Posts Tagged ‘Gretsch Drums’

Gretsch 2012 NAMM Show Highlights

Monday, February 6th, 2012

2012 NAMM Show at the Anaheim Convention Center

The 2012 NAMM musical-instrument show took place January 19 through 22 at the Anaheim Convention Center in California. This annual event, sponsored by the International Music Products Association, is America’s largest trade show for the showcasing of musical instruments and accessories. This year’s show was the 110th edition, and attendance reached a record high. A whopping 95,709 visitors filled the halls with an all-new level of energy and excitement.

Gretsch Drums and Gretsch Guitars were a major reason for that excitement, with plenty of new products to display. In addition, Fred and Dinah Gretsch were on hand—joined by other members of the Gretsch family—to lend their special personal touch to all of the Gretsch-related activities.

Gretsch Drums On Display

Gretsch Drums had plenty of great new gear to showcase at this year’s NAMM show. Here are just a few highlights.

Fred Gretsch and New Brooklyn Series Kit

The focus of the 2012 NAMM display was the launch of the new Brooklyn Series. Made in Gretsch’s US factory, the new series is a tribute to the city in which the Gretsch Company got its start back in 1883.  And who better to help introduce the new series than Fred Gretsch himself?

Among the beautiful new Brooklyn series kits in the Gretsch booth was a classic five-piece configuration with a Smoke Grey Oyster Nitron wrap. The drums feature Gretsch maple/poplar shells with classic 30-degree bearing edges and the legendary Silver Sealer on their insides. Toms and snares come fitted with new “302” model 3mm double-flanged hoops, which are reminiscent of hoops used by Gretsch up until the mid-1950s.

Gretsch Brooklyn Display

These hoops have the same height profile as the classic Gretsch die-cast hoop in order to provide a playing experience that feels the same as traditional Gretsch USA Custom drums. All other drum hardware components—including lugs, claws, brackets, and spurs—are the same as those used on USA Custom kits. And perhaps best of all for Gretsch “purists,” the return to Brooklyn means a return to a round badge. The Brooklyn Round Badge has a black/pewter color scheme with a classic embossed Gretsch design.

Brooklyn Jazz Kit

Aficionados of jazz will recognize this classic configuration. It’s a Brooklyn Series kit in small “bop” sizes, finished in a mahogany lacquer.

Gretsch Snares

This bevy of beautiful snare drums includes one wood-shell (top left) and three metal-shell (bottom row) Brooklyn Series models, along with two brand-new Brushed Brass snares that feature a hand-brushed finish that creates a distinctive two-toned vintage patina effect.

A just-for-fun monster setup showcased a Gretsch USA Custom kit with a Chrome Nitron finish mounted on an ultra-customized Gibraltar rack.

The distinctive Gretsch Renown 57 kit debuted last year, with a design inspired by the great American car manufacturers of the 1950s. The new Motor City Red finish introduced for 2012 was so hot that the kit had to be displayed behind a plastic shield!

Gretsch Energy Kit

This eight-piece, double-bass kit is from Gretsch’s new affordable Energy Series. “Quick”-sized toms on GTS mounts produce maximum tone, cutting attack, and thunderous low end. Classic Gretsch features include 30-degree bearing edges, 5-lug configurations for the 8”, 10”, and 12” rack toms, and Gretsch-style lugs.

For more highlights-related photos, please visit our photo gallery here.

Goings-On at Gretsch Guitars

Gretsch Guitars Main Display

There’s nothing like a room full of the world’s finest guitars to attract the attention of NAMM show-goers. So there was no shortage of visitors to the Gretsch Guitars exhibit. The fact that Fred Gretsch was also often on hand to greet and chat with Gretsch guitar fans made this year’s exhibit even more special.

Although Gretsch is best known today for the manufacture of great guitars, the company got its start in 1883 making an even more traditional type of American instrument: banjos—as demonstrated by Fred Gretsch.

Fred Gretsch on the Banjo

Not long afterward came mandolins, flat-top guitars, ukuleles, and other instruments that contributed to what we now call “roots” or “Americana” music. Gretsch celebrated this important contribution to American history with a display of authentic recreations of those classic instruments.

Gretsch Roots Disply

When it comes to a recognizable guitar sound, there’s no mistaking the unique twang of rock pioneer Duane Eddy. A long-time user and aficionado of Gretsch guitars, Duane was honored at this year’s NAMM show by having his signature guitar as the focal point of the Gretsch contemporary guitar display.

And a great Gretsch name also returned with the re-introduction of the Rancher acoustic guitars. The richly resonant Rancher first appeared in the early 1950s with its highly distinctive triangular sound hole and sweepingly elegant pickguard. Gretsch proudly re-introduced the model at the show with a great new five-instrument selection of body sizes, styles, and features.

For more highlights-related photos, please visit our photo gallery here.

Gretsch Artists In The House!

A welcome visitor to the Gretsch Drums booth was great Gretsch drummer Stanton Moore. Van Romaine was also on hand to greet and sign autographs for Gretsch drum fans.

Steve, Will, Dinah & Rane

Gretsch artists are considered “part of the family” by Fred and Dinah Gretsch. So it was a family gathering when touring and studio star Stephen Ferrone (far left) stopped by the drum exhibit to sign autographs for show-goers, and to visit with Dinah Gretsch and sixth-generation family members Will (left) and Rane Gretsch.

Gretsch Guitars sponsored a number of artists in live performances throughout the NAMM show. These included guitar stars like Paul Pigat and Duane Eddy, as well as roots musicians Nik & Sam.

Stellar among all the Gretsch artists was Australian guitar phenom Joe Robinson. After breaking onto the scene at the age of sixteen as the youngest-ever winner of Australia’s Got Talent, Joe has gone on to become one of the most exciting and promising young artists on the scene today. His combination of compositional skill and unbelievable technical abilities had jaws dropping at each of his performances.

Fred and Friends

When your name is on the finest drums and guitars in the world, you tend to enjoy the company of others who share a similar status. So it was with Fred Gretsch at the 2012 NAMM Show.

Before the start of the show on Friday, January 20, Fred had the opportunity to share a convivial breakfast with Robert Zildjian and his wife, Willi. After working for many years in the family business that bears his name, Robert Zildjian left in the early 1980s to found his own company: Sabian Cymbals. With generations of business as well as family history behind each of them, Fred and Bob enjoyed swapping stories at breakfast.

Fred and Jeff Pevar

Later in the show Fred enjoyed a visit at the Gretsch Guitars booth from Jeff Pevar. In addition to being a first-call guitarist for artists like David Foster, Rikki Lee Jones, and David Lindley, Jeff is the “P” in CPR, a band in which he plays with rock icon David Crosby and keyboardist/composer James Raymond.

Big Doings At Bigsby

Bigsby Booth

This year saw the Bigsby Vibratos booth taken to a whole new level. The display featured new custom-built vintage-style vibrato cases (like the ones Paul Bigsby made all those years ago) as well as two racks of guitars supplied by thirteen different manufacturers—showcasing the wide array of makes and models that sport Bigsby Vibratos. Visitors to the booth repeatedly expressed how surprised they were at the number and variety of different guitars with Bigsby tailpieces.

Bigsby also set some new records at the show. A total of thirty-two different guitar manufacturers were utilizing Bigsby Vibratos, not only on guitars displayed in their booths, but also in the hands of their performing artists on stage. This was an incredible 39% increase over 2011. In addition, 160 individual Bigsby Vibratos were on display in various booths throughout the exhibition halls—an astounding 44% increase over the number at last year’s show.

Supporting the USPTO

Bigsby Helps Out at USPTO Booth

For the second straight year, the United States Patent and Trademark Office (USPTO) exhibited at the NAMM Show in an effort to encourage patent and trademark protection and discourage copying within the music industry. Bigsby was happy to aid in this effort by providing a display board that was originally created for the USPTO Trademark Expo in Alexandria, Virginia this past year.

A Celebration of 129 Years

There’s nothing like an anniversary to inspire a celebration. So, to mark the 129th year of business for Gretsch, Dinah and Fred Gretsch invited a group of family, friends, artists, and business partners to a dinner party on Saturday, January 21. The event was held at the Jazz Kitchen restaurant within the Downtown Disney complex in Anaheim.

At one point during the evening Fred and Dinah rose to toast those in attendance, thanking them for helping to make Gretsch an ongoing success. Fred pointed out that between his forty-seven years in the music business and Dinah’s thirty-three, it added up to eighty years of experience…during which time, he said, “We’ve partnered with the best.”

Fred with Alvino Bennett, Mark Schulman, and John Palmer

Gretsch artists in attendance at the dinner included drummers Mark Schulman, Stephen Ferrone, and Alvino Bennett, “roots” musicians Nik & Sam, and guitarists Duane Eddy, Paul Pigat, and Joe Robinson. At Dinah Gretsch’s request Joe pulled out an acoustic guitar and entertained the guests with one of his recent compositions.

When Joe had concluded, Dinah Gretsch expressed her pride in the youth associated with Gretsch. “We need youth and passion to continue the business for the next hundred years,” she concluded. “It’s all about passion for what we do.”

For all highlights-related photos, please visit the photo gallery here.

Gretsch Introduces New Brooklyn Series

Thursday, January 19th, 2012

From the Gretsch Drums Website:

Gretsch drums were born in Brooklyn, New York in 1883. They were proudly crafted in the vibrant city for the better part of the 20th Century. Brooklyn and Gretsch share an inseparable history that is part of American music history and folklore. It is a shared legacy that cannot be duplicated. Today, Brooklyn represents a renaissance community that vibrates with contemporary artistic expression, youthful innovation and passionate musical commitment. Gretsch Brooklyn series celebrates the rejuvenated Brooklyn city passion and spirit and expands on its distinctive shared American experience.

Gretsch Brooklyn Series

Sound

Rooted in classic Gretsch design, Brooklyn delivers vintage Gretsch tones that are full, punchy and warm. These classic tones are modified by the 6-ply North American maple/ poplar shells and “302″ hoops. Innovative specs drive a new Gretsch tonal characteristic that is slightly more open and ambient. Brooklyn drums sound like classic Gretsch drums, but speak with their own sonic personality.
The Shells

All Brooklyn drums feature 6-ply North American maple/ poplar shells. Toms are .220″ thick and snare and bass drums shells are .310″ thick, slightly thicker than standard USA Custom shells. All shells have the proprietary Gretsch 30-degree bearing edge. Shell interiors are finished with classic Gretsch Silver Sealer. Each shell comes with a distinctive Brooklyn internal shell label that contains drum shell model number and serial number.

The Hardware

Brooklyn toms and snares come fitted on batter and resonant side with the new Gretsch “302″ hoop. At 3mm thick and double-flanged, it is reminiscent of hoops used by Gretsch up until the mid 1950’s. The 302 hoop has the same height profile as the classic Gretsch die-cast hoop to provide a playing experience that feels the same as traditional Gretsch USA Custom drums. All other drum hardware components – lugs, claws, brackets, spurs, etc – are the same that is used on Gretsch USA Custom.

Snare Drum

Gretsch Brooklyn series metal snare drums add another professional and distinctive voice to the Gretsch snare line up. The straight-sided chrome over brass shell (with Gretsch center knurl pattern) is offered in two sizes, 5×14 (8 lug) and 6.5×14 (10 lug). Also offered is hammered chrome over brass shell in 6.5×14 (10 lug). All shells include Gretsch “302″ 3mm/double-flanged hoops, Lightning throw off and butt plate, “Snap-in” drum key holder, 20-strand snare wire and Gretsch Permatone drum heads. The brass shells resonate with classic, musical tones and are extremely versatile. The “302″ hoops provide a timbre that is more open and ambient than traditional Gretsch die-cast hoops.

The Badge

The return to Brooklyn means a return to a Round Badge. The Brooklyn Round Badge has a black/pewter color scheme with classic embossed Gretsch design.

The Finishes

Satin Finish Colrs: Mahogany (SM), Dark Ebony (SDE), Tobasco (ST), Emerald Green (SEG)
Nitron (Wrap) Finish Colors: Vintage Cream Oyster (CO), Smoke Grey Oyster (GO), Ruby Red Oyster (RO), Royal Blue Oyster (BO)

Brooklyn Series Colors

Series Specs

Shell: Gretsch Maple/American Poplar 6-Ply
Bearing Edge: Gretsch Style 30-degree
Hardware: USA Custom drum hardware in chrome
Shell Interior: Gretsch Silver Sealer with serialized Brooklyn shell label
Hoops: “302″ double-flanged 3.0mm
Badges: Brooklyn Round Badge
Configurations: 6 total configurations
Finishes: 4 Satin, 4 Nitron
BD Hoops/Satin: Maple hoops finished in satin natural
BD Hoops/Nitron: Maple hoops finished in satin black with matching inlay
Drum Heads: Gretsch Permatone by Remo

Brooklyn Metal Snare Drums

Shell: Rolled 1.1mm brass with center knurl pattern or 1.1mm hammered brass
Finish: Chrome with chrome hardware
Hoops: Gretsch “302″ 3mm, double flanged
Throw-off: Lighting Throw-off / Butt plate
Snare Wires: 20 Strand
Heads: Permatone coated batter with white sound dot and clear snare-side heads
Features: Snap-in key holder

For all the details and more photos, please visit the GretschDrums website.

Gretsch Seen by Millions Over the Holidays

Friday, January 6th, 2012

From the Gretsch Drums website:

Rockin’ in the New Year with Omar Tavarez!

Omar Tavarez with Pitbull: With this being the 40th anniversary of Dick Clark’s New Year’s Rockin’ Eve, ratings were at their highest in 11 years! At one point, there were 22.6 million viewers!

Omar Tavarez on Gretsch Drums

Here is a link to Pitbull’s performance with new Gretsch/Gibraltar artist Omar Tavarez!

Eddie Fisher with OneRepublic

We also had Gretsch placed with Eddie Fisher and OneRepublic. They appeared on Dick Clark’s Rockin’ Eve as well. And did you happen to see the new Disney commercial featuring OneRepublic that premiered on New Year’s Eve? If not, check it out here . . . another Gretsch logo appearance! Even Donald Duck plays Gretsch!!

Eddie Fisher on Gretsch Drums

Update: Louis Messina and Electric Touch

Recent Gretsch/Gibraltar signee, Louis Messina and his band Electric Touch are just under a quarter of a million views on their new video “Don’t Stop.” Amazing Gretsch logo coverage!

Louis Messina on Gretsch Drums

Check the video out here.

For more information on Gretsch drum artists, make sure to visit the Gretsch Drums website.

Dinah and Fred Gretsch Host Drum-Makers Holiday Lunch

Wednesday, December 21st, 2011

Dinah and Fred Gretsch recently hosted a special holiday lunch for all the staff at the Gretsch USA Drum Manufacturing facility in Ridgeland, SC. The “Drum-makers Holiday Lunch” featured a splendid feast of southern delicacies and this special occasion was very much enjoyed by one and all.

Dinah Gretsch began the lunch by thanking everyone for all their hard work during the year and acknowledged the very important role that they play in upholding the Gretsch tradition for quality and for creating “That Great Gretsch Sound”. Fourth Generation family member Fred Gretsch further demonstrated the long history of this tradition by showing images of some of the earliest Gretsch drums from the pages of a 1912 Gretsch catalog.

With demand for Gretsch USA drums growing all around the world, the factory has recently been expanding its production staff.  So the holiday lunch also provided a great opportunity for the Gretsches to get to know better the newest members of the drum-making team.

Gretsch Drum Team

Front row:  Mrs. Dinah Gretsch, Tonya Munn, Lorena Ortuno, Juana Nunez, Emilia Ortiz, Maria Perez, Barbara Fennell, Harry Dailey, Paul Cooper.

Back row:  Mr. Fred Gretsch, Joshua Safer, Craig Johansen, Lee Vallier, Matt Collett, Adam Dycus.

Spotlight: Catalina Club Limited Edition Drum Sets

Tuesday, November 29th, 2011

From the Gretsch Drums website:

Gretsch Drums added three Limited Edition shell pack kits to the Catalina Club series. These kits feature original pearloid finishes and there are three unique configurations. A limited number of a matching 7×10 add-on toms are also available in each finish. These kits have been available since October 2011.

Catalina Club Funk Jazz CC-J684-WKP

The Catalina Club Funk Jazz (CC-J684-WKP) set in Whiskey Pearl includes a standard 18” diameter bass drum with a 16” depth. The 2” extra depth (standard jazz size is 14”x18”) projects a punchier and deeper tone with tight articulation. The Whiskey Pearl finish gives a distinctive vintage appearance. This kit is limited to 90 pieces North America.

Retail: $1075, sale price starting at $699.
Sizes: 16×18, 8×12, 14×14, 5×14 8 lug snare

Catalina Club Jazz 20” CC-J404-WKP

Drawing from classic configurations of the 1960’s, the Catalina Club Jazz 20” (CC-J404-WKP) includes a 14”x20” bass drum. This classic bass drum size delivers warm, punchy tones and provides flexibility that can be used in a wide variety of music settings. The 4.5”x14” snare provides a crisp attack that still retains the sensitivity needed for brush work. The Whiskey Pearl finish gives a distinctive vintage appearance. This kit is limited to 90 pieces North America.

Retail: $1075, sale price starting at $699.
Sizes: 14×20, 8×12, 14×14, 4.5×14 8 lug snare

Catalina Club Jazz CC-J484-WMG

The final addition to this limited run of kits is the Catalina Club Jazz (CC-J484-WMG) in White to Mint Green Pearl fade. The traditional “bop” sized drums perform well as a jazz kit, but it is also capable of performing in low volume situations where space is limited. The White to Mint green pearl fade gives a boutique look and vibe. There are 250 kits available worldwide.

Retail: $999, sale price starting at $649
Sizes: 14×18, 8×12, 14×14, 5×14 8 lug snare

For more information on these and other Gretsch drums, please visit the Gretsch Drums site.

Gretsch Previews New Brooklyn Series at PASIC

Saturday, November 12th, 2011

At this year’s Percussive Arts Society International Convention (PASIC), Gretsch Drums provided a sneak peak of the new Gretsch Brooklyn Series drums.  Pictured below in Cream Oyster, this USA-made kit made a huge splash with show attendees.

The Brooklyn Series kits will officially launch in 2012.

New Gretsch Brooklyn Series at PASIC 2011

Stay tuned for more details to come.

Check out Drum! Magazine’s report and video here.

Spotlight: Gretsch Renegade & Energy Drums

Thursday, October 27th, 2011

New for 2011:  Two exciting new drum set packages designed for those just beginning their drumming adventures.

Gretsch Renegade

Gretsch Renegade
A complete drum set package designed specifically for the entry-level drummer and packed with value. Toms have “quick” sizes, which provide punchy tones and allow for lower positioning that benefits younger drummers. Hardware is double-braced and includes stylized Gretsch Renegade pedal boards and a comfortable drum throne. 13” hi-hats and 18” crash/ride brass cymbals are also included. All shells are 9-ply basswood with 45-degree bearing edges. Other features include ball-style tom holders, adjustable bass drum spurs and metal BD hoops with matching inlay.

Gretsch Energy

Gretsch Energy
A drum set package that comes complete with hardware and Sabian SBR cymbals. The toms feature “quick” sizes, which provide punchy tones and allow for lower positioning to benefit younger drummers. Hardware is double braced and includes stylized Gretsch Energy pedal boards. The 30 degree bearing edges, 5 Lug configuration and Gretsch style lug draw from the rich Gretsch lineage. The Gretsch Energy series is perfect for the first time buyer and packed with features that are found on semi-pro drum sets, including non-drilled bass drum.

Get complete specs at GretschDrums.com.

Art Blakey – The Driving Force

Thursday, October 6th, 2011

The history of Gretsch drums is inseparably linked to the history of American music. And never was that more true than during the “Golden Age” of jazz that began at the end of the 1940s and ran through the early 1960s. In those years jazz dominated New York’s legendary 52nd Street club scene, with groups powered by stellar drummers playing on Gretsch drumsets.

“First among equals” in a group that included Max Roach, Elvin Jones, and “Philly Joe” Jones was the inimitable Art Blakey. Art’s unique drumming style combined a primal force and an elemental simplicity. With a driving 2/4 hi-hat pulse, a hissing ride cymbal sound, and loud snare and bass drum accents in triplets or cross-rhythms, Art streamlined the swinging groove of bebop, making it less busy and spasmodic.

Art established himself in the 1940s, working as a sideman for some of the biggest jazz artists of the day. During that same period he visited West Africa—after which he converted to Islam and took the name Abdullah Ibn Buhaina (which led to his nickname of “Bu”).

In the early 1950s Art formed the Jazz Messengers, a group based on his belief that a jazz group should be a solid cohesive unit, not just “five guys blowing on the same changes.” Accordingly, the Jazz Messengers rhythm section didn’t just play time behind the horns. Instead they backed up the horn section solidly and would set up the soloist—who, in turn, would listen and pick up cues that would be thrown his way.

For more than thirty years this legendary group served as the launching pad for young players who would influence music for generations to come. Just a short list of Messengers alumni includes Clifford Brown, Horace Silver, Wayne Shorter, Lee Morgan, Freddie Hubbard, and Wynton Marsalis.

One of the pinnacles of Art’s career was his appearance on the unparalleled jazz classic album Gretsch Drum Night At Birdland. Recorded live at the famous New York City nightclub in 1960, this remarkable album documents performances by four great Gretsch drum artists: Blakey, Charlie Persip, Elvin Jones, and “Philly Joe”Jones.

Long-time Gretsch AR director Phil Grant said of Blakey, “Art was everybody’s all-time drummer. He was an individualist, a soloist. Not the greatest technician, by far. But he made up for that with his ideas and innovations; the way he did things. When he played a roll, it wasn’t the greatest roll, but it did things for you. He was quite a guy.”

Art continued to perform with the Jazz Messengers into the late 1980s. Over the years his force and fury on the drums eventually cost him much of his hearing. At the end of his life he often played strictly by instinct. Art died in 1990, leaving behind an enviable legacy and an approach to jazz that’s still the model for countless hard-bop players.

Enjoying Art Blakey

YouTube has an abundance of clips that showcase Art Blakey in his innovative prime, as well as clips from his later years when he was as much a musical mentor as a bandleader.  To begin with, check out a great Blakey drum solo from 1965 here.

Who says jazz can’t groove? Listen to “Moanin’,” performed by Art and The Jazz Messengers live in Belgium in 1958 here.

Art’s dynamic approach is evident on “Dat Dere,” played with the Messengers on a TV appearance in 1961 here.

A trademark drum intro and a dynamic solo by Art spice up a super-cool jazz waltz called—appropriately enough—“Kozo’s Waltz”—from the classic  ANight In Tunisia album. A clip from the record can be seen here.

You can see and hear the terrific interplay between Art and the various soloists in the Messengers playing “Close Your Eyes” on another TV clip from the 1960s. The sidemen are Lee Morgan – trumpet, Wayne Shorter – sax, Jymie Merritt – bass, and Walter Davis – piano. The clip can be seen here.

Art Blakey’s discography as a solo artist, as a sideman with other jazz greats, and as the leader of The Jazz Messengers is a study in itself, which you can pursue at WikiPedia or AllMusic.com. Just to get you started, three classic Blakey recordings to check out include The Big Beat (Blue Note, 1960), A Night In Tunisia (Blue Note, 1960), and Ugetsu—Art Blakey’s Jazz Messengers At Birdland (Riverside, 1963). They’re available through Amazon, CDUniverse, and other online sources.