Archive for the ‘Music Industry Events’ Category

Gretsch 2012 NAMM Show Highlights

Monday, February 6th, 2012

2012 NAMM Show at the Anaheim Convention Center

The 2012 NAMM musical-instrument show took place January 19 through 22 at the Anaheim Convention Center in California. This annual event, sponsored by the International Music Products Association, is America’s largest trade show for the showcasing of musical instruments and accessories. This year’s show was the 110th edition, and attendance reached a record high. A whopping 95,709 visitors filled the halls with an all-new level of energy and excitement.

Gretsch Drums and Gretsch Guitars were a major reason for that excitement, with plenty of new products to display. In addition, Fred and Dinah Gretsch were on hand—joined by other members of the Gretsch family—to lend their special personal touch to all of the Gretsch-related activities.

Gretsch Drums On Display

Gretsch Drums had plenty of great new gear to showcase at this year’s NAMM show. Here are just a few highlights.

Fred Gretsch and New Brooklyn Series Kit

The focus of the 2012 NAMM display was the launch of the new Brooklyn Series. Made in Gretsch’s US factory, the new series is a tribute to the city in which the Gretsch Company got its start back in 1883.  And who better to help introduce the new series than Fred Gretsch himself?

Among the beautiful new Brooklyn series kits in the Gretsch booth was a classic five-piece configuration with a Smoke Grey Oyster Nitron wrap. The drums feature Gretsch maple/poplar shells with classic 30-degree bearing edges and the legendary Silver Sealer on their insides. Toms and snares come fitted with new “302” model 3mm double-flanged hoops, which are reminiscent of hoops used by Gretsch up until the mid-1950s.

Gretsch Brooklyn Display

These hoops have the same height profile as the classic Gretsch die-cast hoop in order to provide a playing experience that feels the same as traditional Gretsch USA Custom drums. All other drum hardware components—including lugs, claws, brackets, and spurs—are the same as those used on USA Custom kits. And perhaps best of all for Gretsch “purists,” the return to Brooklyn means a return to a round badge. The Brooklyn Round Badge has a black/pewter color scheme with a classic embossed Gretsch design.

Brooklyn Jazz Kit

Aficionados of jazz will recognize this classic configuration. It’s a Brooklyn Series kit in small “bop” sizes, finished in a mahogany lacquer.

Gretsch Snares

This bevy of beautiful snare drums includes one wood-shell (top left) and three metal-shell (bottom row) Brooklyn Series models, along with two brand-new Brushed Brass snares that feature a hand-brushed finish that creates a distinctive two-toned vintage patina effect.

A just-for-fun monster setup showcased a Gretsch USA Custom kit with a Chrome Nitron finish mounted on an ultra-customized Gibraltar rack.

The distinctive Gretsch Renown 57 kit debuted last year, with a design inspired by the great American car manufacturers of the 1950s. The new Motor City Red finish introduced for 2012 was so hot that the kit had to be displayed behind a plastic shield!

Gretsch Energy Kit

This eight-piece, double-bass kit is from Gretsch’s new affordable Energy Series. “Quick”-sized toms on GTS mounts produce maximum tone, cutting attack, and thunderous low end. Classic Gretsch features include 30-degree bearing edges, 5-lug configurations for the 8”, 10”, and 12” rack toms, and Gretsch-style lugs.

For more highlights-related photos, please visit our photo gallery here.

Goings-On at Gretsch Guitars

Gretsch Guitars Main Display

There’s nothing like a room full of the world’s finest guitars to attract the attention of NAMM show-goers. So there was no shortage of visitors to the Gretsch Guitars exhibit. The fact that Fred Gretsch was also often on hand to greet and chat with Gretsch guitar fans made this year’s exhibit even more special.

Although Gretsch is best known today for the manufacture of great guitars, the company got its start in 1883 making an even more traditional type of American instrument: banjos—as demonstrated by Fred Gretsch.

Fred Gretsch on the Banjo

Not long afterward came mandolins, flat-top guitars, ukuleles, and other instruments that contributed to what we now call “roots” or “Americana” music. Gretsch celebrated this important contribution to American history with a display of authentic recreations of those classic instruments.

Gretsch Roots Disply

When it comes to a recognizable guitar sound, there’s no mistaking the unique twang of rock pioneer Duane Eddy. A long-time user and aficionado of Gretsch guitars, Duane was honored at this year’s NAMM show by having his signature guitar as the focal point of the Gretsch contemporary guitar display.

And a great Gretsch name also returned with the re-introduction of the Rancher acoustic guitars. The richly resonant Rancher first appeared in the early 1950s with its highly distinctive triangular sound hole and sweepingly elegant pickguard. Gretsch proudly re-introduced the model at the show with a great new five-instrument selection of body sizes, styles, and features.

For more highlights-related photos, please visit our photo gallery here.

Gretsch Artists In The House!

A welcome visitor to the Gretsch Drums booth was great Gretsch drummer Stanton Moore. Van Romaine was also on hand to greet and sign autographs for Gretsch drum fans.

Steve, Will, Dinah & Rane

Gretsch artists are considered “part of the family” by Fred and Dinah Gretsch. So it was a family gathering when touring and studio star Stephen Ferrone (far left) stopped by the drum exhibit to sign autographs for show-goers, and to visit with Dinah Gretsch and sixth-generation family members Will (left) and Rane Gretsch.

Gretsch Guitars sponsored a number of artists in live performances throughout the NAMM show. These included guitar stars like Paul Pigat and Duane Eddy, as well as roots musicians Nik & Sam.

Stellar among all the Gretsch artists was Australian guitar phenom Joe Robinson. After breaking onto the scene at the age of sixteen as the youngest-ever winner of Australia’s Got Talent, Joe has gone on to become one of the most exciting and promising young artists on the scene today. His combination of compositional skill and unbelievable technical abilities had jaws dropping at each of his performances.

Fred and Friends

When your name is on the finest drums and guitars in the world, you tend to enjoy the company of others who share a similar status. So it was with Fred Gretsch at the 2012 NAMM Show.

Before the start of the show on Friday, January 20, Fred had the opportunity to share a convivial breakfast with Robert Zildjian and his wife, Willi. After working for many years in the family business that bears his name, Robert Zildjian left in the early 1980s to found his own company: Sabian Cymbals. With generations of business as well as family history behind each of them, Fred and Bob enjoyed swapping stories at breakfast.

Fred and Jeff Pevar

Later in the show Fred enjoyed a visit at the Gretsch Guitars booth from Jeff Pevar. In addition to being a first-call guitarist for artists like David Foster, Rikki Lee Jones, and David Lindley, Jeff is the “P” in CPR, a band in which he plays with rock icon David Crosby and keyboardist/composer James Raymond.

Big Doings At Bigsby

Bigsby Booth

This year saw the Bigsby Vibratos booth taken to a whole new level. The display featured new custom-built vintage-style vibrato cases (like the ones Paul Bigsby made all those years ago) as well as two racks of guitars supplied by thirteen different manufacturers—showcasing the wide array of makes and models that sport Bigsby Vibratos. Visitors to the booth repeatedly expressed how surprised they were at the number and variety of different guitars with Bigsby tailpieces.

Bigsby also set some new records at the show. A total of thirty-two different guitar manufacturers were utilizing Bigsby Vibratos, not only on guitars displayed in their booths, but also in the hands of their performing artists on stage. This was an incredible 39% increase over 2011. In addition, 160 individual Bigsby Vibratos were on display in various booths throughout the exhibition halls—an astounding 44% increase over the number at last year’s show.

Supporting the USPTO

Bigsby Helps Out at USPTO Booth

For the second straight year, the United States Patent and Trademark Office (USPTO) exhibited at the NAMM Show in an effort to encourage patent and trademark protection and discourage copying within the music industry. Bigsby was happy to aid in this effort by providing a display board that was originally created for the USPTO Trademark Expo in Alexandria, Virginia this past year.

A Celebration of 129 Years

There’s nothing like an anniversary to inspire a celebration. So, to mark the 129th year of business for Gretsch, Dinah and Fred Gretsch invited a group of family, friends, artists, and business partners to a dinner party on Saturday, January 21. The event was held at the Jazz Kitchen restaurant within the Downtown Disney complex in Anaheim.

At one point during the evening Fred and Dinah rose to toast those in attendance, thanking them for helping to make Gretsch an ongoing success. Fred pointed out that between his forty-seven years in the music business and Dinah’s thirty-three, it added up to eighty years of experience…during which time, he said, “We’ve partnered with the best.”

Fred with Alvino Bennett, Mark Schulman, and John Palmer

Gretsch artists in attendance at the dinner included drummers Mark Schulman, Stephen Ferrone, and Alvino Bennett, “roots” musicians Nik & Sam, and guitarists Duane Eddy, Paul Pigat, and Joe Robinson. At Dinah Gretsch’s request Joe pulled out an acoustic guitar and entertained the guests with one of his recent compositions.

When Joe had concluded, Dinah Gretsch expressed her pride in the youth associated with Gretsch. “We need youth and passion to continue the business for the next hundred years,” she concluded. “It’s all about passion for what we do.”

For all highlights-related photos, please visit the photo gallery here.

Gretsch Introduces New Brooklyn Series

Thursday, January 19th, 2012

From the Gretsch Drums Website:

Gretsch drums were born in Brooklyn, New York in 1883. They were proudly crafted in the vibrant city for the better part of the 20th Century. Brooklyn and Gretsch share an inseparable history that is part of American music history and folklore. It is a shared legacy that cannot be duplicated. Today, Brooklyn represents a renaissance community that vibrates with contemporary artistic expression, youthful innovation and passionate musical commitment. Gretsch Brooklyn series celebrates the rejuvenated Brooklyn city passion and spirit and expands on its distinctive shared American experience.

Gretsch Brooklyn Series

Sound

Rooted in classic Gretsch design, Brooklyn delivers vintage Gretsch tones that are full, punchy and warm. These classic tones are modified by the 6-ply North American maple/ poplar shells and “302″ hoops. Innovative specs drive a new Gretsch tonal characteristic that is slightly more open and ambient. Brooklyn drums sound like classic Gretsch drums, but speak with their own sonic personality.
The Shells

All Brooklyn drums feature 6-ply North American maple/ poplar shells. Toms are .220″ thick and snare and bass drums shells are .310″ thick, slightly thicker than standard USA Custom shells. All shells have the proprietary Gretsch 30-degree bearing edge. Shell interiors are finished with classic Gretsch Silver Sealer. Each shell comes with a distinctive Brooklyn internal shell label that contains drum shell model number and serial number.

The Hardware

Brooklyn toms and snares come fitted on batter and resonant side with the new Gretsch “302″ hoop. At 3mm thick and double-flanged, it is reminiscent of hoops used by Gretsch up until the mid 1950’s. The 302 hoop has the same height profile as the classic Gretsch die-cast hoop to provide a playing experience that feels the same as traditional Gretsch USA Custom drums. All other drum hardware components – lugs, claws, brackets, spurs, etc – are the same that is used on Gretsch USA Custom.

Snare Drum

Gretsch Brooklyn series metal snare drums add another professional and distinctive voice to the Gretsch snare line up. The straight-sided chrome over brass shell (with Gretsch center knurl pattern) is offered in two sizes, 5×14 (8 lug) and 6.5×14 (10 lug). Also offered is hammered chrome over brass shell in 6.5×14 (10 lug). All shells include Gretsch “302″ 3mm/double-flanged hoops, Lightning throw off and butt plate, “Snap-in” drum key holder, 20-strand snare wire and Gretsch Permatone drum heads. The brass shells resonate with classic, musical tones and are extremely versatile. The “302″ hoops provide a timbre that is more open and ambient than traditional Gretsch die-cast hoops.

The Badge

The return to Brooklyn means a return to a Round Badge. The Brooklyn Round Badge has a black/pewter color scheme with classic embossed Gretsch design.

The Finishes

Satin Finish Colrs: Mahogany (SM), Dark Ebony (SDE), Tobasco (ST), Emerald Green (SEG)
Nitron (Wrap) Finish Colors: Vintage Cream Oyster (CO), Smoke Grey Oyster (GO), Ruby Red Oyster (RO), Royal Blue Oyster (BO)

Brooklyn Series Colors

Series Specs

Shell: Gretsch Maple/American Poplar 6-Ply
Bearing Edge: Gretsch Style 30-degree
Hardware: USA Custom drum hardware in chrome
Shell Interior: Gretsch Silver Sealer with serialized Brooklyn shell label
Hoops: “302″ double-flanged 3.0mm
Badges: Brooklyn Round Badge
Configurations: 6 total configurations
Finishes: 4 Satin, 4 Nitron
BD Hoops/Satin: Maple hoops finished in satin natural
BD Hoops/Nitron: Maple hoops finished in satin black with matching inlay
Drum Heads: Gretsch Permatone by Remo

Brooklyn Metal Snare Drums

Shell: Rolled 1.1mm brass with center knurl pattern or 1.1mm hammered brass
Finish: Chrome with chrome hardware
Hoops: Gretsch “302″ 3mm, double flanged
Throw-off: Lighting Throw-off / Butt plate
Snare Wires: 20 Strand
Heads: Permatone coated batter with white sound dot and clear snare-side heads
Features: Snap-in key holder

For all the details and more photos, please visit the GretschDrums website.

Dinah and Fred Gretsch Host Drum-Makers Holiday Lunch

Wednesday, December 21st, 2011

Dinah and Fred Gretsch recently hosted a special holiday lunch for all the staff at the Gretsch USA Drum Manufacturing facility in Ridgeland, SC. The “Drum-makers Holiday Lunch” featured a splendid feast of southern delicacies and this special occasion was very much enjoyed by one and all.

Dinah Gretsch began the lunch by thanking everyone for all their hard work during the year and acknowledged the very important role that they play in upholding the Gretsch tradition for quality and for creating “That Great Gretsch Sound”. Fourth Generation family member Fred Gretsch further demonstrated the long history of this tradition by showing images of some of the earliest Gretsch drums from the pages of a 1912 Gretsch catalog.

With demand for Gretsch USA drums growing all around the world, the factory has recently been expanding its production staff.  So the holiday lunch also provided a great opportunity for the Gretsches to get to know better the newest members of the drum-making team.

Gretsch Drum Team

Front row:  Mrs. Dinah Gretsch, Tonya Munn, Lorena Ortuno, Juana Nunez, Emilia Ortiz, Maria Perez, Barbara Fennell, Harry Dailey, Paul Cooper.

Back row:  Mr. Fred Gretsch, Joshua Safer, Craig Johansen, Lee Vallier, Matt Collett, Adam Dycus.

Christmas 4 Kids Concert & Gretsch Guitar Auction

Monday, December 5th, 2011

From the Christmas 4 Kids Organizers:

Santa & Mrs. Claus and the Gretsches pictured with a Gretsch Country Gentleman guitar.

This year was the 10th Anniversary of the Charlie Daniels and Friends Concert benefiting Christmas 4 Kids (C4K).  The concert was held on Monday, November 21 at The Ryman Auditorium and was the 10th consecutive sellout event.  With so much to celebrate, the Gretsches sent another amazing guitar to be auctioned off.  This year’s guitar has previously been exhibited at the Georgia Music Hall of Fame in Macon, Georgia, as well as at the Hartsfield Jackson Atlanta Airport in a Georgia Music Hall of Fame exhibit.  It has been photographed extensively and admired by musicians and the public alike.

The winning bid went to the Erickson family from Des Moines, Iowa.  They were on their way to spend Thanksgiving with their family and heard about the C4K concert on a Nashville event calendar.  Being avid country music fans, they decided to stop; however, the concert was sold out.  As they were discussing what to do, a gentleman overheard them and offered his tickets to the Ericksons.  Mr. Erickson offered to pay him, but the man said, “Go and enjoy – in the end, it’s all for the kids.”

Cole Erickson happily accepting his family's new Gretsch Guitar.

The Ericksons placed the first bid on the guitar and as the bidding was about to close, checked their status on the list and saw that someone had bid higher than they had.  So, at the last minute, they placed the winning bid.  Fred and Dinah Gretsch presented the Erickson’s son, Cole, with the prized guitar on the Ryman stage.  Clearly, an event this young man won’t forget.  Needless to say, the Ericksons have said that the Christmas 4 Kids concert is going to be a new annual Thanksgiving tradition for the family.

C4K wants to extend their deepest gratitude for the support that the Gretsch Foundation continues to show through their donation of guitars for the concert auctions.  Most importantly, Christmas 4 Kids appreciates Fred and Dinah Gretsch’s personal commitment to the children and their valued friendship.

For more information on Christmas 4 Kids, please visit their website.

For more information on the Gretsch Foundation, click here.

Remembering the “Quiet Beatle”

Tuesday, November 29th, 2011

Remembering George Harrison

Ten years ago today, the world lost George Harrison–the Beatles’ “quiet” lead guitarist and spiritual explorer who added both rock ‘n’ roll flash and a touch of the mystic to the band’s timeless magic.

Harrison died on November 29, 2001 in Los Angeles following a battle with cancer.  “He left this world as he lived in it, conscious of God, fearless of death, and at peace, surrounded by family and friends,” the Harrison family said in a statement shortly after his passing. “He often said, ‘Everything else can wait but the search for God cannot wait, and love one another.’”

George accomplished much during his life.  He was a guitarist, singer-songwriter, actor, film producer, humanitarian, and avid gardener.  In the early 70s he grew “tired of people saying, ‘But what can I do?’” and organized hugely successful benefit concerts for Bangladesh.  George also had a keen sense of humor, as could be seen when he made a cameo appearance as the Interviewer in Eric Idle’s 1978 film, All You Need Is Cash, about a rock band called “The Rutles”.  According to George, the parody told the Beatles’ story “much better than the usual boring documentary.” Of course, at millennium’s end George–along with Paul and Ringo–took part in one of the biggest documentary projects ever with the Anthology film/disc/book series.

Among George’s other accomplishments was the formation of the successful group the Traveling Wilburys in 1988 with Bob Dylan, Tom Petty, Jeff Lynne, and Roy Orbison.  In 2001, he also oversaw the reissue of his great solo work, All Things Must Pass, marking its 30th anniversary. The double-disc included a new version of the classic “My Sweet Lord”, which remains a masterpiece today.

Earlier this year, Gretsch proudly introduced a special limited-edition instrument—the Gretsch Custom Shop G6128T-GH George Harrison “Tribute” Duo Jet—in his honor.  Producing the replica of George’s prized Duo Jet, the guitar he often referred to as his first truly good guitar, was a labor of love for those involved.  With only 60 pieces produced, the guitar meticulously replicated the all-black 6128 Duo Jet George purchased in the summer of 1961 and used with the Beatles through the spring of 1963.  Every scratch, ding, and rust spot of George’s guitar can be found on the tribute model including a black Phillips head pivot bolt on the Bigsby® B6C tailpiece arm and the offset strap button on the lower bout relocated to accommodate the Bigsby.

George and his Duo Jet can be heard on many early Beatles’ recordings.  And although George used other guitars during his career including a Gretsch Country Gentleman and Tennessean, when it came to deciding on a guitar to be pictured with on the cover of his 1987 album Cloud Nine, George selected his beloved Duo Jet.

George earned an Academy Award with the Beatles in 1970 and received the first Billboard Century Award given out in 1992.  He was inducted into the Rock and Roll Hall of Fame in 2004 and also given a star on the Hollywood Walk of Fame in 2009.  His impact on music and the world will not soon be forgotten.

Upon learning of George’s passing ten years ago, the Gretsch family had this to say:
We sadly mourn the tragic loss of our good friend and brother. Thanks for making our world a better place, George.  We love you.

Cover of the new LIFE magazine commemorative book about George Harrison. Credit: LIFE Magazine

Gretsch Previews New Brooklyn Series at PASIC

Saturday, November 12th, 2011

At this year’s Percussive Arts Society International Convention (PASIC), Gretsch Drums provided a sneak peak of the new Gretsch Brooklyn Series drums.  Pictured below in Cream Oyster, this USA-made kit made a huge splash with show attendees.

The Brooklyn Series kits will officially launch in 2012.

New Gretsch Brooklyn Series at PASIC 2011

Stay tuned for more details to come.

Check out Drum! Magazine’s report and video here.

Bigsby & Gretsch Exhibit at Annual USPTO Trademark Expo

Friday, October 21st, 2011

Costumed Characters at Opening Ceremony

On October 14 and 15, 2011 the Bigsby Division of the Gretsch Company was honored to exhibit at the United States Patent and Trademark Office’s (USPTO) National Trademark Expo held at their headquarters in Alexandria, Virginia for a second time.

The annual event, with the goal of educating the public about the value of trademarks in the global marketplace, highlighted such themes as “non-traditional trademarks” and “brand evolution” and featured educational seminars and workshops suited for both adults and children. In addition, exhibits of authentic and counterfeit goods, children’s story time, and the always-popular costumed trademarked characters helped draw attention to the different types of trademarks and the importance of protecting trademark rights. Open to the general public, the Expo also drew enthusiastic groups of children from area schools and club groups who enjoyed the various exhibitor booths which were designed to be both educational and entertaining. This year’s Expo was the USPTO’s biggest to date with over 16,000 visitors attending over the two days.

Enrique Romero with Chubby Checker at the USPTO Expo Bigsby Booth

The opening ceremony on Friday featured special remarks, a ribbon-cutting ceremony, and music by the US Air Force’s rock band Max Impact. A guest appearance by the legendary Chubby Checker and some new trademarked costumed characters including The Pink Panther and The Very Hungry Catepillar also helped kick off the event. A specially-arranged musical performance took place at the Bigsby and Gretsch booth both days. A young, local guitarist named Enrique Romero helped entertain Expo-goers as they made their rounds through the exhibition. On Friday Enrique was paid a special visit by Chubby Checker who listened attentively while he played and then offered his encouragement. Enrique’s performances became so popular that he played more frequently than originally scheduled—performing every hour during the afternoon on Saturday. The costumed trademarked characters joined in the fun and danced along during many of Enrique’s performances to onlookers’ delight.

Enrique Romero Performing at Expo

Another Expo highlight was when Deborah Cohn, the Commissioner for Trademarks, made a special point of introducing herself to all exhibitors and personally providing each with a copy of a Congressional Record honoring the Expo and exhibitors selected to participate in 2011. Bigsby was one of only 27 companies selected to exhibit this year. The distinctive trademarked shape of Bigsby’s famous vibrato tailpieces was in good company with other internationally-familiar trademarks belonging to other such notable exhibitors as Mattel Inc., Segway Inc., the U.S. Department of the Army, Bridgestone Corporation, Caterpillar Inc, Geico, and The Hershey Company.

Bigsby was able to demonstrate the practical use of trademarks and patents as applied to something as fun and universal as making music. Many in attendance were surprised to learn how much the Bigsby inventions have impacted popular music as created by artists like The Beatles and The Rolling Stones. In fact, Gretsch guitars have featured Bigsby vibrato tailpieces for more than fifty years. This year’s Bigsby/Gretsch display demonstrated the importance of Bigsby trademarks and the impact they have as source identifiers in the marketplace. Like most effective trademarks, the very shape of Bigsby tailpieces identifies them—even at a distance, when the brand name cannot be read. This allows Bigsby-equipped guitars to be recognized on concert stages and video broadcasts around the world. The inherent distinctiveness of the Bigsby tailpiece design has aided the Gretsch Company in getting the protectable portions registered. This, in turn, has helped Gretsch to pursue its campaign (as part of the Electric Guitar Anti-Counterfeiting Coalition) to stem the proliferation of counterfeit instruments wherever they are manufactured.

For more information on the USPTO, go to www.uspto.gov

For more information on Bigsby products and the Gretsch/Bigsby connection, go to the Bigsby site.

Videos from the Expo can be viewed at Bigsby’s YouTube page.

Savannah Folk Music Festival Great Success

Tuesday, October 11th, 2011

From the Savannah Folk Music Society–

The Annual Savannah Folk Music Festival began with a huge crowd in attendance at 7 pm on Friday, October 7, in Ellis Square with “FOLKFEST” showcasing Savannah Folk Music Society Members. The large audience, seated all around ELLIS Square and in the courtyard at City Market was entertained with a variety of different styles of music from the many genres that make up folk music. The Old Folkers, Jean Paul and Dominique Carton, Jamison Murphy, Hanson & Amburgey, Michael Maddox and Savannah Folk Music Society President Chris Desa performed for and were applauded by an appreciative audience of local area residents and out of town visitors who enjoyed the show.  The best part was the ticket price . . . FREE.

Chris Desa (left) and Fred Gretsch (right) on WTOC11

On October 5th, Chris Desa and Fred Gretsch were hosted by local TV station WTOC on “Mid-Morning Live” to promote the festival and acknowledge the continued generosity and support of the GRETSCH FOUNDATION, with their donations of guitars for the Noteworthy Art Auction, which is the largest fund raiser for the festival. The entire interview and an abridged version of Chris’s rendition of Chet Aktins’ favorite tune “I Still Can’t Say Goodbye” can be viewed here.

Noteworthy Art and More Auctions

Friday, October 7, and Sunday, October 9 (Ellis Square and Forsyth Park)

All 14 guitars, generously donated by the GRETSCH FOUNDATION were sold at silent auction during the Friday and Sunday events. One brand new playable Gretsch Historic Series guitar, signed by all performers at the Sunday concert, was auctioned and sold on October 9th at Forsyth Park.

Collage Created by Helen Weitz

Additionally, a special multimedia art collage, created by Helen Weitz, was sold to the highest bidder on Sunday.

Saturday Old Time Country Dance:  October 8th

Notre Dame Academy Gym was decorated with numerous colorful quilts in preparation for the Festival Dance, which was again very well attended by nearly 250 people, which also included a newlywed couple (regulars at SFMS dances) and their wedding party. The April Verch Band provided excellent music throughout the evening with veteran dance caller Janet Shepherd relied on to “call” and guide novices and veterans alike through a myriad of contras, squares, waltzes, and circle dances. April also gave the dancers a demonstration of her excellent dancing and fiddle-playing skills.

Sunday Concert at Forsyth Park: October 9th

Despite the threatening inclement weather, due to a developing gale offshore, the Festival began on schedule in Forsyth Park with Four Shillings Short, Boo Hanks, April Verch Band, and Tom Chapin each performing two sets for the benefit of audience members who could attend only a portion of the concert. It was a treat to see longtime fans of the performers position themselves on the grass in beautiful Forsyth Park, with small picnics and lawn chairs facing the band shell. Many others chose the steps in front of the fountain to gain a closer and better view. Every artiste gave a stellar performance to an appreciative and attentive audience scattered all over Forsyth Park

The wind and rain came down in full force for the latter half of the festival when Four Shillings Short and Boo Hanks took the stage for their second set, but many of the “die hard” folk music fans in rain coats and umbrellas stayed put. The remaining devoted audience members were invited onto the stage under the shelter of the band shell, for an up-close-and-personal concert for the second set of The April Verch Band and Tom Chapin.

Overall, the festival was a great success and next year we will be back in our usual location at Grayson Stadium, which was unavailable to us this year due to a previous commitment by the Sand Gnats said Chris Desa. The collective efforts of our SFMS leadership, members, volunteers, and numerous sponsors are greatly appreciated.

Major Festival Sponsors

City of Savannah Leisure Services Bureau:  Dept of Cultural Affairs

The Gretsch Foundation

Portman’s Music Superstore/ Brighter Day Natural Foods / The River-FM 98.7

For more information call (912) 355-7172 or visit www.savannahfolk.org.