The Porter Wagoner Show with special guest Chet Atkins (1974, 1975)

Chet Atkins: Certified Guitar Player will be accompanied by an ongoing series of programs throughout the exhibit’s run.

These programs are made possible, in part, by grants from the Metropolitan Nashville Arts Commission and by an agreement between the Tennessee Arts Commission and National Endowment for the Arts.

Accredited by the American Association of Museums, the Country Music Hall of Fame® and Museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The Museum’s mission is the preservation of the history of country and related vernacular music rooted in southern culture.  With the same educational mission, the Foundation also operates CMF Records, the Museum’s Frist Library and Archive, CMF Press, Historic RCA Studio B and Hatch Show Print®.

More information about the Country Music Hall of Fame® and Museum is available at www.countrymusichalloffame.org or by calling (615) 416-2001.

Jack Gavin Revisits His Youth at The CMT Awards

Tuesday, June 28th, 2011

For any country musician, performing on the Country Music Television (CMT) Music Awards Show is an exciting experience. But for Gretsch artist Jack Gavin, this year’s show—which aired live from Nashville to 90 million people this past June 8—provided a special thrill.

Anchoring the show’s house band was a fun gig for the veteran drummer whose credits include long stints with country greats Tracy Lawrence, Mel McDaniel, the Charlie Daniels Band, and presently Tanya Tucker who will soon be departing for some European tour dates. During the show Jack was kept busy backing artists including Hunter Hayes, The Jandear Girls, Thompson Square, Kid Rock, Wynona, Hines Ward, and Colt Ford, as well as playing for every presenter and every commercial break.

Jack's 1970s Gretsch kit was in pretty sad shape to begin with.

But while Jack certainly enjoyed performing behind all of these talented artists, it was the Gretsch drumkit he was doing it on that made the evening unique. That kit has a special place in Jack’s heart, because it’s the one that Jack’s dad gave him when he was starting his career as a young drummer in the 1970s.

Jack practiced and “played out” on that drumset while growing up in the Niagara Falls/Buffalo, New York area, so it held many fond memories for him. But, as will happen with professional players, Jack moved on to other kits over the years, and the ’70s Gretsch kit wound up gathering dust on a shelf. That is, until early in 2010, when Jack’s drum tech Kendal Kramer undertook the challenge of restoring the vintage kit to like-new condition so that Jack could use it for performances again.

First the old covering had to be removed, exposing the old adhesive beneath.

The shells had to be sanded smooth.

Kendal’s task involved stripping the shells of the existing covering and adhesive, working with Gretsch to obtain parts, having new bearing edges cut, plugging holes from the original hardware, and re-covering the drum with a new wrap. Then he had to drill holes for new hardware—including new lugs necessary to convert the drums from single-headed concert toms to standard double-headed toms. It was a long process that had to be done with loving care. But the outcome of that process was a like-new version of that classic Gretsch kit, now covered in a white satin finish that Kendall describes as, “classy, but with an electrifying look under stage lighting.”

Holes from old hardware were carefully plugged.

When Jack Gavin sat atop the drum riser at the CMT awards, he had still another reason to be thrilled: His parents were in the audience. There they could not only enjoy Jack’s playing, but could also enjoy the new look, the great sound—and the fond memories—produced by his beautifully restored Gretsch set. It was a special night for the Gavin family.

A beautiful new White Satin wrap was applied.

A very proud Jack Gavin sits behind his restored kit.