Archive for the ‘Music Industry Events’ Category

On The Passing Of Remo Belli

Friday, May 6th, 2016

The Gretsch family joins everyone in the drum and percussion industry in mourning the passing of Remo Belli on April 25. As a veteran of that industry myself, I had the pleasure of knowing Remo for many years on a personal and professional basis. My wife Dinah and I shared visits with him at trade shows and other drumming events, and we always enjoyed our time together.

But Remo’s connection to the Gretsch family goes back much further. My uncle, Fred Gretsch Jr., was a little more than twenty years older than Remo. When Remo was touring as the drummer for Anita O’Day and bandleader Billy May in the 1950s, Uncle Fred was running the Gretsch business. He welcomed Remo into the fold as a Gretsch drum artist. In fact, Remo’s smiling face graces the cover of the 1954 Gretsch drum catalog—right next to Louie Bellson, and in the company of other drum greats like Art Blakey, Jo Jones, and Shelley Manne.

Remo Belli on Cover of 1954 Gretsch Drums Catalog

Just a few years later, when Remo went into business himself, Uncle Fred supported his efforts by becoming a major customer for his Weather King synthetic drumheads. Remo heads are still factory-installed on Gretsch drums today.

Fast-forward to when I entered the drum business fifty years ago. Returning the favor that my uncle had done for him, Remo (who was a little less than twenty years older than I am) served as a mentor to me, offering sound business tips and valuable personal advice. Over the ensuing years I came to cherish his friendship, his guidance, and his unparalleled professional example. I will miss those things—and Remo himself—tremendously.

Fred W. Gretsch
4th Generation President
The Gretsch Company



Guitar Legend Duane Eddy

Wednesday, March 16th, 2016

How a simple introduction by a Beatle 25 years ago led to two Gretsch signature models, and a long friendship with “The King of Twang.”

By Fred W. Gretsch

Back in 1991, my wife Dinah and I attended a music trade show in London with friends from the Hohner Company, Gretsch’s distribution partner in the UK at the time. Hohner had created an impressive display to showcase the new line of Gretsch guitars we had just introduced. They even commissioned an artist to paint a 40-foot mural featuring several Gretsch guitar players and the Traveling Wilburys band.

When we arrived in London, we reached out to George Harrison and suggested getting together, and he responded that he would like to see us while we were in town. We had gotten to know George several years earlier after Dinah sent him a thank-you note for featuring his vintage ’57 Gretsch Duo Jet on the cover of his Cloud Nine album. That led to a call from George thanking Dinah for the note, chatting about guitars, and inviting us to a recording session to see the vintage Gretsch guitars being used for the upcoming Traveling Wilburys Vol. 1 album. George was also involved in helping design the Gretsch Traveling Wilburys electric guitar.

London Mural 1991

Fred Gretsch, London 1991

You can imagine how surprised we were when a member of the trade show’s management team came to the Gretsch booth to say George was at the front door of the exhibition hall asking to see us. Dinah and I literally ran to the front door and happily arranged credentials for George and two friends he had brought along: Jeff Lynne and Duane Eddy.

It was the first time I had met Duane, who, like George, was a fan of the sound and looks of Gretsch guitars. He shared the story of the Chet Atkins 6120 model guitar he had bought at Ziggie’s Music in Phoenix back in 1957. It was the guitar he used on all of his “twangy” instrumental hits like “Rebel Rouser,” “Forty Miles of Bad Road,” and “Peter Gunn”, and he still performed and recorded with it 34 years later.

After meeting in London, I corresponded and stayed in touch with Duane for several years and shared my interest in offering a Gretsch Duane Eddy signature model. He was intrigued, met with me and our team at our Ridgeland, SC facility, and brought his original ’57 Gretsch along so we could measure and document the details of his iconic guitar.

In 1997, 40 years after purchasing his ’57 Chet Atkins 6120 guitar, Gretsch proudly introduced the G6120-DE Duane Eddy signature model. It was a reproduction of Duane’s famous ’57 6120 and was available in both a Western Orange finish and a cool-looking Ebony Burst finish that Duane suggested.

Duane and Ted McCarty, 1997

We kicked off the release of the new Duane Eddy 6120 at the 1997 Summer NAMM Show in Nashville. Gretsch sponsored a gala dinner that paid tribute to both Duane and guitar industry veteran and family friend, Ted McCarty. With Mr. McCarty getting the recognition he so rightfully deserved, and Duane and his band of Nashville session pros playing a rollicking hour-long set, it was a memorable night and one of the highlights of my 51-year career in the music business.

Today, Gretsch offers a second generation Duane Eddy signature model that is even closer to the sound and feel of the 6120 Duane purchased as a teenager nearly 60 years ago. So close, in fact, that Duane finally retired his ’57 6120 because he said his new signature model has the same sound and punch of his ’57 Gretsch, along with the slim-profiled neck he always liked on his original guitar. Duane worked very closely with Gretsch Custom Shop Master Builder Stephen Stern and his team to both faithfully reproduce Duane’s legendary ’57 6120, and add some modern improvements like trestle bracing and a new Tru-Arc rocking bar bridge for more “twang” and sustain. In Duane’s words, the current Duane Eddy model is the best of the old world and the new world.

Duane Eddy Performing at Fred Gretsch's 50th Anniversary Event in Brooklyn

Over the years, Duane and his wife, Deed, have become very dear friends to Dinah and me. We visit with them often and have seen him perform many times. He even performed at my Fiftieth Anniversary Bash in Brooklyn last year and appeared with me recently at a special event that kicked off the opening of the Bachman-Gretsch Collection Exhibit at the Country Music Hall of Fame and Museum in Nashville.

It’s always special to see Duane and enjoy his dry sense of humor, colorful stories, and, of course, his music. He is a true living legend and an original. Duane’s twangy guitar instrumentals sold millions of records, influenced thousands of young guitarists (like George Harrison) – and helped sell a lot of Gretsch guitars. It’s hard to put a price tag on all of that. It’s even harder to put a price tag on a friendship that has lasted more than 25 years. Thank you again, George, for introducing me to Duane Eddy “all those years ago.”

The Eddys and the Gretsches at the Bachman-Gretsch Collection Exhibit Opening, Country Music Hall of Fame and Museum, January 2016

To read an exclusive interview with Rock and Roll Hall of Famer Duane Eddy where he shares stories about Gretsch guitars, his friendships with George Harrison and the Gretsch family, and his nearly 60-year music career, please visit



Seventy-five Vintage Guitars from the Bachman-Gretsch Collection Sparkle and Shine at Nashville Museum Exhibit

Monday, January 18th, 2016

A historical collection of vintage, rare, and one-of-a-kind Gretsch guitars is now on display at The Country Music Hall of Fame® and Museum in Nashville, Tennessee. The new exhibit, American Sound and Beauty: Guitars from the Bachman-Gretsch Collection, features 75 of the more than 300 Gretsch guitars amassed by Canadian musician Randy Bachman of The Guess Who and Bachman Turner Overdrive fame. It is the largest collection of guitars ever displayed at the Museum and marks the first time the public has seen a part of Bachman’s extensive Gretsch collection, considered the largest in the world. The Gretsch Foundation, the charitable arm of the Gretsch family, purchased the collection in 2008.

Several rare and one-of-a-kind vintage Gretsch guitars from the 1960s on display at the Country Music Hall of Fame and Museum. Photo by Ron Denny/The Gretsch Company.

Fred Gretsch, fourth generation Gretsch Company president, and wife Dinah, CFO and executive vice president, were joined by family, friends, and legendary musicians at a special preview and reception hosted by the Museum on Thursday night, January 14.

Gretsch President Fred Gretsch sharing remarks about the Bachman-Gretsch Collection. Ben Hall, Major Gifts Manager at the Country Music Hall of Fame® and Museum, holds the Gretsch Company’s 130th Anniversary history poster. Photo by Ron Denny/The Gretsch Company.

Gretsch shared that he never imagined a phone call made to Randy Bachman more than 30 years ago asking for his help would lead to this special exhibit. After buying back the family business from the Baldwin Company in 1984, Gretsch needed vintage Gretsch guitars to use as prototypes. “Randy was kind enough to share several of his guitars from his collection,” said Gretsch. “We are forever grateful for his assistance in helping launch that first generation of new Gretsch guitars.”

Gretsch also thinks “American Sound and Beauty” is an appropriate name for the exhibit. “The guitars on display are as American as it gets,” said Gretsch. “Most were built in Brooklyn, New York at The Gretsch Building, a building my grandfather Fred Gretsch Sr. constructed and opened 100 years ago in 1916.”

“These guitars also contributed their unique sound to the evolution of popular American music, including jazz, country, and of course, rock ‘n’ roll,” continued Gretsch, “Plus, Gretsch ushered in a new era of colorful and sparkly guitar finishes in the 1950s. The guitars on display are just beautiful and look like true works of art in the Museum.”

Gretsch closed his remarks at the reception by honoring Chet Atkins, the most important endorser of Gretsch electric guitars, and the musician that influenced a long list of artists including Duane Eddy, Paul Yandell, George Harrison, Neil Young, Stephen Stills, Brian Setzer, Steve Wariner, Joe Robinson, Tommy Emmanuel, and Randy Bachman. (Fred Gretsch’s remarks in their entirety can be seen below.)

Steve Wariner Performs at Exhibit Opening Reception.

Rock and Roll Hall of Famer Duane Eddy followed Gretsch on the program and shared the important role Gretsch guitars had in developing his legendary “twangy” sound. Eddy bought his first Gretsch Chet Atkins Model 6120 in 1957, and Gretsch offers a current Duane Eddy Signature Model almost 60 years later. Country Music singer, songwriter, and guitarist Steve Wariner closed the program with a tasteful instrument tribute to his late friend and mentor, Chet Atkins.

During the exhibit’s opening weekend on Friday, January 15, and Saturday, January 16, Gretsch guitar expert and author Edward Ball conducted Gallery Talkback sessions entitled “The Gretsch Legacy” in the Museum’s Taylor Swift Education Center.  A variety of special programs will be scheduled throughout the length of the exhibit.

American Sound and Beauty: Guitars from the Bachman-Gretsch Collection will be on display through July 10, 2016. For more information about the exhibit, visit To learn more about Gretsch guitars, visit

Fred Gretsch’s Reception Remarks:

On behalf of five generations of the Gretsch Family, it is my honor to welcome you as we celebrate the opening of the Exhibition titled:  American Sound and Beauty, Guitars from the Bachman-Gretsch Collection.  Thank you for joining us this evening.

We never imagined a phone call made to Randy Bachman 30 years ago asking for his help would lead to this special exhibit. After buying back the family business from Baldwin in the mid-80s, we had to literally start from scratch in developing the new line of Gretsch guitars. We had heard of Randy’s vast collection and asked him if we could borrow several of his vintage Gretsch’s so we could measure them, spec them, and use them to build prototypes as close to the original formula as possible. Randy was kind enough to say “Yes” and we are forever grateful for his assistance in helping launch that first generation of new Gretsch guitars.

We think “American Sound and Beauty” is an appropriate name for this exhibit. The guitars displayed here are as AMERICAN as it gets.  They were built in Brooklyn, New York, on the seventh floor of The Gretsch Building. A building my grandfather, Fred Gretsch Sr., constructed & opened 100 years ago in 1916 and it still stands today. (But instead of making guitars and drums that look like a million bucks, The Gretsch Building now is condos you can buy for a million bucks…)

And SOUND. These vintage guitars on display – as well as new Gretsch guitars that were shipped out today – have a special SOUND that is “Uniquely Gretsch”. It’s part of the recipe we want to preserve so “That Great Gretsch Sound” will continue for future generations to discover and enjoy.

And BEAUTY. Gretsch guitars have a long reputation for their cool, colorful looks. We were pioneers in the 1950s that added new palettes of colors and two-tones and sparkle to the guitar world that had long been dominated by natural and sunburst finishes. One of my memories of working at The Gretsch Building were seeing all the racks of finished, gleaming, and beautiful Gretsch guitars. They were handsome indeed.

It’s also ironic that 75 Gretsch guitars out of a collection of more than 300 instruments were selected to be on display for this exhibit. When I joined the Gretsch Company full-time in 1965, it was at the height of the guitar boom (thanks to Chet Atkins, George Harrison, and The Beatles), and we were scrambling to build and ship out our new goal of 75 guitars a day.

We are here tonight because of exceptional people – giants in my mind – that were and are exceptional influencers. My great-grandfather, Friedrich Gretsch, my grandfather, Fred Gretsch, Sr., my father, Bill Gretsch, my uncle, Fred Gretsch, Jr., Jimmie Webster, Duke Kramer, Phil Grant, and Dinah Gretsch; exceptional leaders all on behalf of the Gretsch business just to name a few.

Equally as tall are our artist partnerships that started with Billy Gladstone back in the 1930s. We think you will agree the most important partnership – and the one that put Gretsch guitars on the map – was our endorsement with Chet Atkins. A partnership that endures 60+ years later.

The 130 year Gretsch history poster I have here lets me use pictures to say a thousand words. The left half of the poster from your perspective is popular music from the 1880s until Rock and Roll was born. Think even before radio when the player piano and the phonograph were the high tech products of their day.  The Gretsch business in that era was primarily all about supplying instruments for music education, marching bands, and making banjos and parlor guitars.

Chet Atkins stands out right in the middle of this poster. He ushers in a new era of popular music at the forefront of Rock and Roll when the electric guitar was now becoming the star, both in the recording studio and on stage. His partnership with the Gretsch family was to influence a long list of artists including Duane Eddy, Paul Yandell, George Harrison, Neil Young, Stephen Stills, Brian Setzer, Steve Wariner, Joe Robinson, a six-year-old boy in Australia named Tommy Emmanuel, a teenager in Canada named Randy Bachman, and thousands more.

In closing, it all comes full circle now in our celebration here this evening.  We are reminded how important it is for us to welcome and encourage new generations of musicians & their music to keep the circle unbroken.  How important it is to be a positive influence to others, and how important it is to support music education – something that is very near and dear to Dinah and me, and is the primary mission of the Gretsch Foundation, who incidentally has owned the Bachman-Gretsch Collection since 2008.

And speaking of music education, I would be remiss by not recognizing Andy Mooney, the new CEO of Fender Musical Instruments who is here with us this evening.  He is our partner in the worldwide marketing and distribution of Gretsch guitars. Andy not only leads the number one guitar company in the world, but has initiated a new digital products division dedicated to making it easier and more fun to play the guitar, to help players connect with other players, and to help beginners who pick up a guitar get through the crucial first 12 months of the learning cycle to make a lifelong commitment to enjoying the guitar. Thank you, Andy.

On behalf of Dinah and me, we would like to congratulate our partners, the Country Music Hall of Fame and Museum, for their world-class presentation of this historic exhibit.  Special thanks also go out to Carolyn Tate, Kyle Young, Steve Turner, Mick Buck, and John Reed.  And just as important, we salute their work on behalf of musicians of all ages showcased in their distance learning programs and in the work of the Taylor Swift Educational Center.

Thanks again for joining us this evening.



Gretsch Greatest Hits…and Hitters

Wednesday, August 26th, 2015

Phil Collins: The Unmistakable Man

by Fred W. Gretsch

Considering the enormity of Phil Collins’ success as a solo artist in the 1980s and 90s, it might surprise some people to learn that he first came to musical prominence as the drummer in an equally successful band almost a decade earlier. That band was Genesis, and their unique brand of early progressive rock was powered by Phil’s innovative style and unmistakable sound.

Phil joined Genesis in 1970 for their third album, Nursery Cryme, and he went on to help catapult the band to international fame. His drumming combined a great feel (based heavily on his love for groove-based ’60s soul music) with quick footwork, uniquely effective accents, and burning fills that left drummers shaking their heads in amazement and admiration. When original lead singer Peter Gabriel left the group in 1975 Phil stepped out front to take Gabriel’s place. His drumming chores on live performances were taken over first by Bill Bruford and later by Chester Thompson, but Phil continued to provide the dynamic drumming on all Genesis recordings throughout the band’s lengthy career.

Phil also holds the distinction of having created and played what may be the most universally recognized drum fill in the history of popular music: the classic descending-toms break in his mega-hit “In The Air Tonight” (from his 1981 solo album Face Value). That fill alone—probably the most air-drummed of all time—sets Phil squarely in the pantheon of drumming greats. And although not many people know it, Phil played drums on the famous Band Aid single “Do They Know It’s Christmas?” which spent the early weeks of 1985 at the top of the charts and has been a holiday staple ever since.

Phil's Gretsch Kit

Throughout most of his career Phil performed his dynamic drumming on a Gretsch drumkit that was, to put it mildly, different from the kits of his contemporaries (and remains so to this day). First off, it was a “lefty” kit, owing to Phil’s left-handedness as a player. Next, it featured a bevy of single-headed rack and floor toms that produced the deep, powerful attack that contributed to Phil’s trademark sound. Phil tended to sit low, so the kit seemed to surround—and nearly obscure—him as he played. But his talent and creativity—and the kit’s Great Gretsch Sound—always commanded his audiences’ attention.

Sadly, health issues led Phil to retire from drumming in 2011. Fortunately, recordings and videos of his playing with Genesis, with other performers, and as a solo artist abound today. Those recordings serve as a testament to Phil’s personal drumming prowess—and his contribution to drum history itself.

Phil On Display

A full-concert clip from 1973 documents Genesis’s early incarnation as a progressive/“art” rock band, largely due to the theatrics of singer Peter Gabriel. But it also showcases Phil Collins’ contribution to the group’s seminal sound.

By 1987 Genesis was a very different group, with Phil out front on vocals. But he always returned to the drumkit at every show, as on this live concert from England’s Wembly stadium. Check out his drumming duet with Chester Thompson about 3/4ths of the way through the show.

The original “official” video for Phil’s 1981 super-hit “In The Air Tonight” seems a little dated today…but the classic drum fill sounds as powerful as ever.

An absolutely fabulous full-concert clip of Phil playing with a crack band in Paris at the height of his solo career. Phil opens the show on drums, and later participates in a terrific drum feature with second drummer Ricky Lawson and percussion great Luis Conte.

On Phil’s “First Farewell Concert” tour in 2004, Phil and Chester Thompson performed a dynamic drumming duet that must be seen and heard to be believed.

Oh What A Night…With Doyle Dykes!

Monday, August 10th, 2015

Saturday night, August 1, was a musically magical night in of all places, Bloomingdale, Georgia, a quiet southern community just west of historic Savannah. Randy Wood’s Pickin’ Parlor hosted a special evening featuring the stylings of Doyle Dykes, “one of the finest fingerpicking guitarists around” as described by the late Chet Atkins. The sold out show was attended by area music lovers–several never having seen Doyle perform before–and none of whom left the event disappointed.

Doyle Dykes. Photo courtesy of Don Aliffi.

For most of the evening, Doyle performed masterfully with his new Gretsch White Falcon guitar to which he had added an LR Baggs acoustic pickup.  He also used a recently-acquired Gretsch 12-string electric. Doyle graciously shared some nice comments about his Gretsch instruments with the audience and also called area resident Fred Gretsch up on stage to talk about Fred’s 50 years in the music business (which is being celebrated throughout 2015).

Also joining Doyle during Saturday night’s show were Keith Miller and his son Nathan from Summerville, South Carolina. Quite a skillful ukulele player, Nathan delighted the audience with a song he composed while visiting a little German village and inspired by their daily church bells. Watch his performance.

Doyle with Dinah & Fred Gretsch along with Keith and son Nathan Miller

What a night and what a terrific time with one of the best cross-genre
fingerstylists today! If you don’t yet know Doyle, you need to visit his website and Facebook page to learn more.  And watch Doyle’s tribute to Chet Atkins from the Pickin’ Parlor.

While out in the Savannah area, add some great music to your evening.  Check Randy’s Pickin’ Parlor’s schedule for upcoming events.


Special thanks to Chris and Missy and to Jim Wethington for posting videos from the show!


A Brooklyn Bash!

Monday, June 15th, 2015

Celebrating Fred Gretsch’s Fifty Years In The Music Business

This past May 30 saw a very special event in Brooklyn, New York: a celebration of Fred W. Gretsch’s fiftieth anniversary in the music industry. Representing the fourth generation of the Gretsch family business, Fred’s career began on March 2, 1965. Today he remains at the helm of the Gretsch Company—and as such is one of the very few individuals in the musical-instrument industry still actively involved with the brand that bears his name.

It’s entirely appropriate that the celebration of Fred’s anniversary was held in Brooklyn, because that’s where the Gretsch Company was located from its inception in 1883 until 1969. In those years the company manufactured great drums, guitars, banjos, and other instruments under the watchful eyes of Fred Gretsch’s great-grandfather (Friedrich Gretsch), grandfather (Fred Gretsch Sr.), father (William “Bill” Gretsch), and uncle (Fred Gretsch Jr.). The iconic Gretsch Building that housed the factory still stands today at 60 Broadway, in the shadow of the Williamsburg Bridge.

And so it was that Gretsch fans, artists, and music-industry colleagues from across the country came to Brooklyn to help Fred and his family celebrate this auspicious occasion. And it all started with…

Gretsch Day At Street Sounds

Brooklyn’s Street Sounds.

Street Sounds is located on 3rd Avenue in Brooklyn. Touting itself as “the world’s largest Gretsch dealer” (for guitars, amps, and related accessories), Street Sounds staged an all-day event that showcased Gretsch products and Gretsch artists alike.

This beautiful guitar was created by Stephen and the Gretsch Custom Shop.

Store owner Rocky Schiano decorated the shop for the occasion with an impressive array of Gretsch guitars. This included several stunning creations by the Gretsch Custom Shop operation. Rocky greeted the crowd, and then introduced Gretsch Guitar product manager Joe Carducci, who served as emcee for the day’s festivities.

Emcee Mr. Joe Carducci.

Following a video presentation highlighting Gretsch history, Joe introduced Fred and Dinah Gretsch, who greeted the crowd on behalf of the Gretsch Family and the Gretsch Company. Fred then spoke about the importance of family, commenting on how he and Dinah shared a multi-generational involvement in business with daughter Lena, and pointing out that there were fifth- and sixth-generation Gretsch family members in attendance at the event. Dinah Gretsch offered her thanks to the audience for their attendance, then went on to express her deep personal conviction that music enriches the lives of those who pursue it.

Fred Gretsch had a moment to chat with Ben Fraser (left) and Justin Keenan of The Go Set after their performance.

Fred enjoyed a chat with Ben Fraser (left) and Justin Keenan of The Go Set.

Entertainment for the day began with a performance by Justin Keenan and Ben Fraser—two members of an Australian quintet called The Go Set. Switching between acoustic and electric guitars and mandolin, the talented duo impressed the crowd with their melodic stylings. Their closing number, “Liberty Bell,” was offered as a tribute to the spirit of America.

Stephen Stern presented Fred with a congratulatory banner.

Senior master builder Stephen Stern was on hand to represent the Gretsch Custom Shop.  He presented Fred with a specially-created banner featuring the Custom Shop logo and the signatures of all of the talented artists and builders at the shop itself.

You couldn’t get more “local Brooklyn” than the next band on the bill. Called Off The Roof, this young trio featured Rocky Schiano’s daughter Kristina on drums. (Gretsch drums, naturally.) Their energetic set of punk-infused R&B included numbers by Jimmy Eat World and Alicia Keys, as well as a unique arrangement of the classic Jackson 5 tune “I Want You Back.” Pretty impressive, considering that it was their self-described “first time playing out.”

Brooklyn-based Off The Roof featured Rocky Schiano’s daughter Kristina on drums.

Mark Nelson (center) and Mike Nieman of Gretsch Drums presented Fred with a limited-edition snare drum.

Mark Nelson and Mike Nieman, representing the Gretsch drum-making operation, made the next presentation to Fred Gretsch. Appropriately enough, it was the prototype of a limited-edition snare drum model called the FredKaster ’65 FG. Only fifty of these unique 7×14 commemorative drums will be offered for sale in the US. Fred’s drum came with its head signed by everyone involved in the manufacturing and sale of Gretsch drums.

The Nashville Attitude may be from Staten Island, New York, but they have an authentic honky-tonk sound.

State Island's The Nashville Attitude have an authentic honky-tonk sound.

You might not think of New York City as a hotbed of country music, but Staten Islands’ The Nashville Attitude would prove you wrong. Fronted by the vocals, guitar, and banjo of Marc Vincent Sica (with Elvin Cartegena on guitar and Ian Underwood on bass) the group stormed through a set of foot-stompin’, knee-slappin’ tunes, including an ever-accelerating version of Johnny Cash’s classic “Rock Island Line” that challenged the stamina of drummer Dave Strickland.

The legendary Duane Eddy was a surprise guest.

The next scheduled act was Jet Weston and his Atomic Ranch Hands. But before they began, Joe Carducci introduced a surprise artist: the legendary “father of twang,” Duane Eddy. After modestly acknowledging the crowd’s enthusiastic applause, the Rock & Roll Hall Of Famer sat in with Jet and the band, adding his special touch to several tunes . . . including his 1960s hit, “Rebel Rouser.”

Jet Weston and his Atomic Ranch Hands are a throwback to the great western swing bands—and a real crowd-pleaser.

Then Jet and his boys returned to play an entertaining set of their trademark western swing and standards. Following a crowd-pleasing sing-along rendition of “Ghost Riders In The Sky,” Jet offered musical tributes—first to Dinah Gretsch by singing the classic “Dinah…Is There Anyone Finer?” and then to Fred Gretsch in the form of special lyrics added to Roy Hamilton’s 1958 hit “Don’t Let Go.”

New York state senator Marty Golden (at right) offered a proclamation from the senate honoring Fred Gretsch and the Gretsch Family connection to Brooklyn.

NY senator Marty Golden offered a proclamation honoring Fred Gretsch and the Gretsch Family.

Rocky Schiano returned to the stage to introduce New York state senator Marty Golden, and to bring Fred and Dinah back up as well. Golden then read a senate proclamation that highlighted the history of the Gretsch Company and its connection to Brooklyn, and went on to salute Fred Gretsch on his fiftieth anniversary.

Todd Taylor and bassist Mike Moody.

Joe Carducci could barely contain his enthusiasm when introducing the next artist, citing him as “the Guinness World Record Holder as the fastest banjo player on the planet!” This was Todd Taylor, who—accompanied by the talented Mike Moody on bass—proceeded to demonstrate why he holds that title. The soft-spoken southern gentleman more than lived up to his reputation.

A stunned Kentucky Parkis—an elementary schoolteacher who also teaches bass in the Little Kids Rock music-education program—took home the day’s final raffle prize: a beautiful Gretsch 5420 guitar, presented to her by Dinah Gretsch.

Kentucky Parkis took home the day’s final raffle prize: a beautiful Gretsch 5420 guitar.

Throughout the day Joe Carducci presided over the giveaway of valuable door prizes. These included Gretsch T-shirts and tote bags, as well as several Gretsch guitars. The day’s big winner was Kentucky Parkis, an elementary schoolteacher who also teaches bass guitar in the Little Kids Rock music-education program. Literally in tears of surprise and happiness at her good fortune, Kentucky took home a classic orange-finish Gretsch 5420 guitar worth over $1,200.

The performances closed with an appearance by The Empty Hearts, an all-star band featuring Wally Palmar (the Romantics) on lead vocals, rhythm guitar, and harmonica; Elliot Easton (the Cars) on lead guitar and vocals; Andy Babiuk (the Chesterfield Kings) on bass and vocals; and Clem Burke (Blondie) on drums and vocals. Clem played on a totally appropriate Gretsch Brooklyn Series kit for the occasion.

The Empty Hearts closed the show with a bang!

Offering what they themselves describe as “simple, straightforward, soulful rock ’n’ roll informed by ’60s garage rock and British Invasion sounds,” the group’s set combined original tunes from their new self-titled album with hit songs from each of their bands—including a joyous closing rendition of the Romantics’ “What I Like About You” that left the crowd screaming for more.

Joe Carducci concluded the celebration by thanking Rocky Schiano and Street Sounds for staging the event, thanking everyone in the audience for attending, and offering one more round of congratulations to Fred Gretsch on his fiftieth Anniversary. A good time was had by all.

Stay tuned for videos from the event to be posted soon!

A Very Special Party

This specially decorated cake greeted guests at the Gretsch dinner party.

The day-long public celebration at Street Sounds was followed by a private party under a sparkling white tent at the nearby Dyker Beach golf course. The guest list included four generations of the Gretsch Family, along with Gretsch artists, industry colleagues, and other people near and dear to the hearts of Fred and Dinah Gretsch.

Dinah Gretsch served both as hostess and emcee for the evening’s festivities.

The party was presided over by Dinah, who opened the festivities by saying “We’re here to celebrate my greatest hero: Fred Gretsch.” Dinah then introduced a video program containing congratulatory messages from family, friends, and artists all over the world, as well as from the Country Music Hall Of Fame & Museum, Elmhurst College, Berklee College of Music, the Little Kids Rock program, and Modern Drummer magazine.

A particularly moving moment in the evening came when Dinah read a paper composed by grandson Logan Thomas. Written for a school assignment called “My Definition Of A Hero,” it eloquently described how and why Logan’s grandfather, Fred Gretsch, met that definition.

David Wish of Little Kids Rock presented Fred with a framed concert photo.

Later in the evening a succession of guests offered personal anecdotes and appreciative words in tribute to Fred. These included David Wish, founder of the Little Kids Rock program, who saluted Fred as a mentor and supporter of LKR’s goal “to bring music to every single child in this country.” Dave then presented Fred with a framed photo of an LKR concert, emblazoned with a congratulatory message from the 195,000 children in the LKR program.

A special 50th anniversary “trophy” was commissioned by Dinah to honor the man she called “My hero: Fred Gretsch.”

Terry Dennis, who has worked with Fred and Dinah Gretsch in a design capacity for more than twenty years, created a one-of-a-kind commemorative “trophy” to be presented to Fred from Dinah. The award’s design was based on imagery from historic Gretsch catalogs.

Duane Eddy described how he was first introduced to Fred and Dinah in 1991—by George Harrison. Andy Babiuk cited Fred’s “persistence,” including how Fred relentlessly pursued him about writing a book on Paul Bigsby. Tony Oroszlany, president of Loyola High School in New York (Fred’s alma mater) saluted Fred for his ongoing support of the school. Street Sounds owner Rocky Schiano recalled “getting a history lesson about Brooklyn from Fred” during a stroll through the Williamsburg section. Bill Acton, of Fender’s Gretsch Specialty Team, stated how it was an honor to partner with Fred in marketing Gretsch guitars world-wide, describing him as “the nicest man in the business to work with.” Dave Waters, also of the Fender/Gretsch team, noted that of all major American guitar companies, only Gretsch has someone with the brand’s name running the company. And guitarist Elliot Easton related how he and Fred met and bonded over a bit of guitar minutiae: the fact that in the early 1990s, out of all left-handed guitar models only Gretsch’s featured control knobs that also worked “lefty.” Elliott—a left-handed player—particularly appreciated this attention to detail. This led to a friendship that ultimately generated a signature guitar model that he and Fred designed together.

Finally, Dinah brought Fred himself up to the podium—where he received a lengthy standing ovation from all in attendance. Discarding the written comments that he had prepared, Fred said instead, “I’m overwhelmed. I can’t add any more in words…but please know how much is in my heart. I thank you all.”

Then, with a twinkle in his eye and excitement in his voice, Fred added, “Now let’s have cake!”



Fred and Dinah Gretsch Presented With Henry H. Arnold Award

Wednesday, May 20th, 2015

Fred and Dinah Gretsch Presented With Henry H. Arnold Award and Sponsor First Annual John Calabro Night of the Arts Celebration at the United States Military Academy, West Point.

Fred and Dinah Gretsch are presented the Henry H. (Hap) Arnold Award to recognize their support of the John A. Calabro Music and Arts Program at the United States Military Academy in West Point, NY. From left to right: Brigadier General Timothy Trainor, Dean of the Academic Board; Colonel (Retired) Robert L. McClure, President and CEO, West Point Association of Graduates; Dinah Gretsch, and Fred Gretsch. Photo by Kristin Sorenson, VP of Development, WPAOG.


Fred and Dinah Gretsch were presented the General Henry H. (Hap) Arnold Award for helping sponsor the First Annual John Calabro Night of the Arts celebration and awards ceremony at the United States Military Academy in West Point, NY. The April 10 event, coordinated through the Department of English and Philosophy and the Cadet Fine Arts Forum, showcased cadet creativity and talent in music, photography, film, poetry, prose, and fine art.

This year’s event began a new tradition of honoring the late retired Colonel John A. Calabro, Jr., a 1968 USMA graduate and former Academy Professor of English, and Senior Vice President & Chief Operating Officer of the West Point Association of Graduates. Calabro, a revered Soldier and scholar, was also an accomplished musician, creative writer, and fine artist, and a strong advocate for the important role the arts played in the overall development of officers. He was a longtime friend of Fred Gretsch, President of the Gretsch Foundation.

“John Calabro was a true Renaissance man, a lifelong learner, and an ideal blend of ‘Athens and Sparta’ here at West Point,” said Gretsch. “We’re very proud that the Gretsch Foundation can support the Music and Arts Program named in John’s honor, and be associated with the United States Military Academy, one of the most respected and historic brands in America for over 200 years.”

Mr. and Mrs. Gretsch were invited to attend the inaugural event at West Point and spent the day touring the museum and many historic buildings at the nation’s oldest continually occupied military post. They enjoyed having lunch with over 4,400 cadets at the Academy’s famous mess hall on the first floor of Washington Hall.

“It was a wonderful experience. How can you not be impressed with the history and tradition of America’s most esteemed military academy,” said Dinah Gretsch. “And the talent and creativity we saw in the cadets, both women and men, at the celebration and awards ceremony was outstanding. The Gretsch Foundation is happy to honor John Calabro’s legacy with this sponsorship.”

The sponsorship not only makes the John Calabro Night of the Arts celebration and awards ceremony an annual event, but also includes an outreach program that will connect members of the Cadet Jazz Forum, the USMA Band’s Jazz Knights, and students from local middle and high schools through music appreciation and performances. This year’s ceremony included a performance by the Jazz Ensemble, a band comprised of USMA cadets and students from West Point Middle School and James I. O’Neill High School.

About the Gretsch Foundation:

The Gretsch Foundation, the charitable arm of the Gretsch family, has a mission of enriching lives through participation in music, and has long been involved in music education through its sponsorship of concerts, festivals, clinics, workshops and direct assistance to schools.

In addition to providing music scholarships at Berklee College of Music, Elmhurst College, Georgia Southern University, and the University of West Georgia, the Foundation’s unique GuitarArt program donates guitars to schools for students and major artists to paint, decorate and auction off for fundraising efforts. Please visit for more information.



Gretsch News From NAMM: A Report On What’s Changing And What’s Not

Sunday, January 25th, 2015

Shortly after the turn of the new year it was announced that the license to manufacture and distribute Gretsch drums had been acquired by Drum Workshop. Not surprisingly, this set off a storm of rumor and speculation about the future of the brand and of the drums themselves.

In order to address the concerns of the drum community, a presentation for the music-industry press was held on Friday, January 23 at the NAMM musical instrument trade show in Anaheim, California. There, comments were offered by key figures from both companies, including DW founder Don Lombardi and Gretsch Company president Fred Gretsch.

Don was careful to stress the respect that he and everyone at DW shares for the legacy of Gretsch drums, as well as for the passion for quality displayed by the folks who make them at the Ridgeland, South Carolina factory. He stated unequivocally that there are no plans to make any changes to that manufacturing operation.

For his part, Fred Gretsch stated that throughout the 132 years of Gretsch history, the goal of the Gretsch Family has been to manufacture the best drums in the world, and today the family is pleased to have a new partner in that effort. He went on to note the strong parallels between Gretsch and DW, including that fact that, like Gretsch, DW is “a family-owned company run by people who have a genuine understanding of–and respect for–the art of top-quality custom drum manufacturing.”

Fred concluded by saying, “I’m confident that this new partnership will generate continued expansion of the world-wide market for Gretsch drums, while honoring the time-tested design and unique legacy that are so much a part of ‘That Great Gretsch Sound.’”

In addition to the press presentation, the continuity of Gretsch drum production was dramatically illustrated by a display of beautiful kits and snare drums. These included:

A new Broadkaster kit finished in Satin Copper Lacquer.

A Brooklyn Classic configuration in Satin Dark Ebony.

A flagship USA Custom kit finished in Dark Walnut Gloss.

A kit from the new Renown Walnut series, in natural gloss. It features 6-ply walnut-maple-walnut shells.

Wood Burned Snare Drums developed in conjunction with drum star Matt Sorum and hand-crafted by artist Mathieu Jean.