Archive for the ‘Music Industry News’ Category

Chet Atkins Exhibit Opening Reception Kicks Event Off With Style

Wednesday, August 10th, 2011

Kyle Young. Photo by Donn Jones Photography.

A very special Exhibition Opening Reception took place Wednesday evening, August 10, at The Country Music Hall of Fame® and Museum.  Approximately 200 enthusiastic guests were warmly welcomed by museum director Kyle Young and treated to a memorable musical performance by world-class guitar-slinger Steve Wariner, who, in 1997, received official “C.G.P.” status from Chet Atkins.  Special remarks were also made by Fred Gretsch, fourth generation Gretsch Company president, about Chet Atkins and his long-time association with the Gretsch family and company.  At the conclusion of the program, guests were given the opportunity to take an exclusive advance tour of the Chet Atkins: Certified Guitar Player exhibition which officially opens to the public on Friday, August 12.

Fred & Dinah Gretsch. Photo by Donn Jones Photography

During the exhibition opening weekend, the public will be able to enjoy an exhibit introduction and talk by a Museum curator; a panel discussion featuring Ray Stevens, Steve Wariner, and Billy Edd Wheeler and illustrated with photos, film footage, and recordings from the Museum’s Frist Library and Archive; film screenings; and much more.

This amazing cameo exhibition, made possible through the support of the Gretsch Company with additional support by the Great American Country Television Network, pays tribute to Chet’s legendary versatility and vision and is scheduled to run through June 11, 2012.  The exhibition will be accompanied by an ongoing series of programs throughout its duration.

For additional exhibition information, visit The Country Music Hall of Fame® and Museum’s website.

Additional photos from the reception:

Steve Wariner Interviewed by Local Media

Fred Gretsch, Duane Eddy, Ken Kramer

Ken Kramer, Fred Gretsch, and Jimmie Webster's Son Raey

Fred Gretsch, Duane Eddy, and Members of Hot Rod Walt and the Psycho-DeVilles

Steve Wariner, Fred Gretsch, Merle Russell & Kyle Young. Photo by Donn Jones Photography.

Fred & Dinah Gretsch with Joe Carducci. Photo by Donn Jones Photography.

Dinah & Fred Gretsch Receive Special Gift from Kyle Young. Photo by Donn Jones Photography.

Steve Wariner Performs. Photo by Donn Jones Photography.

Ben Hall. Photo by Donn Jones Photography.

Three Generations of the Gretsch Family Attend Reception. Photo by Donn Jones Photography.

Reception Attendees Treated to Special Preview. Photo by Donn Jones Photography.

Chet Atkins Exhibit at the Country Music Hall of Fame and Museum. Photo by Donn Jones Photography.

The Gretsch Foundation: Raising Funds for Nuci’s Space

Sunday, August 7th, 2011

Guitar Art by Lou Kregel

With the help of The Gretsch Foundation’s Guitar Art Program, musician-focused nonprofit Nuçi’s Space (www.nuci.org) presented its inaugural “Guitar Art Show and Music Memorabilia Auction” in Athens, Georgia earlier this year. The unique event raised $8,000 for the musicians’ support and resource center.

Nuçi’s Space is named in memory of Nuçi Phillips, a talented musician and student at the University of Georgia who committed suicide in 1996 after a long battle with depression. The organization’s mission is to prevent such tragedies by providing obstacle-free treatment for musicians suffering from depression and other psychological disorders, as well as to promote the emotional, physical, and professional well-being of musicians. Since opening in 2000, Nuçi’s Space has provided direct financial assistance for mental health treatment to over 1,000 musicians.

Guitar Art by Chris Gholson

The idea for the auction event was first conceived nearly four years ago when The Gretsch Foundation’s Guitar Art Program awarded Nuçi’s Space four small acoustic guitars, three full-size acoustic guitars, and a beginner-level drumset.

“Athens is the perfect home for this type of event,” says Nuçi’s Space executive director Bob Sleppy. “The music and arts scenes are so intertwined as to be nearly indistinguishable from one another. Almost every musician is an artist, and every artist is a musician. And although it took us several years to get this show together, the collection of instruments and music memorabilia we had available for auction was very impressive.”

The Guitar Art Show and Auction was an unforgettable night, filled with great music and art. Musicians Kyshona Armstrong and the Artie Ball Swing Band performed for an appreciative crowd throughout the evening. Featured “Gretsch Guitar Art” artists included Lou Kregel, Chris Bilheimer, Chris Wyrick, Chris Gholson, John Gholson, Jamie Calkin, Wes Freed, Jason McFarland, Lamar Wood, Jeff Hannan, and Wilma Pittard. Music memorabilia included items autographed by the B-52s, Kenny Rogers, Drive-By Truckers, Colt Ford, Green Day, R.E.M., Counting Crows, Kris Kristofferson, and Oscar winner Jeff Bridges (from the film Crazy Heart).

Guitar Art by Wes Freed

Since the Guitar Art program began nine years ago, Gretsch has donated over 1,000 guitars that have raised more than $400,000 in support of worthwhile programs and projects. For more information on how to apply for this donor program or to see other examples of Gretsch Guitar Art projects, visit www.guitarart.org.

Gretsch Foundation Supports 4th Banjo Workshop

Tuesday, July 12th, 2011

Participants of the 4th Banjo Assembly Workshop

The fourth annual Banjo Assembly Workshop presented by the Savannah Folk Music Society ended with a happy group of participants walking out the garden gate with good-looking and good-playing banjos in their hands. The event, which took place on June 18 on the grounds of the Ships of the Sea Museum in Savannah, Georgia, drew 27 enthusiastic participants this year.  The workshop focused on the construction of real, playable banjos by amateur banjo enthusiasts. Kits, tools, and instruction were provided by the Savannah Folk Music Society and the Ships of the Sea Museum.

Workshop participants spent an intense day learning how to create instruments for themselves using banjo parts donated by the Gretsch Foundation, the charitable arm of the Gretsch family, as well as strings donated by LaBella Strings. Fred and Dinah Gretsch—owners of the Pooler, Georgia-based Gretsch Company—are long-time supporters of the Savannah Folk Music Society.

As usual, the Gretsch Company and the Gretsch Foundation were pleased to be a part of this unique workshop for the benefit of Savannah area musical enthusiasts.

For more information on the Savannah Folk Music Society visit  www.savannahfolk.org . For more information on the Gretsch Foundation and the Gretsch Company, visit www.gretsch.com.

Chet Atkins: Certified Guitar Player Exhibit Opens August 12

Monday, July 11th, 2011

Press release issued by The Country Music Hall of Fame® and Museum–

The Country Music Hall of Fame® and Museum will pay tribute to one of country music’s most versatile and visionary artists, Chet Atkins, with Chet Atkins:  Certified Guitar Player, a biographical exhibit opening Friday, August 12, 2011, for a 10-month run in the Museum’s East Gallery.  The exhibition, which is made possible through the generous support of the Gretsch Company with additional support provided by Great American Country Television Network, will run through June 11, 2012.

Opening weekend festivities will include an exhibit introduction and talk by a Museum curator; a panel discussion featuring Ray Stevens, Steve Wariner and Billy Edd Wheeler and illustrated with photos, film footage and recordings from the Museum’s Frist Library and Archive; a film screening and more.  (A detailed schedule of grand opening activities is below.)

The exhibit will be accompanied by a richly detailed, lavishly illustrated, 96-page companion book, also titled Chet Atkins: Certified Guitar Player. Published by the Museum’s Country Music Foundation Press, the volume will include essays by noted Atkins authorities Walter Carter (on Chet and his guitars), Michael Cochran (on Chet’s life and career), Rich Kienzle (on Chet’s development and prowess as a guitarist) and Museum Senior Historian John Rumble (on Chet’s work as a producer and record label executive). Also included are tributes to Chet from Tommy Emmanuel, John Knowles, and Steve Wariner, recipients of Chet’s honorary C.G.P. designation; from Mark Pritcher, president of the Chet Atkins Appreciation Society; and from Fred W. Gretsch, president of the Gretsch Company.  The book will be available in the Museum Store and at www.countrymusichalloffame.org.

“Chet Atkins was country music’s ultimate Renaissance man, one of the greatest instrumentalists in American music history and a true musical savant,” said Museum Director Kyle Young.  “His signature guitar licks shaped recordings by scores of legendary artists, including the Everly Brothers, Elvis Presley and Kitty Wells, and his playing influenced future rock gods Duane Eddy, George Harrison, Mark Knopfler and many more.  As a producer, Chet was an architect of the ‘Nashville Sound’; he was also a brilliant record executive who signed and propelled a generation of country artists – including Waylon Jennings, Dolly Parton and Charley Pride – to fame.  Chet’s guiding hand shaped much of the bedrock of country music, and we’re honored to tell his story, one we know will resonate with country fans old and new.

“We are grateful to Chet’s family and friends for sharing their mementos and memories and allowing us to tell this extraordinary tale.”

Chet Atkins: Certified Guitar Player,
Made Possible Through the Generous Support of the Gretsch Company

Born Chester Burton Atkins on June 20, 1924, in Luttrell, Tennessee, Chet Atkins became one of the most respected musicians and producers in American music history.   His unparalleled achievements were acknowledged formally with his 1973 induction into the Country Music Hall of Fame.  Atkins died on June 30, 2001, and was posthumously inducted into the Rock and Roll Hall of Fame the following year.

Employing a wealth of instruments, vintage photos, personal possessions and correspondence, career-spanning audio and video and more, Chet Atkins:  Certified Guitar Player will explore the life and impact of this incomparable musician, producer and executive.

Nearly 20 of Atkins’ guitars will be featured in the exhibit, including the following:

* Chet’s first guitar, a Sears Silvertone he acquired at age 11 and upon which he taught himself to play

* Chet’s 1938 Gibson L-10; the guitar was custom-designed for its original owner, Les Paul, and handed over to Atkins in 1945

* A 1948 Gibson L-7 guitar used by Atkins in the recording studio, and onstage with Maybelle and the Carter Sisters, in the late 1940s

* Four Gretsch Chet Atkins model guitars, including a 1976 fire-engine-red Gretsch Chet Atkins Super Axe

Other notable artifacts include:

* A recording contract with Bullet Recording Co., dated July 20, 1946, stating that for Atkins’ recording of “Pickin’ the Blues,” the artist would receive a “one-cent royalty for all records listed to sell at a retail price of more than 50 cents.”

* Atkins’ 1954 guitar instruction manual, Chet Atkins Guitar Method

* A meticulous re-construction of the work-bench and shelves in Chet’s basement home studio, including tools, meters and personal effects including photos of Jerry Reed, Ray Stevens and others

* Atkins’ framed C.G.P. (“Certified Guitar Player”) diploma, which he bestowed on himself in 1997

Chet Atkins: Certified Guitar Player Grand Opening Month Program Schedule

All programs are included with Museum admission and free to Museum members, except as noted below.

Friday, August 12, 1:30 p.m.
Curator’s Exhibit Talk
A museum curator offers an introduction to Chet Atkins:  Certified Guitar Player.

Saturday, August 13, 1:30 p.m.
Panel Discussion
Steve Wariner, Billy Edd Wheeler, and others discuss Atkins’ legacy.

Sunday, August 14, 1:00 p.m.
Guitar Demonstration: Ben Hall
The 2005 International Thumbstyle Guitar Champion, Ben Hall has performed or recorded with Charlie Louvin, Jeannie Seely and others. Hall will demonstrate the thumb-pick style of Chet Atkins and Merle Travis.

Sunday, August 14, 2:00 p.m.
Film Screening: Chet Atkins: A Life in Music (2000)

Sunday, August 21, 1:00 p.m.
Guitar Demonstration with David Anderson.

Sunday, August 21, 2:00 p.m.
Film Screening: Chet Atkins Rare Performances 1955 – 1975

Saturday, August 27, 2:00 p.m.
Concert: Tommy Emmanuel C.G.P. Salutes Chet Atkins
Tommy Emmanuel, one of a handful of legatees upon whom Atkins bestowed the C.G.P. designation, performs songs from Atkins’ catalog.

Sunday, August 28, 1:00 p.m.
Instrument Demonstration:  John Knowles, C.G.P
John Knowles, one of a handful of legatees upon whom Atkins bestowed the C.G.P. designation, demonstrates some of what he learned from Atkins.

Sunday, August 28, 2:00 p.m.
Film Screening: The Porter Wagoner Show with special guest Chet Atkins (1974, 1975)

Chet Atkins: Certified Guitar Player will be accompanied by an ongoing series of programs throughout the exhibit’s run.

These programs are made possible, in part, by grants from the Metropolitan Nashville Arts Commission and by an agreement between the Tennessee Arts Commission and National Endowment for the Arts.

Accredited by the American Association of Museums, the Country Music Hall of Fame® and Museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The Museum’s mission is the preservation of the history of country and related vernacular music rooted in southern culture.  With the same educational mission, the Foundation also operates CMF Records, the Museum’s Frist Library and Archive, CMF Press, Historic RCA Studio B and Hatch Show Print®.

More information about the Country Music Hall of Fame® and Museum is available at www.countrymusichalloffame.org or by calling (615) 416-2001.

Jack Gavin Revisits His Youth at The CMT Awards

Tuesday, June 28th, 2011

For any country musician, performing on the Country Music Television (CMT) Music Awards Show is an exciting experience. But for Gretsch artist Jack Gavin, this year’s show—which aired live from Nashville to 90 million people this past June 8—provided a special thrill.

Anchoring the show’s house band was a fun gig for the veteran drummer whose credits include long stints with country greats Tracy Lawrence, Mel McDaniel, the Charlie Daniels Band, and presently Tanya Tucker who will soon be departing for some European tour dates. During the show Jack was kept busy backing artists including Hunter Hayes, The Jandear Girls, Thompson Square, Kid Rock, Wynona, Hines Ward, and Colt Ford, as well as playing for every presenter and every commercial break.

Jack's 1970s Gretsch kit was in pretty sad shape to begin with.

But while Jack certainly enjoyed performing behind all of these talented artists, it was the Gretsch drumkit he was doing it on that made the evening unique. That kit has a special place in Jack’s heart, because it’s the one that Jack’s dad gave him when he was starting his career as a young drummer in the 1970s.

Jack practiced and “played out” on that drumset while growing up in the Niagara Falls/Buffalo, New York area, so it held many fond memories for him. But, as will happen with professional players, Jack moved on to other kits over the years, and the ’70s Gretsch kit wound up gathering dust on a shelf. That is, until early in 2010, when Jack’s drum tech Kendal Kramer undertook the challenge of restoring the vintage kit to like-new condition so that Jack could use it for performances again.

First the old covering had to be removed, exposing the old adhesive beneath.

The shells had to be sanded smooth.

Kendal’s task involved stripping the shells of the existing covering and adhesive, working with Gretsch to obtain parts, having new bearing edges cut, plugging holes from the original hardware, and re-covering the drum with a new wrap. Then he had to drill holes for new hardware—including new lugs necessary to convert the drums from single-headed concert toms to standard double-headed toms. It was a long process that had to be done with loving care. But the outcome of that process was a like-new version of that classic Gretsch kit, now covered in a white satin finish that Kendall describes as, “classy, but with an electrifying look under stage lighting.”

Holes from old hardware were carefully plugged.

When Jack Gavin sat atop the drum riser at the CMT awards, he had still another reason to be thrilled: His parents were in the audience. There they could not only enjoy Jack’s playing, but could also enjoy the new look, the great sound—and the fond memories—produced by his beautifully restored Gretsch set. It was a special night for the Gavin family.

A beautiful new White Satin wrap was applied.

A very proud Jack Gavin sits behind his restored kit.

A Birthday Salute to Charlie Watts

Wednesday, June 22nd, 2011

From the GretschDrums.com website:

This past June 2 marked the 70th birthday of Rolling Stones drummer Charlie Watts. And While Gretsch Drums and the whole Gretsch family join the drumming world in congratulating Charlie on this milestone, we have a reason of our own to celebrate. Charlie is the longest-running Gretsch endorsing artist. He’s played Gretsch drums for his entire career…starting even before he joined “The World’s Greatest Rock & Roll Band” in 1963.

Charlie Watts in 1969

As Charlie puts it, “I’ve always used Gretsch. I still use the same one that Max Roach advertised you should buy, which was the soft [rack] tom-tom, bass drum, deep [floor] tom-tom, and a snare drum.” That simple four-piece kit has anchored The Rolling Stones over a history that spans forty-eight years, more than thirty record albums, and dozens of legendary (and sometimes infamous) tours.

Although he established his reputation as one of the simplest and steadiest—and yet most recognizable and emulated—of all rock drummers, Charlie’s own musical tastes run toward jazz. In the late ’70s he joined fellow Stone Ian “Stu” Stewart in the retro boogie-woogie party band Rocket 88, which featured many of the UK’s top jazz, rock, and R&B musicians. In the 1980s, he founded and toured worldwide with a big band that included such jazz/rock luminaries as Evan Parker, Courtney Pine, and Jack Bruce.

In 1991 Charlie founded a quintet to honor his personal hero, Charlie Parker. Two years later that quintet recorded the critically regarded Warm & Tender, which reached #6 on the Billboard jazz charts. All told, Charlie recorded seven jazz albums between 1986 and 2004. And as recently as 2010 Charlie was gigging with a quartet called The ABC&D of Boogie Woogie, together with pianists Axel Zwingenberger and Ben Waters, plus Charlie’s childhood friend Dave Green on bass.

There’s much more to this story.  To read the rest of it, click here!

Chet Atkins Honored by Country Music Hall of Fame

Tuesday, May 10th, 2011

“Years from now, after I’m gone, someone will listen to what I’ve done and know I was here…they’ll hear my guitars speaking for me.” – Chet Atkins

COUNTRY MUSIC HALL OF FAME ® AND MUSEUM TO HONOR “MISTER GUITAR” CHET ATKINS WITH BIOGRAPHICAL EXHIBIT

Sideman.  Studio musician.  Performer.  Recording Artist.  Producer.  Record Executive.  In an industry known for multi-talented individuals, perhaps no one has achieved such a vast and varied resume as the inimitable Chet Atkins.  The Country Music Hall of Fame® and Museum will pay tribute to this versatile and visionary artist with the cameo exhibition Chet Atkins:  Certified Guitar Player, which opens in the Museum’s East Gallery on August 12, 2011, and runs through June 2012.  The exhibition is made possible through the generous support of the Gretsch Company.  Additional support will be provided by Great American Country Television Network.

“Chet Atkins was country music’s ultimate Renaissance man, one of the greatest instrumentalists in American music history and a true musical savant,” said Museum Director Kyle Young.  “His signature guitar licks shaped recordings by scores of legendary artists, including the Everly Brothers, Elvis Presley and Kitty Wells, and his playing influenced future rock gods Duane Eddy, George Harrison, Mark Knopfler and many more.  As a producer, Chet was an architect of the ‘Nashville Sound’; he was also a brilliant record executive who signed and propelled a generation of country artists – including Waylon Jennings, Dolly Parton and Charley Pride – to fame.  Chet’s guiding hand shaped much of the bedrock of country music, and we’re honored to tell his story, one we know will resonate with country fans old and new.

“We’re also honored to have the Gretsch Company as this exhibition’s title sponsor,” Young continued.  “Gretsch is an important part of American music history, and enjoyed a longstanding relationship with Chet.”

“My uncle, Fred Gretsch Jr., first signed Chet as a Gretsch signature guitar artist in 1954,” said Fred W. Gretsch, president of the Gretsch Company.  “Our company is proud of its long association with Chet,¬ and our family cherishes the special relationship that we shared with such a unique individual.  Today, we’re proud to support this special exhibition by the Country Music Hall of Fame and Museum. We share the Museum’s commitment to ensuring that Chet’s unrivaled legacy will continue to be celebrated for generations to come.”

Chester Burton Atkins was born on June 20, 1924, in Luttrell, Tennessee, a remote town nestled in the hills of Appalachia.  He grew up in a musical family – his mother sang and played piano, and his father was an itinerant music teacher – and at the age of eight Atkins began to learn the guitar and fiddle.  When Atkins’ parents divorced, his father relocated to Georgia, and his mother remarried. Young Chester, along with his brother, sister and stepfather, began playing regularly at square dances.  In 1936, an asthma attack forced him to live with his father in Georgia, where the more favorable climate made it easier for him to breathe.  While there, a teenaged Atkins heard Merle Travis on the radio; Travis’s thumb-and-finger picking style fascinated Atkins, who soon created his own thumb-and-two-finger variation.

After attending high school in Georgia, Atkins landed a job at WNOX in Knoxville, fiddling for singer Bill Carlisle and comic Archie Campbell.  He soon became a featured player on the station’s popular daily barn dance show, as well.  Over the next decade, Atkins worked as a musician for numerous artists and radio stations, including a memorable stint at KWTO in Springfield, Missouri.  It was there that station official Si Siman gave him the nickname “Chet.”  Siman, impressed with Atkins’ abilities, brought him to the attention of RCA Victor Records, and in 1947 the label’s Steve Sholes signed Atkins as a singer and guitarist.  Chet’s initial RCA recordings were not hits, and he returned to WNOX in 1948, working first with Homer & Jethro and then joining Maybelle and the Carter Sisters as lead guitarist.  He soon went back to KWTO, this time with the Carters.

When the Carters moved to Nashville in 1950 to become members of the Grand Ole Opry, Atkins joined them.  With the help of his mentor, Steve Sholes, and music executive Fred Rose, Chet became one of Nashville’s “A-Team” session musicians, recording with Johnnie & Jack, Hank Williams and others.  He also appeared on the Opry as a solo act and returned to making his own records; his first chart hit, a cover of the pop song “Mr. Sandman,” came in 1955, followed by a hit guitar duet with Hank Snow on “Silver Bell.”  Soon after, fans began to refer to Atkins as “Mr. Guitar,” and Gretsch Guitars introduced a model bearing his name.

Throughout the 1950s, Atkins’ work relationship with the New York–based Sholes deepened; in 1952, Atkins began organizing sessions for Sholes, and shortly thereafter Sholes began trusting Atkins to produce sessions whenever Sholes’ schedule prevented his coming to Nashville.  In 1955, Sholes made Atkins manager of RCA’s new Nashville studio, a space rented as needed from the Methodist Television Radio and Film Commission.   Two years later, Sholes and Atkins convinced the label to commission its own office and studio in Nashville.  The resulting building, known today as RCA Studio B, opened in November 1957, adding impetus to the growing Music Row area. Sholes installed Atkins as head of the label’s Nashville artist & repertoire operation, and ten years later made him a company vice president.

As rock & roll eroded country music’s record sales and threatened its viability, Atkins’ production skills came to the foreground.  Atkins – along with Decca’s Owen Bradley, Columbia’s Don Law and Capitol’s Ken Nelson – began to craft recordings that would appeal to pop listeners as well as country fans.  The style of these recordings, in which singers were backed by neutral rhythm sections and steel guitars, and fiddles were replaced by vocal choruses, came to be known as the “Nashville Sound.”  Atkins mined gold from the new approach immediately, first producing Jim Reeves’ 1957 crossover hit “Four Walls” and, later that year, producing Don Gibson’s 1958 double-sided smash “Oh Lonesome Me” / “I Can’t Stop Loving You.” Atkins assumed production of established stars, including Eddy Arnold, Jim Reeves and Hank Snow, and produced hits by new stars including Bobby Bare, the Browns, Floyd Cramer, Skeeter Davis, Dottie West and many more.

During the 1960s, Atkins continued to record and perform:  Always a jazz lover, he increasingly explored the genre in his performances and appeared at the 1960 Newport Jazz Festival; he also played for President Kennedy the following year.

By the middle of the decade, Atkins was producing more than two dozen acts for RCA.  During this time, he signed a cadre of now-legendary country artists, including Waylon Jennings, Willie Nelson, Dolly Parton, Charley Pride, Jerry Reed and Connie Smith.

As the 1970s dawned, Atkins reduced his producing commitments and focused more on his own recordings and live performances.  He embarked on a series of collaborative albums, working with Les Paul, Jerry Reed, Merle Travis, Doc Watson and others.  However, he still found time to facilitate additions to the RCA roster, including Ronnie Milsap, Ray Stevens and Steve Wariner.

Atkins’ virtuosity was undeniable, and his mantle quickly filled with the hardware to prove it.  In 1973, Atkins was inducted into the Country Music Hall of Fame.  He went on to earn 14 Grammy awards and nine Country Music Association awards during his career.

In 1982, Atkins relinquished his RCA executive role and left the label to record for Columbia in 1983.  He also gave himself an honorary degree:  Atkins christened himself a “Certified Guitar Player” and began signing his name as “Chet Atkins, C.G.P.”  Atkins would later bestow this “degree” on several legatees, including Jerry Reed and Steve Wariner.

For the remainder of his life, Atkins continued to record and play; he collaborated on albums with George Benson, Suzy Bogguss, Mark Knopfler, Mark O’Connor and others, exploring and expanding the boundaries of country, jazz and pop.  In 1993, he received a Grammy Lifetime Achievement Award.

Atkins died on June 30, 2001.  He was posthumously inducted into the Rock and Roll Hall of Fame the following year.

Chet Atkins:  Certified Guitar Player will be accompanied by an ongoing series of programs throughout the exhibit’s duration.

More information about the Country Music Hall of Fame® and Museum is available at www.countrymusichalloffame.org  or by calling (615) 416-2001.

Fred & Joe Show at Abbey Road

Tuesday, May 10th, 2011

Abbey Road on the River is happening in Louisville, KY over Memorial Day weekend and will feature a near-constant lineup of bands, guest speakers, films, contests, and other special events, all of which to celebrate the still-thriving legacy of the legendary Beatles.  The tenth year of “the world’s largest Beatles-inspired music festival,” Abbey Road on the River will take place from Thursday, May 26 to Monday, May 31 at the Galt House Hotel and Belvedere Festival Park.  Gretsch Guitars is co-sponsoring the event.

Fred Gretsch & Joe Carducci

Gretsch enthusiasts will be able to enjoy a personal appearance, dubbed the Fred & Joe Show, by Fred Gretsch and Gretsch Guitars product specialist Joe Carducci on Sunday, May 29 at 2:00 p.m.  Attendees will be treated to a multimedia presentation covering the history of the Gretsch Company beginning in 1883 when Fred Gretsch’s great-grandfather, Friedrich Gretsch first started making musical instruments in Brooklyn, New York.  Also discussed will be the musicians who have woven the Gretsch sound into the fabric of modern pop culture since the 1930s when Gretsch guitar production began.  Finally, a special tribute to George Harrison will be featured along with prizes and chance to win a Gretsch guitar!

Abbey Road on the River takes place twice a year, once in Louisville over Memorial Day weekend and then again in National Harbor, MD (Washington, D.C.) over Labor Day weekend.