Archive for the ‘Music Industry News’ Category

Remembering Robert Zildjian

Thursday, April 4th, 2013

With the passing of Sabian Cymbals founder Robert Zildjian this past March 28 the percussion industry has lost one of its genuine originals. And I’ve lost a colleague that I respected and admired.

Bob Zildjian’s life and career—which were completely inseparable—covered more than six decades. He was a living bridge between the era when drum and cymbal companies were owned and run by individuals (with last names like Ludwig, Zildjian, Slingerland, Paiste, and, of course, Gretsch) and today’s incredibly expansive percussion industry.

Most drummers know something about Bob’s story, but for those who don’t, here’s a brief synopsis: Bob was the son of Avedis Zildjian, who established the Avedis Zildjian Cymbal Company in the Boston suburb of Quincy, Massachusetts in 1923. Along with his older brother Armand, Bob worked for his father from a very young age, learning every aspect of the cymbal business. That business became everything to Bob, and he approached it with a passion that remained his driving motivation for the rest of his life.

Bob took extended time off from the cymbal business only twice. The first was to attend Dartmouth College, from which he graduated in 1945. It might surprise some people to learn that Bob’s degree was not in business, but in history and philosophy. But anyone who had the pleasure of spending time with Bob soon learned that his brusque, plain-spoken manner disguised a keen intellect and a philosophical outlook on the world.

Bob’s second “break” from the cymbal business was a stint in the infantry during World War II. Upon his return, he joined a friend’s hunting party on the St. John River in Meductic, New Brunswick, Canada. He fell in love with the picturesque setting, and when it came time for the Zildjian Company to expand its production and export capacity with a second factory, Bob established that factory in Meductic. There the company first made AZCO cymbals, and later made hand-hammered K Zildjian models.

When Bob’s father died in 1979, disagreements between Bob and his brother Armand over the company’s future ultimately led to an irresolvable conflict. Bob was given the choice of taking a cash buyout and leaving the cymbal business altogether, or taking ownership of the Meductic factory in order to stay in the business. But he couldn’t use his own family’s name in any advertising. In effect, at middle age and with a wife and three children to support, he’d have to start all over again.

This prospect might have daunted other men, but not Bob. With the support of his family, he launched a totally new cymbal brand. At his wife Willi’s suggestion, the company’s name was created from the first two letters of their children’s names: SAlly, BIll, and ANdy. Cymbals were first introduced to Europe and Asia in 1982, and to the American market in 1983.

From that time until shortly before his passing, Bob remained totally dedicated and deeply involved in the development of Sabian, taking pride in the growth of that company into an international leader. Although he relinquished the day-to-day reins to his son Andy in 1996, he retained the title of “Chairman,” and his presence was a constant inspiration to everyone in the company—as well as to the percussion industry at large.

History includes quite a few connections between the Gretsch and Zildjian families, with Bob a major figure within them. When he worked for the Zildjian company in the 1940s he dealt closely with my uncle, Fred Gretsch Jr.—who was president of the company for most of that time—as well as with my father, Bill Gretsch, who ran the company briefly while my uncle served in the navy during World War II. In fact, Bob was one of the few people in today’s music business who knew my father, who passed away in 1948.

Bob and I also had somewhat of a personal connection—if only coincidentally. He founded Sabian in 1982 and first brought cymbals into the US market in 1983—thus establishing his own family business. In that same year I purchased the Gretsch Company from Baldwin—thus returning that business to family ownership.

When Bob was still working for Zildjian in the 1950s and ’60s he was involved in a dispute between Zildjian and Gretsch concerning the ownership of the K Zildjian trademark and the distribution of K Zildjian cymbals. That dispute went on for several years, and many of the exact details have been lost to time. In an effort to rectify that situation I had the pleasure of sharing a breakfast meeting with Bob and his wife Willi at the 2011 NAMM show. I listened avidly as Bob regaled us with story after story about Zildjian history, and how it related to Gretsch history as well. He even told me some things about my uncle Fred that I hadn’t known before.

My wife Dinah and I spoke with Bob and Willi again in July of 2011 when we visited their home town of Brunswick, Maine. Regrettably, circumstances prevented our accepting an invitation to visit with them at their house—for the second time. (A freak snowstorm had forced us to cancel a planned visit some years earlier.)

It was a pleasure to know Bob, whose unique personality and hands-on, no-nonsense style set him apart from the “corporate” image that has come to identify many of today’s music-industry leaders. His like will not be seen again, and I will miss him tremendously.

Fred Gretsch

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Building the Great American Drum Set for 130 Years

Friday, January 25th, 2013

FROM THE GRETSCH DRUMS WEBSITE:

Since 1883, Gretsch has proudly been making drums in the USA. For many, owning an American-made Gretsch drum set is a dream come true–a hard-earned return on the investment a drummer makes to become the best player they can be.

Gretsch Drums is proud to celebrate its 130th anniversary in 2013 with a limited run of commemorative USA made drum sets and snare drums that will be released throughout the year. Each drum will include a special 130th anniversary interior shell label that is numbered to signify its production sequence. Drum sets will also include a hand signed Certificate of Authenticity.

Anniversary Drum Sets and Snare Drums

The original Gretsch factories were located in Brooklyn, New York. It was there that a design formula was developed that would result in what drummers all over the world would come to recognize as “That Great Gretsch Sound.™” Today, Ridgeland, South Carolina is the home of Gretsch Drums and the craftsmen there are still using the same techniques and formulas to build the highly coveted Gretsch USA Custom Drums and Gretsch Brooklyn Series Drums.

130TH ANNIVERSARY LIMITED SATIN BIRDSEYE MAPLE

This classic five-piece USA Custom Drum Set features a breathtaking Birdseye Maple veneer. The wood was carefully hand selected for its unique figuring and its grain and color consistency. Only 30 sets will be produced world-wide. The shells are hand sanded and are finished with a clear, non-tinted Nitrocellulose Satin lacquer to preserve the wood’s natural beauty. The shells interiors are finished with Gretsch’s time-honored Silver Sealer and include numbered 130th Anniversary commemorative shell labels. The set also includes matching Birdseye Maple bass drum hoops and Gretsch Permatone drum heads by Remo® with 130th Anniversary logos. All drums are fully made to USA Custom specifications in Ridgeland, South Carolina.

130TH ANNIVERSARY LIMITED SILVER SATIN FLAME

Globally limited to only 35 sets, this USA Custom 130th Anniversary kit features a spectacular Silver Satin Flame Nitron. Silver Satin Flame is a classic finish used by Gretsch during the late 1960s. The kit comes with numbered and serialized 130th Anniversary interior shell labels and Certificate of Authenticity. All drums are precision made to Gretsch USA Custom specifications.

130TH ANNIVERSARY LIMITED SATIN VINTAGE CHERRY BURST

The Gretsch Factory in Ridgeland, South Carolina, USA developed one of the most stunning finishes ever to celebrate the company’s 130th Anniversary. Vintage Cherry Burst is a Nitrocellulose Satin Lacquer that is warm and captivating and, with only 30 sets being produced for worldwide distribution, this six-piece kit is sure to become an immediate collectable.

130TH ANNIVERSARY LIMITED GOLD SATIN FLAME

For those looking to go completely retro, this limited edition four-piece set has all of the classic styling to suit your taste. Built in traditional sizes, this USA Custom Anniversary kit features a Gold Satin Flame Nitron finish and truly quintessential hardware appointments. Shell interiors are finished with Gretsch® Silver Sealer and carry a numbered commemorative shell label. Only 35 of these incredible drum sets will be manufactured and each comes with its own Certificate of Authenticity.

130TH ANNIVERSARY BROOKLYN SERIES LIMITED PEWTER SPARKLE

The USA Factory has also created a celebratory limited edition of the Gretsch® Brooklyn Series. This incredible four-piece set is finished in a stunning Pewter Sparkle Nitron. This beautiful finish must be seen to be believed. The silver-gray Nitron flakes reflect ambient light in a fashion that produces subtle yet striking colors, ranging from a shimmering silver to a gleaming lavender. The four-piece configuration is a “playe’r’s” kit that drives strong grooves in a variety of musical styles. Each set comes with 130th Anniversary internal shell labels and signed Certificate of Authenticity.

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Limited Edition Snare Drums

Gretsch® has released three special limited edition snare drums to celebrate the company’s 130th Anniversary. The interior of each shell carries a commemorative label with the drum’s hand-written individual production number. These drums will only be offered in 2013.

130TH ANNIVERSARY SATIN BIRDSEYE MAPLE SNARE DRUM

6.5″x14″ Satin Birsdeye Maple snare drum; 6-ply Gretsch maple shell with Satin Nitrocellulose Lacquer Birdseye veneer; Silver Sealer with 130th Anniversary interior shell label. 30-degree bearing edge; Lightning throw-off and butt plate, batter side muffler, 16 lugs, Snap-in key holder, 42-strand snares.

130TH ANNIVERSARY CLARO WALNUT SNARE DRUM

6.5″x14″ Solid Claro walnut with Claro walnut reinforcement rings, finished in Satin Nitrocellulose lacquer; Natural interior with 130th Anniversary interior shell label; 30-degree bearing edge; Gretsch Round Badge; Lightning throw-off and butt plate, 10 lugs, 20-strand snares.

130TH ANNIVERSARY FLAT BLACK SOLID ALUMINUM SNARE DRUM

7″x14″ Flat Black Solid Aluminum snare drum; Black Hardware; 45-degree bearing edge; Gretsch Round Badge; Black Lightning throw-off and butt plate, Black Suede Ambassador batter drum head, 20 lugs, 42-strand snares.

For more information, photos, and specs on these and other Gretsch Drums, visit their website.

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Gretsch’s New Anniversary, Professional, and Center Block Guitars

Saturday, January 19th, 2013

Gretsch Guitars Press Release:

In celebration of Gretsch’s 130th anniversary, the iconic guitar company is releasing two limited anniversary models, a new addition to the Professional Collection, as well as the new Center Block series.

Custom Shop Anniversary Models

Custom Shop 130th Anniversary Hollow Body

To commemorate Gretsch’s 130th anniversary, the Gretsch Custom Shop introduces the beautiful new U.S. Custom Shop 130th Anniversary Hollow Body guitar. Its 2 1/2″-deep single-cutaway three-ply maple body has a 15 1/2″ lower bout, arched top and back, and trestle bracing. The guitar is a striking beauty with its two-tone gloss nitrocellulose lacquer finish in Metallic Gold on the top and Black on the back and sides, with multiple silver-sparkle bindings. The three-piece maple neck has a 12″-radius ebony fingerboard with 22 medium vintage frets, mother-of-pearl Neo-Classic™ “thumbnail” inlays and polished aluminum nut; and a mother-of-pearl Gretsch 130th Anniversary headstock logo. Other premium features include dual TV Jones® Filter’Tron™ Classic pickups, a black pickguard with 130th Anniversary logo, “G” Arrow control knobs and chrome hardware, an Adjusto-Matic™ bridge with pinned ebony base and Bigsby® B6C tailpiece, and Gotoh® open-back tuners. The guitar comes in a deluxe black faux-alligator skin TKL hard-shell case with a Gretsch 130th Anniversary leather strap, embroidered  utility bag and certificate of authenticity signed by Gretsch Custom Shop Senior Master Builder Stephen Stern.

G6118T-LTV 130th Anniversary Jr.

Gretsch is proud to introduce a beautiful new Professional Collection guitar—the G6118T-LTV 130th Anniversary Jr. model—as part of its anniversary celebration. Its 2 1/4″-deep single-cutaway three-ply maple body has a 14″ lower bout, arched top and back, and spruce “ML” bracing. Especially striking is the nitrocellulose lacquer finish, which is Black on the top and Metallic Gold on the back and sides, with single-ply binding. Other premium features include a three-piece maple neck; 12″-radius ebony fingerboard with 22 medium jumbo frets, pearloid Neo-Classic “thumbnail” inlays and bone nut; Anniversary model plaque and pearloid Gretsch logo on headstock; and dual TV Jones® Power’Tron™ pickups. The guitar also has a metallic gold pickguard, “G” Arrow” control knobs and chrome hardware, an Adjusto-Matic™ bridge with pinned ebony base and Bigsby® B3CB tailpiece, and Sperzel® locking tuners. Available in right- and left-handed models, and deluxe hard-shell case included.

Professional Collection

G6128T-DCM Duo Jet

The Gretsch Professional Collection now also includes the striking new G6128T-DCM Duo Jet™, which features a double-cutaway chambered mahogany body finished in black and a three-ply arched maple top finished in Dark Cherry Metallic with single-ply binding. The one-piece mahogany neck has a single-ply bound headstock with pearloid Gretsch logo, 12″-radius ebony fingerboard with 22 medium jumbo frets and pearloid Neo-Classic “thumbnail” inlays, a bone nut and a zero fret. Other features include dual High Sensitive Filter’Tron pickups, “G” Arrow control knobs and chrome hardware, Adjusto-Matic bridge with pinned ebony base and Bigsby B3C tailpiece, Grover® Sta-Tite™ tuners and Schaller® strap locks. Deluxe hard-shell case included.

Center Block Series

Gretsch is extremely proud to introduce the Center Block series, which feature a long spruce center block. The center block runs the entire length of the body and imparts several sonic advantages. First, it minimizes body-resonant feedback and creates a more “high gain-friendly” performance. Second, it’s made of spruce, which produces a spirited, lively tone. Third, the center block itself is chambered at the lower bout to minimize weight. Fourth, the pinned wood bridge base extends over the sides of the center block about 5/8″ on either side, transferring string-vibration energy to the two f-hole-vented body chambers to produce a full-bodied tone.

G6137TCB Panther Center-Block

The brand-new Professional Collection Center Block model, the G6137TCB Panther Center-Block, features a beautiful 1 3⁄4″-deep double-cutaway three-ply maple body with a 16″ lower bout, arched top and back and elegant f holes. Other premium features include a three-piece maple neck, 12″-radius bound rosewood fingerboard with 22 medium jumbo frets and pearloid Neo-Classic “thumbnail” inlays, single-ply bound headstock with pearloid Gretsch logo, and dual High Sensitive Filter’Tron pickups. The guitar also has a top- mounted output jack, “G” arrow control knobs and chrome hardware, an Adjusto-Matic bridge with pinned rosewood base and Bigsby B6C tailpiece, Grover Sta-Tite tuners and Schaller strap locks. Available in Black and White. Deluxe hard-shell case included.

G6139CB Falcon Center-Block Single Cutaway

The Gretsch Professional Collection introduces an innovative new version of the venerable Falcon design with the arrival of the G6139CB Falcon Center-Block Single Cutaway guitar. It features a beautiful 1 3⁄4″- deep single-cutaway three-ply maple body with a 16″- lower bout, arched top and back, multi-ply sparkle appointments and oversized f holes. Other premium features include a three-piece maple neck; 12″-radius ebony fingerboard with 22 medium jumbo frets, pearloid Neo-Classic “thumbnail” inlays and multi-ply sparkle appointments; Gretsch “winged/vertical” sparkle logo; and dual High Sensitive Filter’Tron pickups. The guitar also has jeweled-arrow knobs and gold hardware, an Adjusto-Matic bridge with pinned ebony base and Cadillac® “G” tailpiece, Grover Imperial™ tuners and Schaller strap locks. Available in White with Gold Sparkle appointments and Black with Silver Sparkle appointments. Deluxe hard-shell case included.

G6139T-CBDC Falcon Center-Block Double Cutaway

The Gretsch Professional Collection introduces another new Falcon, the G6139T-CBDC Falcon Center-Block Double Cutaway guitar. It features a beautiful 1 3⁄4″-deep double-cutaway three-ply maple body with a 16″ lower bout, arched top and back, multi-ply sparkle appointments and oversized f holes. Other premium features include a three-piece maple neck; 12″-radius ebony fingerboard with 22 medium jumbo frets, pearloid Neo-Classic “thumbnail” inlays and multi-ply sparkle appointments; Gretsch “winged/vertical” sparkle logo; and dual High Sensitive Filter’Tron pickups. The guitar also has jeweled-arrow knobs and gold hardware, an Adjusto- Matic bridge with pinned ebony base and Bigsby B6G tailpiece, Grover Imperial tuners and Schaller strap locks. Available in White with Gold Sparkle appointments and Black with Silver Sparkle appointments. Deluxe hard-shell case included.

For more information on these and other Gretsch guitars and accessories, visit the Gretsch Guitars website.

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Round Badge Makes Return to Gretsch USA Custom Drums

Thursday, January 10th, 2013

As the Gretsch Company celebrates it’s 130th anniversary in 2013, it is also reintroducing the iconic round badge.  Made of brass with a vent hole, the badge will be included on all USA Custom drums, including the G-4000 Series Metal and G-5000 Series Wood Snare Drums.

The newly-designed Gretsch Round Badge shares many of the same characteristics of the original version. Both are made from brass, yet the new version has only the Gretsch name embossed. (On the original brass badge, all of the graphic elements were embossed.) To enhance the look of the new badge, a simulated “patina” is applied giving it a textured, rustic appearance. The new badge will be affixed to the drums’ vent hole using a pneumatically pressed brass grommet. And, a grommet will be used for all drums whereas on the original round badge series the toms used a tack since there was no venthole on round badge era toms. Only the round badge era snares and bass drum had ventholes.

The Gretsch Round Badge was used on all Gretsch USA-made drums between 1930 and 1970 and grew to become an iconic symbol. Gretsch Drums manufactured during this period continue to be highly collectable and extremely valuable throughout the vintage drum community.

Even though Gretsch has introduced several alternative badge styles since 1970, the Round Badge continued to make periodic comebacks for special commemorative products like the 120th Anniversary Edition Products in 2003 and the 125th Anniversary Drums in 2008. In January 2012, a silver version of the traditional Round Badge was introduced on the newly released, USA-made Brooklyn Series.

“The reintroduction of the Round Badge to our USA-made product is a welcome return to a classic and very emblematic Gretsch Drum design,” said John Palmer, Director of Product for Gretsch Drums. “As we approach the company’s 130th anniversary, we are very proud to combine key elements of our rich heritage with our continuing advancements in drum making.”

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Introducing the Gretsch Billy Duffy G7593T Falcon

Thursday, January 10th, 2013

FROM THE GUITAR GUITARS WEBSITE:

Several Unique Differences Separate it from the “Falcon” Flock…

Namely its period-correct ’70s Baldwin-era shape and styling, pure White gloss nitrocellulose lacquer finish, V-shaped Falcon headstock, Silver Sparkle binding, custom wound hot “Black Top” Filter’Tron pickups with three-point adjustable ’70s-style metal bezels and Duffy’s preferred ’70s-style Bigsby tailpiece.

In addition, Duffy’s signature bird of prey features a 17” wide, 2 ¾” deep single cut-away three-ply maple body with a three-ply maple arched top and back and two spruce parallel tone bars and sound post, a three-piece maple neck with ebony fingerboard, a chrome-plated truss rod cover with Duffy’s signature emblazoned on it, a chrome-plated output jack plate, pearloid wide-block fretboard inlays, ’70s-style aluminum “G” arrow knobs and a premium gray speckled “Billy Duffy” case.

Billy Duffy is Not Afraid to Make a Statement.

And few things make a bolder statement than Duffy wielding his Gretsch White Falcon under the stage lights with British rock legends The Cult. Duffy burst out of London’s early ’80s post-punk scene in Theatre of Hate before meeting Ian Astbury and forming one of rock ‘n’ roll’s most powerful, unique and long-lasting duos as what would become The Cult. Duffy’s combination of thick power chords steeped in rich chorused delay, melodic Morricone-inspired lead phrases and filthy feedback-laden solos created an unparalleled sound larger than most venues could contain.

The Cult’s first two albums, Dreamtime and Love, solidified their place among the pre-“alternative” elite, with the latter album featuring what would become their most popular single, “She Sells Sanctuary,” which remains a global staple on rock radio twenty years on and was even featured on a 2012 Super Bowl advertisement in the States.

Every track on those iconic albums featured his Gretsch White Falcon exclusively, and Duffy has made a point to include it on every subsequent album, most notably the chart-topping Electric and Sonic Temple, and their most recent critically acclaimed release Choice of Weapon.

For more information, photos, videos, and specs, visit GretschGuitars.com.

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Music Icons Meet In Brooklyn

Tuesday, December 11th, 2012

Charlie Watts and Fred Gretsch Celebrate Each Other’s Anniversaries

This past December 8 saw a unique meeting between two icons of the music industry—both of whom were celebrating very special anniversaries.

Legendary drummer Charlie Watts was performing at the brand-new Barclays Center in Brooklyn, New York. The seventy-one-year-old Watts and his compatriots in the Rolling Stones were celebrating their fiftieth anniversary as “the world’s greatest rock ‘n’ roll band.”

Fred W. Gretsch and his wife Dinah attended the Stones concert as a way to celebrate two anniversaries of their own: fifty years of association with Charlie Watts as a Gretsch drums endorser, and Gretsch’s 130th anniversary as a musical instrument manufacturer, which the company will mark in 2013.

The location of the meeting held a special poignancy for Fred and Charlie both, since the Barclays Center is only a short distance away from the original Gretsch factory at 60 Broadway in Brooklyn. As a boy, Fred spent many a summer there working for his uncle, Fred Gretsch Jr. And it was in that very factory that the drumkits used by Charlie in his early career with the Stones were built. (The program for the Barclays Center show, titled 50 & Counting: The Rolling Stones Live included thanks from Charlie to Gretsch Drums and to Fred Gretsch.)

Fred Gretsch and Charlie Watts backstage.

At the Brooklyn show Fred and Dinah had a chance to visit backstage with Charlie, and to exchange reminiscences about Charlie’s long and storied career on Gretsch drums. This was their second meeting this year; they’d gotten together this past March when Fred and Dinah were vacationing in Europe and Charlie was performing in Vienna, Austria with an eclectic group called The ABC&D of Boogie Woogie.

While backstage at the Barclays Center Fred and Dinah also chatted with Stones keyboardist Chuck Leavell. This was another reunion of sorts; they had connected in 2008 when Chuck served as the musical director and bandleader for the Gretsch Big Event. That was a concert held at New York City’s Highline Ballroom to celebrate Gretsch’s 125th anniversary.

The Stones’ “50 & Counting” mini-tour started in November with two shows at London’s O2 arena. The show at the Barclays Center was the first on the US leg—and their first in the US since 2006. It is scheduled to be followed by performances at the Prudential Center in Newark, New Jersey on December 13 and 15. But another, very special appearance was added to their agenda: the 12/12/12 benefit concert at New York City’s famed Madison Square Garden. On that show the band will be joined by such stellar artists as Paul McCartney, Bruce Springsteen, Bon Jovi, Billy Joel, and The Who to raise money for victims of Hurricane Sandy.

Enjoy A Night of Music!

Tuesday, November 6th, 2012

Elmhurst College Presents The Gretsch Electric Guitar Ensemble In Concert

by Fred W. Gretsch

Elmhurst College Gretsch Electric Guitar Ensemble

I’m pleased to invite anyone in the Chicago area to attend a concert showcasing Elmhurst College’s Gretsch Electric Guitar Ensemble this coming November 13. The group will be performing as part of the college’s Electric Guitar Ensembles Concert, which will also feature the Electric Guitar Collective, a group open to all electric guitar students. Under the capable direction of faculty member Mike Pinto, both groups will perform a variety of music, including jazz, Latin, pop, and rock.

Since the early 1990s the Gretsch Family has been pleased to fund student scholarships in music and music business at Elmhurst College, and to support the development of a state-of-the-art recording studio there named in recognition of my parents, William and Sylvia Gretsch. And as a proud Elmhurst College alum myself, I was personally honored in 1993 when the college’s unique guitar ensemble program was designated as the Gretsch Electric Guitar Ensemble.

While virtually all other ensemble opportunities for electric guitarists have only one guitar chair, the Gretsch Electric Guitar Ensemble features five electric guitarists, a bass guitarist, and a drummer. This provides a unique opportunity for guitarists to learn to play with each other, emphasizing blend, balance, phrasing, dynamics, and articulation. (It also makes for a unique concert performance.) The Ensemble recently recorded and filmed one of their arrangements in the Gretsch studio, which is marking its 25th anniversary this year. The video can be seen at Elmhurst College Music’s YouTube page.

The Electric Guitar Ensembles Concert will begin at 7:30 p.m. on November 13 in the Mill Theatre, 253 Walter Street in Elmhurst. Admission is free. For more information, call (630) 617-3390.

Savannah Folk Music Festival a Great Success

Thursday, October 18th, 2012

FROM THE SAVANNAH FOLK MUSIC SOCIETY:

The Annual Savannah Folk Music Festival began with a huge crowd in attendance at 7 pm on Friday, October 12 in Ellis Square with”FOLKFEST” showcasing Savannah Folk Music Society Members. The large audience, seated all around ELLIS Square and in the courtyard at City Market, was entertained with a variety of different styles of music from the many genres that make up folk music.  Savannah Folk Music Society President Chris Desa opened the show and Jim McGaw, Lauren Lapointe, Cynergy, and Pace Brothers performed for and were applauded by an appreciative audience of local area residents and out of town visitors who enjoyed the show.  The best part was the ticket price. . . “ F R E E“.

Noteworthy Art and More Auctions, Friday, October 12 & Sunday October, 14 (Ellis Square & Grayson Stadium)

Chris Desa and Fred Gretsch with Alison Krauss & Union Station signed Gretsch Guitar Auctioned During Festival

All 14 guitars, generously donated by the GRETSCH FOUNDATION and some of which were artfully transformed by local Savannah artists (see below), were sold at silent auction during the Friday and Sunday events.  One brand new playable Gretsch Historic Series guitar, signed by all performers at the Sunday concert was auctioned and sold on October 14 at Grayson Stadium.

Youth Songwriting Competition, Saturday, October 13

The Youth songwriting competition, with $1,000 in prizes sponsored by Portman’s Music Superstore was held at Stewart Hall, First Presbyterian church where 3 finalists performed their original songs.  Declan Berkley of Savannah won First Prize – a $500 gift certificate for his song “North Pike Island”, Catherine Altomare also of Savannah placed second and received a gift certificate of $300 and Kent Woods of Ridgeland, SC was third and received gift certificate of $200.

Blues Guitar Workshop with Doug Macleod, Saturday, October 13

Immediately following the songwriting competition, a two-hour acoustic blues guitar workshop was hosted by headliner DOUG MACLEOD with about 12 local guitarists and listeners in attendance.  It was a great opportunity for attendees to spend quality time and learn from one of the best blues performers in the country.

Old Time Country Dance, Saturday, October 13

Savannah Arts Academy gym was decorated with numerous colorful quilts in preparation for the Festival Dance, which was again very well attended by nearly 250 people.  The “Curley Maple” Band provided excellent music throughout the evening which veteran dance caller Janet Shepherd relied on to “call” and guide novices and veterans alike through a myriad of contras, squares, waltzes, and circle dances.

Concert at Grayson Stadium, Sunday, October 14

The Sunday Festival Concert began on schedule in Grayson Stadium with Deidre McCalla, Curley Maple, Al Petteway & Amy White, and Doug Macleod each performing two sets for the benefit of audience members who could attend only a portion of the concert.  It was a treat to see long time fans of the performers position themselves at vantage seats in the stands to get a close up view.  Every artist gave a stellar performance to an appreciative and attentive audience scattered all over the stands behind home plate at Grayson Stadium.

The Youth Songwriting Competition winner Declan Berkley performed his winning song “North Pike Island” on stage at the Sunday Concert.

Overall, the festival was a great success and next year we will be back again in our usual location at Grayson Stadium said Chris Desa.  The collective efforts of SFMS leadership, members, volunteers, and numerous sponsors is greatly appreciated.

Major Festival Sponsors

City of Savannah Leisure Services Bureau: Dept of Cultural Affairs

The Gretsch Foundation

Portman’s Music Superstore

Quality Rock Q 105.3

Brighter Day Natural Foods

For more information about the Savannah Folk Music Society, call (912) 898-1876 or visit www.savannahfolk.org.

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Four of the beautiful art guitars auctioned during the festival:

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