Archive for the ‘Music Industry News’ Category

Gretsch’s New Anniversary, Professional, and Center Block Guitars

Saturday, January 19th, 2013

Gretsch Guitars Press Release:

In celebration of Gretsch’s 130th anniversary, the iconic guitar company is releasing two limited anniversary models, a new addition to the Professional Collection, as well as the new Center Block series.

Custom Shop Anniversary Models

Custom Shop 130th Anniversary Hollow Body

To commemorate Gretsch’s 130th anniversary, the Gretsch Custom Shop introduces the beautiful new U.S. Custom Shop 130th Anniversary Hollow Body guitar. Its 2 1/2″-deep single-cutaway three-ply maple body has a 15 1/2″ lower bout, arched top and back, and trestle bracing. The guitar is a striking beauty with its two-tone gloss nitrocellulose lacquer finish in Metallic Gold on the top and Black on the back and sides, with multiple silver-sparkle bindings. The three-piece maple neck has a 12″-radius ebony fingerboard with 22 medium vintage frets, mother-of-pearl Neo-Classic™ “thumbnail” inlays and polished aluminum nut; and a mother-of-pearl Gretsch 130th Anniversary headstock logo. Other premium features include dual TV Jones® Filter’Tron™ Classic pickups, a black pickguard with 130th Anniversary logo, “G” Arrow control knobs and chrome hardware, an Adjusto-Matic™ bridge with pinned ebony base and Bigsby® B6C tailpiece, and Gotoh® open-back tuners. The guitar comes in a deluxe black faux-alligator skin TKL hard-shell case with a Gretsch 130th Anniversary leather strap, embroidered  utility bag and certificate of authenticity signed by Gretsch Custom Shop Senior Master Builder Stephen Stern.

G6118T-LTV 130th Anniversary Jr.

Gretsch is proud to introduce a beautiful new Professional Collection guitar—the G6118T-LTV 130th Anniversary Jr. model—as part of its anniversary celebration. Its 2 1/4″-deep single-cutaway three-ply maple body has a 14″ lower bout, arched top and back, and spruce “ML” bracing. Especially striking is the nitrocellulose lacquer finish, which is Black on the top and Metallic Gold on the back and sides, with single-ply binding. Other premium features include a three-piece maple neck; 12″-radius ebony fingerboard with 22 medium jumbo frets, pearloid Neo-Classic “thumbnail” inlays and bone nut; Anniversary model plaque and pearloid Gretsch logo on headstock; and dual TV Jones® Power’Tron™ pickups. The guitar also has a metallic gold pickguard, “G” Arrow” control knobs and chrome hardware, an Adjusto-Matic™ bridge with pinned ebony base and Bigsby® B3CB tailpiece, and Sperzel® locking tuners. Available in right- and left-handed models, and deluxe hard-shell case included.

Professional Collection

G6128T-DCM Duo Jet

The Gretsch Professional Collection now also includes the striking new G6128T-DCM Duo Jet™, which features a double-cutaway chambered mahogany body finished in black and a three-ply arched maple top finished in Dark Cherry Metallic with single-ply binding. The one-piece mahogany neck has a single-ply bound headstock with pearloid Gretsch logo, 12″-radius ebony fingerboard with 22 medium jumbo frets and pearloid Neo-Classic “thumbnail” inlays, a bone nut and a zero fret. Other features include dual High Sensitive Filter’Tron pickups, “G” Arrow control knobs and chrome hardware, Adjusto-Matic bridge with pinned ebony base and Bigsby B3C tailpiece, Grover® Sta-Tite™ tuners and Schaller® strap locks. Deluxe hard-shell case included.

Center Block Series

Gretsch is extremely proud to introduce the Center Block series, which feature a long spruce center block. The center block runs the entire length of the body and imparts several sonic advantages. First, it minimizes body-resonant feedback and creates a more “high gain-friendly” performance. Second, it’s made of spruce, which produces a spirited, lively tone. Third, the center block itself is chambered at the lower bout to minimize weight. Fourth, the pinned wood bridge base extends over the sides of the center block about 5/8″ on either side, transferring string-vibration energy to the two f-hole-vented body chambers to produce a full-bodied tone.

G6137TCB Panther Center-Block

The brand-new Professional Collection Center Block model, the G6137TCB Panther Center-Block, features a beautiful 1 3⁄4″-deep double-cutaway three-ply maple body with a 16″ lower bout, arched top and back and elegant f holes. Other premium features include a three-piece maple neck, 12″-radius bound rosewood fingerboard with 22 medium jumbo frets and pearloid Neo-Classic “thumbnail” inlays, single-ply bound headstock with pearloid Gretsch logo, and dual High Sensitive Filter’Tron pickups. The guitar also has a top- mounted output jack, “G” arrow control knobs and chrome hardware, an Adjusto-Matic bridge with pinned rosewood base and Bigsby B6C tailpiece, Grover Sta-Tite tuners and Schaller strap locks. Available in Black and White. Deluxe hard-shell case included.

G6139CB Falcon Center-Block Single Cutaway

The Gretsch Professional Collection introduces an innovative new version of the venerable Falcon design with the arrival of the G6139CB Falcon Center-Block Single Cutaway guitar. It features a beautiful 1 3⁄4″- deep single-cutaway three-ply maple body with a 16″- lower bout, arched top and back, multi-ply sparkle appointments and oversized f holes. Other premium features include a three-piece maple neck; 12″-radius ebony fingerboard with 22 medium jumbo frets, pearloid Neo-Classic “thumbnail” inlays and multi-ply sparkle appointments; Gretsch “winged/vertical” sparkle logo; and dual High Sensitive Filter’Tron pickups. The guitar also has jeweled-arrow knobs and gold hardware, an Adjusto-Matic bridge with pinned ebony base and Cadillac® “G” tailpiece, Grover Imperial™ tuners and Schaller strap locks. Available in White with Gold Sparkle appointments and Black with Silver Sparkle appointments. Deluxe hard-shell case included.

G6139T-CBDC Falcon Center-Block Double Cutaway

The Gretsch Professional Collection introduces another new Falcon, the G6139T-CBDC Falcon Center-Block Double Cutaway guitar. It features a beautiful 1 3⁄4″-deep double-cutaway three-ply maple body with a 16″ lower bout, arched top and back, multi-ply sparkle appointments and oversized f holes. Other premium features include a three-piece maple neck; 12″-radius ebony fingerboard with 22 medium jumbo frets, pearloid Neo-Classic “thumbnail” inlays and multi-ply sparkle appointments; Gretsch “winged/vertical” sparkle logo; and dual High Sensitive Filter’Tron pickups. The guitar also has jeweled-arrow knobs and gold hardware, an Adjusto- Matic bridge with pinned ebony base and Bigsby B6G tailpiece, Grover Imperial tuners and Schaller strap locks. Available in White with Gold Sparkle appointments and Black with Silver Sparkle appointments. Deluxe hard-shell case included.

For more information on these and other Gretsch guitars and accessories, visit the Gretsch Guitars website.

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Round Badge Makes Return to Gretsch USA Custom Drums

Thursday, January 10th, 2013

As the Gretsch Company celebrates it’s 130th anniversary in 2013, it is also reintroducing the iconic round badge.  Made of brass with a vent hole, the badge will be included on all USA Custom drums, including the G-4000 Series Metal and G-5000 Series Wood Snare Drums.

The newly-designed Gretsch Round Badge shares many of the same characteristics of the original version. Both are made from brass, yet the new version has only the Gretsch name embossed. (On the original brass badge, all of the graphic elements were embossed.) To enhance the look of the new badge, a simulated “patina” is applied giving it a textured, rustic appearance. The new badge will be affixed to the drums’ vent hole using a pneumatically pressed brass grommet. And, a grommet will be used for all drums whereas on the original round badge series the toms used a tack since there was no venthole on round badge era toms. Only the round badge era snares and bass drum had ventholes.

The Gretsch Round Badge was used on all Gretsch USA-made drums between 1930 and 1970 and grew to become an iconic symbol. Gretsch Drums manufactured during this period continue to be highly collectable and extremely valuable throughout the vintage drum community.

Even though Gretsch has introduced several alternative badge styles since 1970, the Round Badge continued to make periodic comebacks for special commemorative products like the 120th Anniversary Edition Products in 2003 and the 125th Anniversary Drums in 2008. In January 2012, a silver version of the traditional Round Badge was introduced on the newly released, USA-made Brooklyn Series.

“The reintroduction of the Round Badge to our USA-made product is a welcome return to a classic and very emblematic Gretsch Drum design,” said John Palmer, Director of Product for Gretsch Drums. “As we approach the company’s 130th anniversary, we are very proud to combine key elements of our rich heritage with our continuing advancements in drum making.”

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Introducing the Gretsch Billy Duffy G7593T Falcon

Thursday, January 10th, 2013

FROM THE GUITAR GUITARS WEBSITE:

Several Unique Differences Separate it from the “Falcon” Flock…

Namely its period-correct ’70s Baldwin-era shape and styling, pure White gloss nitrocellulose lacquer finish, V-shaped Falcon headstock, Silver Sparkle binding, custom wound hot “Black Top” Filter’Tron pickups with three-point adjustable ’70s-style metal bezels and Duffy’s preferred ’70s-style Bigsby tailpiece.

In addition, Duffy’s signature bird of prey features a 17” wide, 2 ¾” deep single cut-away three-ply maple body with a three-ply maple arched top and back and two spruce parallel tone bars and sound post, a three-piece maple neck with ebony fingerboard, a chrome-plated truss rod cover with Duffy’s signature emblazoned on it, a chrome-plated output jack plate, pearloid wide-block fretboard inlays, ’70s-style aluminum “G” arrow knobs and a premium gray speckled “Billy Duffy” case.

Billy Duffy is Not Afraid to Make a Statement.

And few things make a bolder statement than Duffy wielding his Gretsch White Falcon under the stage lights with British rock legends The Cult. Duffy burst out of London’s early ’80s post-punk scene in Theatre of Hate before meeting Ian Astbury and forming one of rock ‘n’ roll’s most powerful, unique and long-lasting duos as what would become The Cult. Duffy’s combination of thick power chords steeped in rich chorused delay, melodic Morricone-inspired lead phrases and filthy feedback-laden solos created an unparalleled sound larger than most venues could contain.

The Cult’s first two albums, Dreamtime and Love, solidified their place among the pre-“alternative” elite, with the latter album featuring what would become their most popular single, “She Sells Sanctuary,” which remains a global staple on rock radio twenty years on and was even featured on a 2012 Super Bowl advertisement in the States.

Every track on those iconic albums featured his Gretsch White Falcon exclusively, and Duffy has made a point to include it on every subsequent album, most notably the chart-topping Electric and Sonic Temple, and their most recent critically acclaimed release Choice of Weapon.

For more information, photos, videos, and specs, visit GretschGuitars.com.

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Music Icons Meet In Brooklyn

Tuesday, December 11th, 2012

Charlie Watts and Fred Gretsch Celebrate Each Other’s Anniversaries

This past December 8 saw a unique meeting between two icons of the music industry—both of whom were celebrating very special anniversaries.

Legendary drummer Charlie Watts was performing at the brand-new Barclays Center in Brooklyn, New York. The seventy-one-year-old Watts and his compatriots in the Rolling Stones were celebrating their fiftieth anniversary as “the world’s greatest rock ‘n’ roll band.”

Fred W. Gretsch and his wife Dinah attended the Stones concert as a way to celebrate two anniversaries of their own: fifty years of association with Charlie Watts as a Gretsch drums endorser, and Gretsch’s 130th anniversary as a musical instrument manufacturer, which the company will mark in 2013.

The location of the meeting held a special poignancy for Fred and Charlie both, since the Barclays Center is only a short distance away from the original Gretsch factory at 60 Broadway in Brooklyn. As a boy, Fred spent many a summer there working for his uncle, Fred Gretsch Jr. And it was in that very factory that the drumkits used by Charlie in his early career with the Stones were built. (The program for the Barclays Center show, titled 50 & Counting: The Rolling Stones Live included thanks from Charlie to Gretsch Drums and to Fred Gretsch.)

Fred Gretsch and Charlie Watts backstage.

At the Brooklyn show Fred and Dinah had a chance to visit backstage with Charlie, and to exchange reminiscences about Charlie’s long and storied career on Gretsch drums. This was their second meeting this year; they’d gotten together this past March when Fred and Dinah were vacationing in Europe and Charlie was performing in Vienna, Austria with an eclectic group called The ABC&D of Boogie Woogie.

While backstage at the Barclays Center Fred and Dinah also chatted with Stones keyboardist Chuck Leavell. This was another reunion of sorts; they had connected in 2008 when Chuck served as the musical director and bandleader for the Gretsch Big Event. That was a concert held at New York City’s Highline Ballroom to celebrate Gretsch’s 125th anniversary.

The Stones’ “50 & Counting” mini-tour started in November with two shows at London’s O2 arena. The show at the Barclays Center was the first on the US leg—and their first in the US since 2006. It is scheduled to be followed by performances at the Prudential Center in Newark, New Jersey on December 13 and 15. But another, very special appearance was added to their agenda: the 12/12/12 benefit concert at New York City’s famed Madison Square Garden. On that show the band will be joined by such stellar artists as Paul McCartney, Bruce Springsteen, Bon Jovi, Billy Joel, and The Who to raise money for victims of Hurricane Sandy.

Enjoy A Night of Music!

Tuesday, November 6th, 2012

Elmhurst College Presents The Gretsch Electric Guitar Ensemble In Concert

by Fred W. Gretsch

Elmhurst College Gretsch Electric Guitar Ensemble

I’m pleased to invite anyone in the Chicago area to attend a concert showcasing Elmhurst College’s Gretsch Electric Guitar Ensemble this coming November 13. The group will be performing as part of the college’s Electric Guitar Ensembles Concert, which will also feature the Electric Guitar Collective, a group open to all electric guitar students. Under the capable direction of faculty member Mike Pinto, both groups will perform a variety of music, including jazz, Latin, pop, and rock.

Since the early 1990s the Gretsch Family has been pleased to fund student scholarships in music and music business at Elmhurst College, and to support the development of a state-of-the-art recording studio there named in recognition of my parents, William and Sylvia Gretsch. And as a proud Elmhurst College alum myself, I was personally honored in 1993 when the college’s unique guitar ensemble program was designated as the Gretsch Electric Guitar Ensemble.

While virtually all other ensemble opportunities for electric guitarists have only one guitar chair, the Gretsch Electric Guitar Ensemble features five electric guitarists, a bass guitarist, and a drummer. This provides a unique opportunity for guitarists to learn to play with each other, emphasizing blend, balance, phrasing, dynamics, and articulation. (It also makes for a unique concert performance.) The Ensemble recently recorded and filmed one of their arrangements in the Gretsch studio, which is marking its 25th anniversary this year. The video can be seen at Elmhurst College Music’s YouTube page.

The Electric Guitar Ensembles Concert will begin at 7:30 p.m. on November 13 in the Mill Theatre, 253 Walter Street in Elmhurst. Admission is free. For more information, call (630) 617-3390.

Savannah Folk Music Festival a Great Success

Thursday, October 18th, 2012

FROM THE SAVANNAH FOLK MUSIC SOCIETY:

The Annual Savannah Folk Music Festival began with a huge crowd in attendance at 7 pm on Friday, October 12 in Ellis Square with”FOLKFEST” showcasing Savannah Folk Music Society Members. The large audience, seated all around ELLIS Square and in the courtyard at City Market, was entertained with a variety of different styles of music from the many genres that make up folk music.  Savannah Folk Music Society President Chris Desa opened the show and Jim McGaw, Lauren Lapointe, Cynergy, and Pace Brothers performed for and were applauded by an appreciative audience of local area residents and out of town visitors who enjoyed the show.  The best part was the ticket price. . . “ F R E E“.

Noteworthy Art and More Auctions, Friday, October 12 & Sunday October, 14 (Ellis Square & Grayson Stadium)

Chris Desa and Fred Gretsch with Alison Krauss & Union Station signed Gretsch Guitar Auctioned During Festival

All 14 guitars, generously donated by the GRETSCH FOUNDATION and some of which were artfully transformed by local Savannah artists (see below), were sold at silent auction during the Friday and Sunday events.  One brand new playable Gretsch Historic Series guitar, signed by all performers at the Sunday concert was auctioned and sold on October 14 at Grayson Stadium.

Youth Songwriting Competition, Saturday, October 13

The Youth songwriting competition, with $1,000 in prizes sponsored by Portman’s Music Superstore was held at Stewart Hall, First Presbyterian church where 3 finalists performed their original songs.  Declan Berkley of Savannah won First Prize – a $500 gift certificate for his song “North Pike Island”, Catherine Altomare also of Savannah placed second and received a gift certificate of $300 and Kent Woods of Ridgeland, SC was third and received gift certificate of $200.

Blues Guitar Workshop with Doug Macleod, Saturday, October 13

Immediately following the songwriting competition, a two-hour acoustic blues guitar workshop was hosted by headliner DOUG MACLEOD with about 12 local guitarists and listeners in attendance.  It was a great opportunity for attendees to spend quality time and learn from one of the best blues performers in the country.

Old Time Country Dance, Saturday, October 13

Savannah Arts Academy gym was decorated with numerous colorful quilts in preparation for the Festival Dance, which was again very well attended by nearly 250 people.  The “Curley Maple” Band provided excellent music throughout the evening which veteran dance caller Janet Shepherd relied on to “call” and guide novices and veterans alike through a myriad of contras, squares, waltzes, and circle dances.

Concert at Grayson Stadium, Sunday, October 14

The Sunday Festival Concert began on schedule in Grayson Stadium with Deidre McCalla, Curley Maple, Al Petteway & Amy White, and Doug Macleod each performing two sets for the benefit of audience members who could attend only a portion of the concert.  It was a treat to see long time fans of the performers position themselves at vantage seats in the stands to get a close up view.  Every artist gave a stellar performance to an appreciative and attentive audience scattered all over the stands behind home plate at Grayson Stadium.

The Youth Songwriting Competition winner Declan Berkley performed his winning song “North Pike Island” on stage at the Sunday Concert.

Overall, the festival was a great success and next year we will be back again in our usual location at Grayson Stadium said Chris Desa.  The collective efforts of SFMS leadership, members, volunteers, and numerous sponsors is greatly appreciated.

Major Festival Sponsors

City of Savannah Leisure Services Bureau: Dept of Cultural Affairs

The Gretsch Foundation

Portman’s Music Superstore

Quality Rock Q 105.3

Brighter Day Natural Foods

For more information about the Savannah Folk Music Society, call (912) 898-1876 or visit www.savannahfolk.org.

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Four of the beautiful art guitars auctioned during the festival:

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The Round Badge Returns to Gretsch USA Custom Drums

Saturday, October 6th, 2012

SPECIAL ANNOUNCEMENT BY GRETSCH DRUMS:

In January 2013, Gretsch will reintroduce a round, brass, vent hole badge on all USA Custom drums, including G-4000 Series Metal and G-5000 Series Wood Snare Drums.

The newly designed Gretsch Round Badge shares many of the same characteristics of the original version. Both are made from brass, yet the new version has only the Gretsch name embossed. (On the original brass badge, all of the graphic elements were embossed.) To enhance the look of the new badge, a simulated “patina” is applied giving it a textured, rustic appearance. The new badge will be affixed to the drums’ vent hole using a pneumatically pressed brass grommet. And, a grommet will be used for all drums whereas on the original round badge series the toms used a tack since there was no venthole on round badge era toms. Only the round badge era snares and bass drum had ventholes.

The Gretsch Round Badge was used on all Gretsch USA-made drums between 1930 and 1970 and grew to become an iconic symbol. Gretsch Drums manufactured during this period continue to be highly collectable and extremely valuable throughout the vintage drum community.
Even though Gretsch has introduced several alternative badge styles since 1970, the Round Badge continued to make periodic comebacks for special commemorative products like the 120th Anniversary Edition Products in 2003 and the 125th Anniversary Drums in 2008. In January 2012, a silver version of the traditional Round Badge was introduced on the newly released, USA-made Brooklyn Series.

“The reintroduction of the Round Badge to our USA-made product is a welcome return to a classic and very emblematic Gretsch Drum design,” said John Palmer, Director of Product for Gretsch Drums. “As we approach the company’s 130th anniversary, we are very proud to combine key elements of our rich heritage with our continuing advancements in drum making.”

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Thank You to GP Mag for Hall of Fame Award

Sunday, September 30th, 2012

To the Editor, Guitar Player Magazine:

On behalf of the Gretsch Family past and present, I’d like to thank the editors of Guitar Player for including us among the Manufacturing Legends named to your inaugural Hall 0f Fame in the November 2012 issue. To be selected for this singular honor is quite an achievement, especially considering the stellar individuals with whom we share it.

I’d like to add how pleased I am to see that Paul Bigsby is also among the inaugural honorees. Gretsch Guitars and Bigsby Vibratos have shared a long and musically rewarding partnership, and I’m proud to say that the Bigsby brand is today a wholly owned subsidiary of the Gretsch Company.

As the Gretsch Family enters its 130th anniversary year of musical instrument manufacturing in 2013, guitarists around the world can rest assured that the legacy of innovation and quality that began in 1883 still guides our efforts today—and will continue to do so in the years to come.

Fred W. Gretsch

4th Generation

President

The Gretsch Company

Cover: Guitar Player Magazine November 2012

Manufacturing Legends: Paul Bigsby & The Gretsch Family

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