Posts Tagged ‘Gretsch Drums’

A Great Gretsch Weekend-Plus In Nashville

Friday, October 24th, 2014

This past September 20 through 23 saw Fred and Dinah Gretsch in Music City USA—Nashville, Tennessee. The extended weekend was packed with activities involving Gretsch history, Gretsch drums, and Gretsch artists.

Nashville Drum Show

To begin with there was the Nashville Drum Show, held September 20 and 21 at the Nashville Expo Center on the Tennessee State Fairgrounds. Gretsch Drums was proud to be an exhibitor and supporter. This popular event—which drew over 1,000 attendees—connects consumers, retailers, manufacturers, and distributors. There’s also a grass roots swap meet/drummers’ hang component that includes vintage drum collectors and dealers, used gear sales and consignments, a drum museum sponsored by Not So Modern Drummer, and drumkits set up outside for attendees to play and show off.

The show also presents drum performers in clinic appearances, and Gretsch artists were key among those. Veteran country drummer Pat MacDonald (of the Charlie Daniels Band) was on hand—just having arrived from Oklahoma City, where he was helping his boss celebrate his 50th wedding anniversary. Also performing was stellar drummer/educator Bob Harsen, who has performed with Tiger Okoshi, Randy Brecker, and the Paul Butterfield Blues Band, as well as teaching at the Berklee College of Music.

Fred Gretsch’s personal narrative about the history of the Gretsch Family and the Gretsch Company was a big hit with show-goers.

But if anyone was to appear on behalf of Gretsch Drums, who better than Fred Gretsch himself? On Saturday afternoon the fourth-generation drum maker fascinated attendees with his historical presentation regarding the Gretsch Family and its conduct of Gretsch company business over more than 130 years.

Commenting on Fred’s presentation, Gary Forkum (owner of top Nashville drum retailer Fork’s Drum Closet and a supporter of the Nashville Drum Show) says, “Fred has done a ton of research about his family history. That’s very interesting to me, and I think it’s interesting to most serious drum people who have a respect for drum history. I think it’s vital for them to know that there was somebody named Gretsch who started things. There are a lot of drum companies where there’s no Mr. Gretsch, Mr. Ludwig—or Mr. Anybody—who stands for the company. Fortunately, Fred was able to get the company back into the family and has been able to keep it going. I definitely

The Great Gretsch Drums team: (from left) Fred Gretsch, product marketing manager John Palmer, and factory production manager Paul Cooper.

have customers to whom it matters that Fred is involved…that there’s a human face to the company, and not just a corporate one. In fact, that’s one of the reasons that I personally like the Gretsch company so much. Gretsch was the very first line that I carried in my store when I started, thirty-two years ago. And I’ve been playing Gretsch drums myself ever since. I know the drums are distributed by another company today, but Fred is still involved. And the people that are involved in the day-to-day of the business, like John Palmer, Paul Cooper, and Joe Mazza, are passionate about it too.”

Meeting Mr. Gretsch

Following Fred Gretsch’s presentation, show attendees were pleased to have an opportunity to meet Fred in person, have a photo taken with him, and share with him their feelings about Gretsch drums past and present. “I was proud to meet so many Gretsch fans,” says Fred, “and to hear their comments—especially since I was the only person present at the Nashville Drum Show whose name was actually on many of the drums on display.”

Broadkasters Are Back

Gretsch Drums used the occasion of the Nashville Drum Show to launch the newly re-introduced Broadkaster drum series. This legendary line originally debuted in 1937.

And speaking of “drums on display,” the Nashville Drum Show was the setting for the launch of the newly re-introduced Gretsch Broadkaster drumset, which was personally conducted by Fred Gretsch (with the able assistance of key Gretsch personalities Paul Cooper, Joe Mazza, and John Palmer). This legendary drum series was originally introduced in 1935, and the new versions faithfully re-create the 3-ply non-reinforced shell that gave them their rich, warm tone. As part of his introduction, Fred Gretsch commented, “No other drums made today offer the unique sound—and the equally unique pedigree—of this historic line.”

When asked his opinion of the Broadkaster launch, Gary Forkum replies, “I think it’s a home run. It’s still early on, but we’ve sold a few kits already. It’s a different sound with the 3-ply shell. And it’s resurrecting a period of Gretsch manufacturing that’s been very popular in terms of used vintage kits. So now, with the USA Custom and the Brooklyn Series Gretsch has three US-made product lines with three distinctive sounds. That’s very valuable.”

At least one show-goer agreed; after having his photo taken with Fred Gretsch in front of a Broadkaster kit, he came back later to purchase that very kit.

Pat MacDonald of the Charlie Daniels Band presented his clinic on a Broadkaster kit.

The versatile and talented Bob Harsen gave his clinic on his personalized Gretsch USA Custom kit.

The versatile and talented Bob Harsen gave his clinic on his personalized Gretsch USA Custom kit.

Bob Harsen's Gretsch Kit.

Drummer and Gretsch fan Perry Curtis got a thrill from playing on a new set of Broadkasters at the Gretsch booth.

All photos above courtesy of Bob Campbell.

Going To A Party

Following the close of Saturday’s show, Fred and Dinah Gretsch were Gary Forkum’s guests at a music festival that Gary hosts each year on his South Creek farm just outside of Nashville. Officially called the South Creek Music Festival but nicknamed “Forkfest” by most locals, the event brings the Nashville music community together. Says Gary, “We have a couple of bands, plenty of food. This year we had about 250 people who came and enjoyed the great weather, the camaraderie, and the music. It was a good night with lots of fun.

The Music Didn’t Stop

Fred and Dinah enjoyed another night of music on Tuesday, September 23, when they attended the Tom Petty concert at Nashville’s Bridgestone Arena. Tom’s band, the legendary Heartbreakers, is anchored by great Gretsch drummer Stephen Ferrone, and the Gretsches made a point to visit with Steve prior to the opening of the show. They were accompanied by Gary Forkum and his son Matt, and by Gretsch Drums production manager Paul Cooper. Paul had brought with him a snare drum made expressly for Steve, and the visitors all took pleasure in seeing his response. Steve was so pleased, in fact, that he took it on stage and played it that very night!

Matt and Gary Forkum with Fred Gretsch and Paul Cooper.

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Brooklyn Walking Tour: Traveling Through Gretsch History Today

Wednesday, August 27th, 2014

By Fred Gretsch

On July 30, 2014 I had a unique opportunity to take a step back into Gretsch Company history. As a matter of fact, I actually took several hundred steps, as I walked the streets of the Williamsburg section of Brooklyn where the company got its start. Along the way I visited several sites that mark the evolution of the company from its inception in 1883 through 1969, some seven decades later.

Gretsch drummers and history buffs joined the walking tour of historic Gretsch locations in Brooklyn.

Best of all, I had the pleasure of being joined by more than twenty drummers who are fans of Gretsch drums and their fascinating history. Since these drummers were all from the New York area, the information offered in our “Brooklyn Walking Tour” was all the more personal for them.

We started the day by meeting at Main Drag Music, which is located in the heart of the Williamsburg district—and thus in the heart of historic Gretsch territory. John Fell of Main Drag helped to coordinate the list of attendees, and he provided us all with a great base of operations. Before leaving for our walk, I spent a little time sharing specific facts and anecdotes about the Gretsch Family itself.

A History Synopsis
I began with how my great-grandfather, Friedrich Gretsch, founded the company in 1883 when he opened a little shop at 128 Middleton Street in Brooklyn. There he and a few workmen made drums, banjos, tambourines, and other musical items.

Fred Gretsch, Sr.

When Friedrich Gretsch died suddenly in 1895, his eldest son (and my grandfather) Fred Gretsch Sr. took over the company—at the tender age of fifteen. Initially he was aided by his mother, Rosa, who was by all accounts a remarkable woman. But he showed considerable business acumen on his own, and by the turn of the century five years later he’d expanded the business significantly. By the time the 1912 catalog was published, Gretsch could justifiably claim to have “the largest musical instrument factory in the U.S.”

My grandfather ran the business with his two younger brothers—Walter and Louis—for several years. They later left to pursue other interests, while he

Fred Gretsch Jr.

continued to direct company operations. Eventually, his two sons—my uncle, Fred Gretsch Jr., and my father, William W.

William Walter "Bill" Gretsch

Gretsch—joined the business. My uncle took over when my grandfather retired in 1942, but he took a hiatus to serve in World War II. My father then ran the company from 1942 until his own untimely death in 1948. My uncle returned to lead the company until its sale to the Baldwin Company in 1967—which marked the close of the Gretsch Brooklyn era.

Stepping Out In Brooklyn
Through the good graces of KMC Music—the company that exclusively distributes Gretsch Drums throughout the USA & worldwide—I was fitted with a wireless headset microphone system so that I could narrate the walking tour to all of the attendees, who were themselves fitted with earphones. It was a pretty modern way to delve back into more than 130 years of history.

Gretsch Building #2 at 104 to 114 South Fourth Street. Built around 1895.

Once we all had our audio connection set, it was time to head out for our first destination:  104-114 South 4th Street, which was home to Gretsch Building #2, built circa 1895. The original Gretsch building #1, built in 1883, had been at 128 Middleton Street, about a mile away off Broadway. But regrettably, it no longer stands.

As we made our way south on Wythe Street, I pointed out how the Williamsburg section of Brooklyn was a great industrial area in the years that Gretsch operated there. In fact, the area and the company share some significant dates. My great-grandfather opened his shop in 1883, the same year that the Brooklyn Bridge opened. In 1903 the Gretsch Company was incorporated, with Fred Sr. and his brother Walter as directors. In that same year the Williamsburg Bridge opened.

Today, Williamsburg has become pretty gentrified. Only a few remnants from Brooklyn’s industrial heyday remain among its trendy restaurants and residential lofts. Fortunately, some of those are the very buildings we were to visit.

Our next stop was right around the same block, facing the Williamsburg Bridge. It was Gretsch Building #3, at 109 South 5th Street. Located directly behind the South 4th Street building, Building #3 was owned by a Gretsch cousin.

By 1916 the company had to expand again, so the ten-story Gretsch Building #4 was erected at 60 Broadway.

Continuing under the Williamsburg Bridge via Berry Street, we emerged into the shadow of Gretsch Building #4 at 60 Broadway. This iconic ten-story structure was erected in 1916. It’s the classic edifice that graced the pages of Gretsch catalogs, flyers, and advertisements—and gave birth to Gretsch’s most famous instruments—for more than sixty years. The basement was used for storing parts, most notably die-cast hoops by the thousands. I vividly remember visiting that building as a youngster.

Speaking of youngsters, one tour attendee who had a special interest in Gretsch history was my young cousin, Garrett Gretsch. Representing the fifth generation of the Gretsch Family in America, Garrett is the grandson of my uncle Richard “Dick” Gretsch—a unique family figure who passed away in 2010 at the age of one hundred and one. Although he didn’t work for the Gretsch

From left, John Palmer (of KMC Music), Fred Gretsch, and drummer/author John Sheridan (in foreground) standing at the corner of Broadway and Wythe street in Brooklyn and looking up at the top of the iconic Gretsch Building #4 at 60 Broadway. (Photo by Vincent Tese.)

Company as an adult, Uncle Dick certainly would have been employed in Building #4 as a teenager. His father (and my grandfather) Fred Gretsch Sr. would likely have had him (and his two brothers) packing phonograph needles, which were hot items in the early years of the 20th century.

Although drum and guitar production originally took place at 60 Broadway, by the mid-’60s drum production had to be relocated to 109 South 5th Street in order to expand guitar production in the wake of Beatlemania. Drums came into similar demand. Those were heady days for the Gretsch Company.

Sadly, those heady days didn’t last long. As I explained in my narrative, in 1967 my uncle, Fred Gretsch Jr., sold the Gretsch Company to the Baldwin Piano company. That company moved instrument production from Brooklyn to Arkansas in mid-1969. However, in 1985 my wife Dinah and I were successful at returning Gretsch to family ownership. At that time we relocated drum production from DeQueen, Arkansas to Ridgeland, South Carolina, where the Gretsch USA drum factory is still located today.

As we all stood and viewed the building at 60 Broadway—which still bears the Gretsch name—I told my tourmates that in 1999 my cousins, my sisters, and I sold the building to a developer, who renovated it into luxury condos, adding two more stories for additional penthouses. (By 2004, a one-bedroom studio apartment at “The Gretsch” sold for $650K!)

On the way back to Main Drag Music from 60 Broadway, we stopped at an old building on Dunham Place. It featured ancient wooden double-doors that arched at the top and came to a point, looking very much like the entrance to a carriage house. I pointed out that this was yet another location that Gretsch used for the purpose of warehousing product. Standing there, you could just imagine a 19th-century horse-drawn wagon emerging from those peaked double-doors, on its way to deliver Gretsch instruments to local customers. I thought that was a pretty charming image with which to close what I hoped was an informative and enjoyable tour.

Post-Tour Gatherings
When we returned to Main Drag Music I had a great time answering questions, signing autographs, and taking photos with the drummers who had come on the tour (as well as many who hadn’t). John Palmer of KMC music acted as host, answering questions about current Gretsch products. And to top things off, a beautiful Gretsch snare drum was raffled off to a lucky attendee. (I’ll let him tell you about it in his comments below.)

Following the event at Main Drag Music, John Palmer and I moved into mid-town Manhattan, where we visited with a whole new batch of Gretsch drum enthusiasts at a reception sponsored by Steve Maxwell’s Drum Shop at 7th Avenue and 48th Street. Steve’s shop is the de facto headquarters for Gretsch drums in New York City, specializing in Gretsch USA products.

Attendee Comments
I was thrilled to be able to share such a great day with so many drummers. And I’m even more thrilled to share some of the wonderful things that they had to say about the Brooklyn Walking Tour, about Gretsch history in general, and about Gretsch drums in particular.

To begin with, Mark Giuliana, who is a Gretsch drum endorsing artist with two outstanding CDs to his credit, said: “I found Fred Gretsch’s encyclopedic knowledge very impressive and inspiring. I guess by most accounts I’m a jazz drummer, so my heroes are Tony Williams, Elvin Jones, Max Roach, and Art Blakey—a long list of guys who made their names on Gretsch drums. It was cool to tie the research that I’ve done on those drummers to the history that Fred was providing—oftentimes from his own first-person experience. Specifically I remember Fred talking about one of the first buildings we saw—on South Fifth Street. He pointed to a window on the second floor and said that it was where they did some of the drum wraps back in the early 1960s. It was nice to imagine how, as he described, great drummers would come in all the time—some to get new drums, some to just bounce ideas off each other. That was really cool. To be honest I learned nearly as much about the history of Brooklyn and New York City as I did about Gretsch drums. It was beautiful how Fred tied in a focus on the company with a history of the city and how the company grew and shifted with all its changes.”

Here’s what Brooklyn-based drummer Tony Leone thought of the day: “I found the Brooklyn Walking Tour to be interesting, informative, and above all inspiring. Having played Gretsch drums for over twenty-five years and having owned several ‘Round Badge’ kits and snare drums, it was great to visit the buildings where, ‘that great Gretsch sound!’ was born. Hearing Fred himself speak about his family lineage and about his time working in the factory as a kid added an air of pure authenticity. It felt like the spirits of the great Gretsch legends, like Max Roach, Art Blakey, Elvin Jones, and Tony Williams were walking along with us!

“When we returned to Main Drag Music after the tour I expected there would be giveaways of T-shirts, stickers, and the like. I did not expect to walk out as the winner of a new Gretsch Brooklyn Series chrome over steel snare drum. And besides being a wonderful surprise, that drum has proved to be exactly the drum I needed to add to my arsenal! It has a crack that cuts right through the volume of any mix, but it also has warmth, depth, and an extremely musical tone, with far more dynamic range than any other snare drum in my collection. I’ve taken that drum on every gig I’ve had since winning it!”

Mishka Shubaly is a modern-day renaissance man, with a new album coming out on CD and vinyl, as well as five bestselling Kindle Single stories to his credit. He comments, “I’m a huge fan of Gretsch—the story, the people, and the products. One of the things that impressed me about the Brooklyn Walking Tour was how the Gretsch story is such a deeply American story, as well as a deeply New York story: A talented, hard-working immigrant comes here and builds something that goes on to touch the entire world.

“What I found particularly interesting is how significant milestones in Gretsch history line up with events in New York City’s history. And the story’s ending is so fantastic, with Fred reclaiming the company from an investor that devalued it, and returning it to the Gretsch family. It’s like a Hollywood movie! I’d love to see the Brooklyn Walking Tour become not just a yearly thing for drum insiders but a cultural event for folks interested in New York/ Brooklyn/manufacturing history in general. It really is an amazing story, and Fred’s genuine enthusiasm is as rare as it is touching.”

John Sheridan, who, in addition to describing himself as “a player/collector/aficionado of Gretsch instruments for more than forty years,” is also the co-author (with Rob Cook) of the recently published Gretsch Drum Book, offers these kind remarks: “Along the entire tour Fred revealed interesting historical facts as well as answering a steady flow of questions from tour members, myself included. Of particular interest to me was the South 4th Street building (I lived in nearby Greenpoint for ten years and never saw that building’s exact location), as well as the Dunham Place warehouse, which I never knew existed. Fred kept us all moving and well-informed. He also carried a binder filled with archival Gretsch photographs and documents, which he freely shared with us onlookers. Bottom line:  A splendid time was had by all, with Fred W. Gretsch at the heart of it!”

Steve Maxwell is an old and dear friend as well as a great Gretsch supporter, and I’m flattered by his comments: “We had a nice reception at my shop for anyone who wanted to meet Fred, say hello, take a photo, get an autograph, and talk about Gretsch drums with the family member who’s helped to keep the business alive. He is hugely important. Though the reception was scheduled from 4:30 to 6:30, we didn’t leave until about 7:45. We had a lot of people, and it was a fun time.

“Later, Fred was kind enough to express his appreciation for what we do to support the Gretsch brand. I, in turn, am very appreciative of how the quality of the product has been so superb for so many years, and how the dedication to the brand is there because Fred’s kept it a family-owned business. It’s a great product with historical significance.”

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Gretsch Walking Tour Scheduled For July 30 in Brooklyn

Tuesday, July 22nd, 2014

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POST-EVENT RELEASE . . .

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From GretschDrums.com:

Come out to the Gretsch Walking Tour on July 30th in New York City! Meet Fred Gretsch and take a walk through time in American music history. The Gretsch music instrument brand is woven into fabric of American history. The company was founded in Williamsburg, Brooklyn in 1883 and has been crafting world-class drum and Guitar instruments since then. Current President (and 4th generation family member) Fred Gretsch will lead an intimate walking tour through Brooklyn to tell personal stories about the family and the building sites where the instruments were made. For the tour, meet at Main Drag Music at 11:30 a.m. and the tour will begin at Noon.  Gretsch Day at Main Drag will follow the tour from 1:30-3:30 and Gretsch Day at Steve Maxwell Drums will be from 4:30-6:30. This is a free event.

Contact Main Drag Music and Steve Maxwell Drums for more details.

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Gretsch Centennial Series

Friday, June 13th, 2014

Not So Modern Drummer Feature Article by Keith Fisher

Reposted with Permission

There have been some musical instruments produced over the years that could lay claim to being “a work of art”, but I suspect the eye of the beholder invariably belonged to the musician – the beauty largely unrecognised by the general public… not so this Gretsch Centennial.  Never had I heard comments from women in the audience about ‘that beautiful drum-kit’ or praise from guitarists and pianists about how incredible it sounded until I took the ridiculous decision to gig this rarest of rare and finest of fine gold and Elm-Burr masterpiece in the pubs and clubs of my home town.  For the first fifteen years it never left my house – except to make its perilous journey from Los Angeles to England – and sat in glorious silence, hidden from the world, untouched by stick in anger.  Now, because real glory belongs to the people who crafted this instrument to such a monumental standard and to the man who conceived of such a fitting testament to a company that led the world of drums for so many decades, I decided that by far the greatest tribute I could pay to those people was to play the kit.  I am further obliged however, to explain how such a rare and valuable instrument came to exist, and furthermore, came into my possession.  So, let me start at the beginning and explain briefly why these drums were made and why there is so much mystery concerning them.

In 1967 Fred Gretsch Junior was sixty years old and without an heir.  The company his grandfather had started – family run for eighty-four successful years – was about to be sold!  The ‘Sixties music scene was happening and the Baldwin Piano Company was knocking at his door: they needed drums and guitars to expand their market.  Twelve years later they bought Kustom Amplifiers and with that company came Mr. Charlie Roy, who set about reviving a drum company that had not even produced a new catalogue in seven years.  So profound was his involvement in revitalising the company that in 1982, Baldwin, who were obviously totally out of their depth, offered to sell it to him.  The story up to this point is well documented history, now we enter the twilight zone.

In 1983, on their stand at the Frankfurt Trade Fair, in stark contrast to the majority of drum manufacturers – who in Tama’s case had three floors of displays – Gretsch had one drum kit!  A jazz kit, finished in Bird’s Eye Maple with gold plated fittings.  A numbered, limited edition with a special new badge and every drum personally signed by Charlie Roy as part of a series of one hundred kits to celebrate the hundredth birthday of the company.  According to the Gretsch staff, this was not a production run: every kit would be ‘made to order’ to the specifications of the customer.  No brochure was produced, all that was shown to the dealers of the world were photographs of the three wood veneers available and after that it was up to the customer to say what sizes were required.  The other two woods were Burl Walnut and Elm Burr.  The drums were fitted with specially commissioned heads from Evans in a mirror gold finish.  Even the snare wires and the drum key were gold plated.  Any of the three finishes were available with chrome-plated hardware if desired.  Each of the drums was given a special silver badge inside the shell that identified it with the set: in the case of my seven-piece kit (set #19) the bass drum was 1 of 7, while the snare drum was 7 of 7.  The new outer badge featured the set number and also Charlie Roy’s signature in gold on bronze.  Alongside all of this a customised satin tour-jacket was included, and it featured your name under the Gretsch logo on the front, and on the back was “THE CENTENNIAL” and an embroidered depiction of the kit.  This meant you could flaunt ownership while the kit stayed safely in the house.    Truly a collectors dream!

The entire article and more photos can be found on Not So Modern Drummer under Featured Articles.

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Gretsch Highlights From NAMM 2014

Tuesday, February 11th, 2014

From January 23 to 26 the music-products industry gathered at the Anaheim, California convention center for the annual winter NAMM trade show. It’s the largest display of instruments and related items in America, and it draws thousands of attendees each year. As usual, Gretsch drums and guitars figured prominently among the must-see items for those in attendance—and there were plenty of new and exciting introductions from both lines for them to check out.

In addition to the products on display, the NAMM show is also an occasion for awards and concert events—and Gretsch figured prominently there, too. So join us for a look at all things Gretsch at NAMM 2014.

A Tour of The Gretsch Drums Display

Matt Sorum's Kit

The Gretsch Drums display actually started outside the door to the exhibition room, where visitors were met with a Red Glass Glitter USA Custom kit created expressly for veteran rocker Matt Sorum. With credits that include The Cult, Guns ’N’ Roses, and Velvet Revolver, Matt is now touring with Kings of Chaos.

Immediately inside the exhibit was yet another artist’s kit—in fact, a truly iconic one. This was the classic left-handed Black Nitron setup used by Phil Collins on tours and recordings with Genesis and on his solo projects between 1989 and 2007.

Phil Collins' Kit

Appearances on seven albums with sales totaling 40 million units make this one of the world’s most listened-to drumsets.

The incredible variety of available Gretsch drum finishes was illustrated by dozens of rack toms stacked atop Phil Collins’ drumkit road cases from the last Genesis tour.

The USA Custom Ltd. jazz configuration (right) featured a 14×18 bass drum, an 8×12 rack tom, a 14×14 floor tom, and a 5×14 10-lug snare, all done in Ribbon Mahogany.

From the Brooklyn series was a classic setup in Black Oyster wrap. It included a 14×22 bass drum, 8×12 rack tom, 14×16 floor tom, and a 5½x14 snare. The drums were fitted with unique Brooklyn series 3-mm double-flanged “Stick Chopper” steel hoops, which bridge the gap between the open sound of rolled steel hoops and the rigidity and tuneability of die-cast hoops.

A sizeable Catalina outfit (left) was fitted with a new style of drum hardware for the series, including a distinctive new “gas cap” tom mount. The kit included an 18×22 bass drum, a free 7×8 rack tom along with 7×10 and 8×12 toms, 14×14 and 16×16 floor toms, and a 6×14 snare, all in a Satin Deep Cherry Burst finish.

The new Marquee series fits into Gretsch’s drum line just below the Renown series. Marquee drums feature 100% maple shells with tinted exteriors that are given a special poly finish that produces deep colors but still lets the wood grain show through. The drums come fitted with 2.3mm triple-flanged hoops. This kit includes an 18×22 bass drum, a free 7×8 rack tom along with 7×10 and 8×12 toms, a 14×16 floor tom, and a 6½x14 snare, all finished in Satin Indigo.

Pictured to the right is a Catalina Club Rock kit with a classic shallow-depth/large-diameter 14×24 bass drum, matched with an 8×12 rack tom, a 16×16 floor tom, and a 6½x14 snare. The mahogany shells are fitted with newly designed drum hardware and are finished in Satin Walnut Glaze. For display purposes the kit was tricked out with a Sabian Hoop Crasher atop the snare and an LP Americana Series Octo Snare Cajon on a side stand.

The Brooklyn Ltd. Vintage White kit was on display and had a classic look with a 14×22 bass drum, an 8×12 rack tom, a 16×16 floor tom, and a 6½x14 snare. And it truly is a “limited edition” since only thirty will be sold world-wide.

This kit on the left was just to see what kind of craziness the USA Custom drum builders could come up with. Starting with the configuration: 20×20 bass drum, 7×10 and 8×12 rack toms, a 12×14 floor tom fitted with snares, a regular 16×16 floor tom, and a 7×13 snare. The deep black finish is set off by two different sparkle inlays. Definitely one of a kind.

On the opposite end of the design spectrum was a USA Custom prototype vintage kit. Inspired by the great Gretsch kits of the 1940s, it featured 3-ply 9×13 and 16×16 toms, with a 6-ply bass drum and snare, all with round-over bearing edges. The hardware fittings are authentic to the period, including a rail consolette tom holder, vintage spurs, internal drum mufflers, and T-rods on the bass drum. The finish is called Capri Pearl.

The striking look of this Renown series kit (right) was created by a new Jumbo Flake vintage pearl finish combined with contrasting dark walnut bass drum hoops. The configuration included a 16×22 bass drum, 7×10 and 8×12 rack toms equipped with special Renown suspension mounts, a 14×16 floor tom, and a 6½x14 snare.

The Catalina Ash series was re-introduced with new Catalina series drum hardware including the “gas cap” tom mount. This kit had an 18×22 bass drum, 7×10 and 8×12 rack toms, a 16×16 floor tom, and a 5½x14 snare—all given a Black-Natural Burst finish.

Gretsch Energy

Gretsch’s entry-level series is called Energy, and it’s been given new drum and hardware specs. The Grey Steel-wrapped kit comes with an 18×22 bass drum, 7×10 and 8×12 rack toms, a 14×16 floor tom, and a 5½x14 snare. Also included with the kit is a selection of Sabian SBR cymbals.

Two “walls of snares” highlighted the many offerings from Gretsch. They featured drums from the USA Custom Shop, the Brooklyn series, the Gold and Silver series, and artist models like the Stephen Ferrone signature snare, as well as drums from the Fender Custom Shop.

Unique snare selections included the Gold Series Zig-Zag Stave model and two Barn Board Stave models.

Distinctive artwork quickly identified the Vegas and Crown of Skulls maple snares (right), both in 8×14 sizes.

For those who’d like a “played hard for years” look in a brand-new drum, Relic models from the Fender custom shop were also displayed.

The Catalina Club kit in White Vintage Pearl graced the “percussion stage” at the LP Music booth. LP is marking its 50th anniversary this year, and Gretsch was pleased to be a part of the celebration. The kit was fitted with new Catalina style drum hardware, and drum sizes included a 14×18 bass drum, an 8×12 rack tom, a 14×14 floor tom, and a 5×14 snare. It was also “tricked out” for the occasion with a variety of LP percussion instruments to give it added sonic versatility.

For more information about new Gretsch drums visit GretschDrums.com.  For more drum-related images from the NAMM Show, visit our drum photo gallery.

A Visit To The Gretsch Guitar Booth

The Gretsch Guitars booth was as much a Mecca for guitar fans as the drum booth was for drummers, with plenty of fabulous instruments to check out. Here’s an overview.

Brian Setzer was prominent among the many artists featured on video explaining why they play—and love—Gretsch guitars.

Gretsch Guitars is celebrating the tenth anniversary of the Gretsch USA Custom Guitar Shop, so the display prominently featured guitars that are the work of the shop’s talented craftsmen.

From the USA Custom Shop were two gorgeous instruments, each master-built by Stephen Stern. The first was a ’53 6192 Electro Relic that featured a maple top and neck, mahogany back and sides, a rosewood fingerboard, Dyna-sonic pickups, and a Nitro lacquer finish.

'53 6192 Electro Relic

Ice Blue Falcon

The second was an Ice Blue Falcon NOS, with a maple top, mahogany neck and sides, an ebony fingerboard, TV Jones classic pickups, a space control bridge, and a Bigsby B-6 tailpiece. Both of these custom beauties carry a $12,500 price tag.

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Kaves Custom Designs

Kaves Custom Designs

A totally different type of guitar artistry was offered on some G-6120 models, each of which was custom-decorated with a Kaves Brooklyn finish created by graffiti artist Kaves.

No Gretsch display would be complete without a few classic models, such as the G-6134 White Penguin, the G-6138 Bo Diddley, and the G-6199 Billy-Bo Jupiter Thunderbird.

Bevy of Gretsch Classics

Along with dozens of guitars, Gretsch basses were also on display including a G-6128B-TV Thunder Jet and a G-6073 Electrotone.

The hands-down winner for most unusual instrument on display was the 12-string bass created for Cheap Trick’s Rick Peterson. It featured four standard bass strings, each of which has two accompanying guitar strings. Every string has its own tuning peg.

The Gretsch Roots Collection (selected as a “Gotta Stock It” item at the show) offered historically authentic banjos, mandolins, resonator guitars, and flat-top acoustics, along with a variety of ukuleles.  And Gretsch was proud to have the 9100-L Soprano Long Neck Ukulele selected as a “Best in Show” item by Gayle Beacock of Beacock’s Music in Vancouver, WA.

Rockabilly teen sensation (and Gretsch artist) Wyatt Maxwell took a break from his duties as lead guitarist in Mad Max & The Wild Ones to do some tasteful fingerpicking on a new Gretsch G-5034TFT Rancher Dreadnought.

Gretsch honored many of their guitar artists by including photos of them as part of the display. These included Paul Pigat, Buzz Campbell, and Adam Burchfield—all of whom were performers at Gretsch’s Twang-o-Rama event.

A billboard-sized image of a young Chet Atkins sat high atop the Gretsch display and seemed to offer Chet’s good wishes to all who visited.

For more information on Gretsch guitars visit GretschGuitars.com.  For more guitar-related images from the NAMM Show, visit our guitar photo gallery.

Gretsch Twang-o-Rama

Anaheim, California’s popular rock club The Juke Joint was rockin’ indeed on Saturday, January 25th when Gretsch Guitars presented the Gretsch Twang-o-Rama. The evening featured seven of the hottest roots-rock and rockabilly groups in the country, as well as a last-minute super-surprise addition.  Visit the Gretsch YouTube page for videos from all the great performances.

Paul Pigat And The Memphis Kings

The show was kicked off by Canadian guitar star Paul Pigat, ably backed up by The Memphis Kings (bassist Michael Turturro and guitarist Tommy Harkenrider, joined for the event by drummer Marty Dodson). Blessed with a jazz man’s sheen, a rockabilly heart, and a hobo’s soul, there aren’t many genres of music that don’t pull at Paul’s wayfaring imagination. The immediately recognizable sound of his distinctive guitar playing has helped this unassuming Vancouver native to compile a list of credits that would be the envy of anyone in the music business. (PaulPigat.com)

Paul Pigat and The Memphis Kings

Mad Max & The Wild Ones

Next came Mad Max & The Wild Ones, a unique family band featuring the youngest artist endorsers on the Gretsch Guitars roster: brothers Wyatt (lead guitar) and Duke (vocals, harmonica, and guitar) Maxwell, along with brother Cole on drums. Accompanied on bass by Shane Kiel and fueled by equal parts teenage energy and polished talent, the group was an instant crowd-pleaser. (Mad Max & The Wild Ones)

Mad Max & The Wild Ones

Buzz Campbell

Next up was Buzz Campbell, who’s been touring with Stray Cat drummer Lee Rocker since 2004, and who has impressive credits in his own right. (He founded rockabilly favorites Hot Rod Lincoln, and played with Sha Na Na from 2000 to 2004.) Backed by drummer Ty Cox and bassist Jonny Bowler, Buzz sported a devilish grin and a happy rocker’s attitude as he demonstrated his mastery of rockabilly, roots-country, blues, and roots-rock styles. (BuzzCampbell.com)

Buzz Campbell

The Hot Rod Trio

You don’t get any more authentic in rockabilly look and sound than Southern California’s Hot Rod Trio. With over twenty years of performing together at literally thousands of shows, the group—featuring guitarist Buddy Dughi, bassist Suzy Dughi, and drummer Pete Bonny—were recently inducted into the Rockabilly Hall Of Fame. Their Twang-o-Rama performance left no doubt as to how they earned that honor. (TheHotRodTrio.com)

Hot Rod Trio

Billy Zoom

Billy Zoom opted to perform in a somewhat stripped-down format with a bassist and acoustic guitarist/vocalist but no drummer. The guitar legend is best known as a founding member of the seminal American punk band X, but has also worked with rockabilly great Gene Vincent, The Blasters, Etta James, and Big Joe Turner. In honor of Billy’s longevity in the music community and his contribution to the legacy of Gretsch guitars, Gretsch unveiled the G6129BZ Billy Zoom Custom Shop Tribute Silver Jet in 2008. (BillyZoom.com)

Billy Zoom

Hard Fall Hearts

Hard Fall Hearts are Bryan Kelly (guitar and vocals), Eli Rinek (drums and vocals), and Andrew Verdugo (bass). Hailing from nearby San Diego, this punk/rockabilly outfit offered a high-powered set that combined super-speed playing, in-your-face energy, and a sound that was dark and distinct yet reverent to the roots of rock ’n’ roll. Definitely “not your father’s rockabilly band,” but a hit with the crowd nonetheless. (HardFallHearts.com)

Hard Fall Hearts

The Octanes

The Austin, Texas-based Octanes are one of America’s premier roots/rockabilly bands, and they look and sound the part. Consisting of Adam Burchfield (guitar and vocals), Drew Hays (bass and vocals), and English rockabilly veteran Brian Fahey (drums), The Octanes play mostly original material heavily rooted in hillbilly, while revving up the traditional sound with driving rhythms and a big guitar sound. (TheOctanesTexas.com)

The Octanes

The Romantics

The surprise closer for the evening’s show was The Romantics, featuring Wally Palmar (guitar and lead vocals), Mike Skill (lead guitar and vocals), Rich Cole (bass and vocals), and Brad Elvis (drums). Formed in 1977 in Detroit, the band is considered a pioneer of the American New Wave style, but was heavily influenced by 1950s American rock ’n’ roll, ’60s garage rock, and British Invasion music that was itself an offshoot of American roots-rock. Their crowd-pleasing closer “What I Like About You” was right at home in a rockabilly show, and served as a great capper to a terrific night of music. (TheRomantics.com)

The Romantics

For more great photos from the Gretsch Twang-O-Rama event, check out our photo gallery.

Gretsch Generations

Will, Rane, and Garrett Gretsch

There’s nothing more important to Fred and Dinah Gretsch than family and they are proud to represent the fourth generation of the Gretsch family in the music business. Following in the footsteps of his great-grandfather (and dynasty founder) Friedrich, his grandfather Fred Sr., and his father Bill and uncle Fred Jr., he as well as Dinah are equally proud of the succeeding generations, who are poised to carry on the family name and legacy.

And so it was that Fred and Dinah were joined at the 2014 NAMM show by their cousin Garrett Gretsch (fifth generation) and by two of their grandsons, Will and Rane Gretsch (sixth generation). In addition to attending the She Rocks event on January 24 in celebration of Dinah Gretsch’s Vision Award, the three young men were prominent figures at the Gretsch Guitars booth. Garrett also helped to represent the family at the Gretsch Twang-O-Rama concert, where he introduced members of yet another family: teenage rockabilly family band Mad Max & The Wild Ones.

Proud to be sharing the family legacy, Fred and Dinah Gretsch were happy to be joined at the NAMM Show by fifth and sixth generation Gretsch family members and are looking forward to many more such family gatherings in the years ahead.

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Celebrating The Career of An Explorer

Monday, January 20th, 2014

On The Passing of Chico Hamilton

by Fred W. Gretsch

Chico Hamilton

If I was asked to describe jazz drumming great Chico Hamilton-who died this past November 25th at the age of ninety-two in one word, that word would be “explorer.” Throughout his long and stellar career, Chico consistently explored new musical territory, new concepts in drum sounds, and new approaches to the design of the drumkit itself. And I’m proud to say that most of that career saw Chico on Gretsch drums.

Of course, there are lots of other words that can–and should–be used in connection with Chico. “Innovator,” “composer,” “teacher,” “leader,” and “pioneer” all come to mind. And I’m sure that those who knew and appreciated Chico’s gifts could add many more.

As a young drummer in the late 1940s and early ’50s Foreststorn “Chico” Hamilton gained experience (and early recognition) as a sideman. Even then his versatility and creative nature was displayed, as he worked in a wide variety of musical situations. Those included serving as the driving force in sax great Jerry Mulligan’s quartet (which also featured a young trumpeter named Chet Baker), and spending eight years backing singer Lena Horne.

But it was with his own quintet, which he founded in 1955, that Chico first made his mark on the jazz scene. This was where his “explorer” nature came to the fore, as he put together a decidedly non-traditional group consisting of drums, bass, guitar, cello, and flute. Featuring compositions by all the members of the group combined with collective improvisation, the sound came to be known as “chamber jazz.” The experiment had its fans and its detractors, but no one could deny that it was totally original. In fact. The Chico Hamilton Quintet made such a name for itself that it was featured in the 1957 movie The Sweet Smell of Success, starring Burt Lancaster and Tony Curtis.

But it was a different kind of movie–a documentary titled Jazz on A Summer’s Day–that cemented Chico as a jazz star. Filmed at the Newport Jazz Festival in Rhode Island in 1958, it captured performances by jazz legends including Louis Armstrong, Thelonius Monk, Gerry Mulligan, and Sonny Stitt. Chico and his group added their unique sound and style to the mix of more “traditional” jazz, to wide acclaim.

Based mainly in Los Angeles for most of his career, Chico was a pioneer of what was dubbed “West Coast” jazz, also known as the “California cool” sound. But he never focused on one style for long. After establishing the “chamber jazz” style with his early quintet, he took a harder-edged direction in the 1960s. In 1966 he recorded a funky, soul-leaning jazz album called The Dealer, which introduced guitarist Larry Coryell. (Other bands led by Chico featured such future jazz stars as Ron Carter, Paul Horn, Gabor Szabo, and Arthur Blythe.)

From that time right up until his passing, Chico never stopped creating. He played and toured with a group called Euphoria in the 1980s and ’90s, and he was appearing with them at a monthly New York City residency at the time of his death. He also continued to record up until his ninetieth birthday, when he released a 22-track CD called Revelation.

Many drummers might say that Chico wasn’t a skilled technician on the drumset, in the manner of contemporaries like Max Roach or Art Blakey. But few would deny his contributions as a drumming innovator. The late Phil Grant, long-time artist relations manager for Gretsch, said of Chico, “He had a style of playing drums that was completely different from anyone else. He used timpani sticks on the drumset before anyone else. He was an individual, and his playing was unique.”

Chico also had very specific ideas about drumset design, as described by Chet Falzerano in his book Gretsch Drums: The Legacy of “That Great Gretsch Sound”: “Chico had some progressive ideas of his own for his drumset. He wanted his toms without bottom heads. Gretsch was accommodating and built him a custom set without bottom heads [in 1958) long before it became the rage in the 1970s.” (Interestingly, it was another great Gretsch drummer–Phil Collins–who helped promote that rage.) Chico continued to play his signature drumkit design throughout his career, often removing the front bass drum head as well.

In addition to sharing his musical ideas as a performer, Chico also shared them as an educator. He was part of the faculty at the Parsons New School of Jazz and Contemporary Music, as well as the Mannes College of Music at the New School University, both in New York City. He was named an NEA Jazz Master in 2004. This led to a visit to the White House, where Chico was both an honoree and a featured performer.

In a 2008 interview in the magazine Jazz Times, Chico said, “I can play all over the world, and I don’t have to play anybody else’s music. That’s my reward. I’ve been blessed because I’ve been able to make music, and I make music for music’s sake.”

Checking Out Chico

A clip of a young Chico Hamilton in a battle with drumming legends Gene Krupa and Lionel Hampton is posted on Drummerworld.com at http://www.drummerworld.com/Videos/genekrupachicolionel58.html.

You can hear the unique sound of Chico’s unique “chamber jazz” quintet featuring cello, bass, guitar, and sax playing “The Wind” (1956) at http://www.youtube.com/watch?v=4_8uztsWTOo.

In contrast, check out the high-energy title track from Chico’s 1966 album The Dealer, which introduced a young guitarist named Larry Coryell. It’s at https://www.youtube.com/watch?v=mDPmO1VNVJI.

When he visited the White House in 2004, Chico demonstrated his signature mallet-on-toms style in a solo that can be enjoyed at http://www.youtube.com/watch?v=BzJ1Pls0n5Q.

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On the Passing of Sam Ulano

Monday, January 6th, 2014

One-Of-A-Kind Drummer And Educator

Drummer, teacher, and controversial drumming icon Sam Ulano, shown at his 92nd birthday celebration and drum clinic in July of 2012.

On January 1 of this year we lost a genuine drumming icon when Sam Ulano passed away at the age of ninety-three. For those who may not know Sam, he was a fixture on the New York City drumming scene for more than sixty years. He was also quite a character, and it’s hardly surprising that “Sam the showman” would make his exit on New Year’s Day.

Sam enjoyed a long and successful career as a performer, including thousands of club dates, shows, and other gigs in the New York City area. He performed or recorded with diverse artists ranging from Moondog to Johnny Lydon’s PiL. And I’m proud to say that Sam began playing and endorsing Gretsch drums in 1947—making him the longest-running Gretsch drum artist.  He was still swingin’ on his Gretsch kit in NYC clubs until shortly before his passing.

But it’s as an educator that Sam truly made his mark on the national drum scene. And he definitely did it his own way—making him equally revered and controversial. Besides his private teaching practice, he founded a drum studio in the 1950s that hosted such guest artist/instructors as Art Blakey, Max Roach, and Papa Jo Jones. Sam also had the first-ever drum-oriented cable TV program, which ran from 1975 to 1981. And he released literally dozens of self-produced books and CDs, along with over 2,500 pamphlets that he called “Foldys.”

Sam’s publications had almost comically “lo-fi” production values, but they were nonetheless high in informational content. In what was perhaps his most controversial teaching philosophy, Sam denounced rudiments as having nothing to do with playing a drumset, since drumsets didn’t exist when the rudiments were established for marching drummers in the 1800s. Instead, Sam focused on reading, timekeeping, and providing the foundation for a band in a musical situation. “Your hands can’t see, hear, or think,” Sam declared at a Gretsch-sponsored clinic at Manhattan’s Sam Ash Music in July of 2012. “You do that all with your brain. That’s where you learn to play the drums. And that’s the only way you’re going to be successful as a player in the music industry.”

Sixth-generation Gretsch family member Logan Thomas (at left) met with Sam at Steve Maxwell’s Vintage And Custom Drums in Manhattan this past August 3. Logan began his own drumming career with a Gretsch kit this Christmas. Also shown are Rob Cook and John Sheridan (left and right, behind Sam), authors of The Gretsch Drum Book, and Logan’s proud grandfather, Fred W. Gretsch.

I’m gratified that my grandson Logan Thomas—a sixth-generation member of the Gretsch family—had a chance to meet and speak with Sam at a Gretsch Day event at Steve Maxwell’s Vintage & Custom Drums this past August. Logan got his first drumset as a Christmas present shortly thereafter, and I know he’ll benefit from the advice that Sam gave him during their discussion at Maxwell’s.

Logan will be in good company, since Sam’s former students include noted TV drummer Marvin “Smitty” Smith, New York studio stalwart Allen Schwartzberg, and jazz great Art Taylor. These drummers and dozens like them benefitted from Sam’s major premise, which was that reading is the means to success. According to Sam, drummers who can read—and who can play in many styles as a result—are more likely to get work than are drummers with great rudimental technique or blazing speed.

Sam recommended practicing with metal sticks—or even lengths of copper pipe, as shown here.

Another controversial recommendation from Sam was regular practicing with metal sticks to improve hand and arm strength. “If I hadn’t practiced with metal sticks all these years,” he said at the July 2012 clinic, “there’s no way I could still be playing at ninety-two years old.”

Admittedly, Sam had his detractors—or at least those who would debate his opinions about rudiments. Few, if any, teachers would argue Sam’s point about the importance of reading for a drummer with professional aspirations. But many also stress the value of listening to music in order to develop an “ear” for various styles. Some teachers tend to focus on this ear training as the way to develop an authentic “feel” within any given style.

Sam Ulano might have taken issue with these points…but that’s what drumming education is all about: different approaches. Sam’s approach was a practical one, based on years of working within the music business and a desire to prepare drummers for that sort of work. You can agree with that approach, or disagree, or take some of it and leave the rest. But no matter what you do, you should absorb Sam’s fundamental, overriding message: You need to learn to play the drums. Drumming may come “naturally” to you, but to develop those natural skills you need to pursue an education on the instrument. That, I think, will be Sam Ulano’s lasting legacy.

For more information on Sam Ulano, visit samulano.com. There are also some great YouTube clips of Sam. Go to this video to learn how Sam set an early record for long-term drumming. Go to this video to hear Sam discussing how rudiments don’t serve drumset playing. And go to this video to view Sam in performance at his birthday celebration and clinic, held at Sam Ash Music in Manhattan on, July 2012 (just prior to his 92nd birthday that August).

Sam authored dozens of books, CDs, and DVDs over his sixty-year teaching career.

A Look Back at Our 130th Anniversary Events

Monday, October 28th, 2013

A Gretsch Retrospective

The year 2013 marked Gretsch’s 130th Anniversary—a milestone that was celebrated with a wide variety of activities and events throughout the year. Here’s a chronological retrospective of the excitement that marked this historic achievement.

Announcing The Celebration

The year kicked off in January with a message to the music world from Fred Gretsch himself, inviting everyone to join the entire Gretsch Family in celebrating their 130th year in the music business. Said Fred: “When my great-grandfather, Friedrich Gretsch, opened his instrument-making shop in Brooklyn, New York back in 1883, he couldn’t know that he was establishing a musical dynasty that has continued over four generations.”

The celebration was officially kicked off in January at the 2013 NAMM show in Anaheim, California, where the Gretsch Guitars’ Custom Shop launched the beautiful G6118T 130th Anniversary model guitar. It’s a gorgeous instrument, with a high-gloss nitrocellulose lacquer finish in Metallic Gold on the top and Black on the back and sides, with multiple silver-sparkle bindings. (Details and specs at Gretschguitars.com.) Let me just say here that it definitely reflects 130 years of Gretsch craftsmanship.

On the percussion side, Gretsch Drums introduced a limited run of USA-made Anniversary drumsets and snare drums, to be released throughout the year. Distinctive in sound and in appearance, they represent the finest work of the best drum-builders in America. (Visit Gretschdrums.com for more info.)

The anniversary guitars and drums were made even more special by the addition of a special logo badge that boldly announces Gretsch’s 130th year as a manufacturer. “It’s a striking design,” said Fred Gretsch, “and I’m proud to see it on our instruments. I’m confident that you will be, too. So please join us in celebrating our 130th anniversary. It’s going to be a great year!”

Gretsch Guitars’ USA Custom Shop created this G6118T model to commemorate the company’s 130th Anniversary.

This limited edition USA Custom 130th Anniversary kit features a Gold Satin Flame Nitron finish and quintessential hardware appointments. Only thirty-five were manufactured.

This Satin Birdseye Maple model is one of three Gretsch three special limited edition snare drums created to celebrate the company’s 130th Anniversary.

Take a look at some other great photos from the show: Gretsch NAMM Show Album, Bigsby gallery, Gretsch Guitars and Drums Facebook pages, and the GretschPages.

Tempe Guitar Show & Gretsch Anniversary Twang-O-Rama Concert

On March 23 the 2013 Tempe Guitar Show presented by CE Distribution hosted Gretsch Guitar’s 130th Anniversary Twang-O-Rama concert event. Featured performers included Lee Rocker and Buzz Campbell, the Mike Elred Trio, Big Nick & the Gila Monsters, and the Saucy Jacks. A total of 48 vendors, 5 bands, and 1,800 people attended the show.

Fred Gretsch In GermanyPresentations Prove You CAN Go Home Again

The month of April saw Fred Gretsch and his wife Dinah (who is also Gretsch Company CFO) in Germany, where they celebrated the 130th Anniversary in a unique fashion: by taking Fred’s legendary presentation of Gretsch Family history “on the road” to the family’s ancestral homeland.

Fred and Dinah started out by representing Gretsch drums and guitars at the world’s largest musical-instrument tradeshow—the Musikmesse, held in Frankfurt, Germany from April 10 through 13. A record 113,000 visitors from 142 countries attended. Bigsby Vibratos exhibited with TV Jones Pickups, and Gretsch Guitars and Drums had a great setup in Hall 4. Check out our picture gallery and the Bigsby site for a post-show report.

Following Musikmesse Fred made personal appearances at major German music retailers in Hamburg and Cologne. There he delighted his audience by delivering his presentation in fluent German. Gretsch fans in Germany greatly enjoyed hearing Fred relate the 130-year history of Gretsch, complete with personal anecdotes and humorous stories. For Fred, it was a particularly satisfying experience, since he was able to bring the family’s history “back home” to where it all began.

Fred W. Gretsch delivering his popular presentation on Gretsch Family history—in German—at No. 1 Guitar Center in Hamburg on April 17.

Celebrating Two Anniversaries In May

Grey skies and occasional showers couldn’t dampen the enthusiasm of those attending the Gretsch Company’s 130th Anniversary Event, held on May 4 at Randy Wood’s Pickin’ Parlor in Bloomingdale, Georgia—just across the river from the Gretsch USA Custom Drums factory in Ridgeland, South Carolina. The event was made all the more special by the fact that it also celebrated the wedding anniversary of Fred and Dinah Gretsch, who reside in nearby Pooler, Georgia. Friends, business associates, and family members were on hand to help the anniversary couple commemorate this unique occasion.

Comments made by Fred and Dinah during the event highlighted their pride in the Gretsch family’s history. As Fred put it, “I’m a fourth-generation member of the family business. My grandfather first brought me to the factory in the 1950s, and I’m still here some forty-eight years later. Dinah’s business skills and warm, outgoing personality have made her an integral part of the Gretsch operation—and my indispensable partner—for thirty-four years. And for more than nineteen years Dinah and I have been ably supported by our daughter Lena Thomas, who is a skilled administrator and operations guru. Between Lena, Dinah, and me, that’s just over 100 combined years of ‘sweat equity’ in the family business. And I’m pleased to report that the sixth Gretsch generation includes sixteen-plus grandchildren, many of whom are pursuing educational tracks that will help them continue the family legacy for years to come.”

Entertainment for the double anniversary event was provided by the husband-and-wife team of Richard Smith (guitar) and Julie Adams (cello), and by an exciting trio led by guitar phenom Joe Robinson. Virtuoso playing was the order of the day, and the 100-plus guests rewarded the performers with rousing ovations.

Fred Gretsch (shown at center with wife Dinah) represents the fourth generation of the Gretsch family business. The generations continue with (from left) cousin Paul Getchell, granddaughter Abbey Gretsch, grandson Will Gretsch, daughter Lena Thomas, and grandson Logan Thomas.

After leading his own trio in an exciting performance, guitar star Joe Robinson (left) joined Richard Smith for an impromptu finger-picking session that brought the house down.

The Fred & Dinah Gretsch 130th Anniversary Tour Kicks Off In June

Gretsch went all-out to celebrate the 130th Anniversary in 2013. Special promotional events in cities across the US and Canada showcased Gretsch guitars and drums, with concert performances by top Gretsch artists.

A special element at many of these events was the personal appearance of Fred Gretsch representing the fourth generation of the Gretsch Family. Fred was on hand to personally greet Gretsch fans, sign autographs, and act as emcee for the events.

Dinah & Fred Gretsch. Photo: Spark St. Jude/MagicOnFilm.

At several of the events Fred was joined by his wife Dinah. CFO of The Gretsch Company and a notable industry figure in her own right, Dinah is also the founder of the Mrs. G’s Music Foundation, a charitable organization that supports music education in rural schools.

Said Fred Gretsch, “Among the things Dinah and I love most in the world are traveling, meeting folks who appreciate Gretsch drums and guitars, and enjoying the performances of great Gretsch musical artists. And it’s a special joy for me to have the opportunity to share anecdotes and stories about my family’s 130-year history in the music business.”

The Fred & Dinah 130th Anniversary Tour kicked off on June 15 at StreetSounds in Brooklyn, New York (see story below). Then it was on to The Sweetwater Gearfest (Fort Wayne, IN, June 22), Bizarre Guitar (Reno, NV, June 29), the Chet Atkins Appreciation Society Convention (Nashville, TN, July 10-13), Sam Ash Music (Hollywood, CA, July 20), Rudy’s Music & Steve Maxwell Drums (New York, NY, August 3), Guitar Center (Chicago, IL, August 15), Cream City Music (Brookfield, WI, August 17), Blues Angel Music (Pensacola, FL, September 14), and Class Axe Guitars (Kemptville, ON, Canada, October 12).

Artists who appeared at these events included The Romantics, the Michelle Marie Trio, Jet Weston and his Atomic Ranch Hands, Foxy Studs, Fountains of Wayne, the Joe Robinson Trio, Rosie Flores & The Rivetors, Mister Barrington (featuring drummer Zach Danziger), The Octanes, Steve Ferrone, Paul Pigat & Cousin Harley, the Mike Elred Trio, Ed Roland & The Sweet Tea Project, Gretsch Lyles and the Modern Eldoradoes, and the Kimberly Thompson Quartet (featuring Beyonce drummer Kim Thompson).

Joe Robinson: Globe-Trotting Gretsch Guitar Great

Traveling is part of the job for any successful musician. But Gretsch artist Joe Robinson put in some “above and beyond the call” mileage on behalf of Gretsch Guitars and the 130th Anniversary.

Joe Robinson and his trio celebrated Gretsch’s 130th anniversary with a performance in Tokyo.

Saturday, June 15 saw Joe performing in Tokyo, Japan at a celebration presented by Gretsch’s Japanese distributor, Kanda Shokai. The event also commemorated the 25th anniversary of the Gretsch/Kanda Shokai partnership. Joe wowed the audience with his combination of brilliant technique, tasteful musicality, and imaginative composition.

Joe took his talents 5,000 miles from Tokyo to appear at Sweetwater Gearfest in Ft. Wayne, IN. Photo: Jim Sites.

With barely enough time to catch his breath, Joe was on the road (actually, in the air) again. His next stop was 5,000 miles away, in Ft. Wayne, Indiana, where he appeared on Saturday, June 22 at the Sweetwater GearFest as part of yet another anniversary celebration (which also included a performance by Gretsch artists Fountains Of Wayne). Fred Gretsch himself was on hand to introduce the performers and thank all of the Gretsch fans in attendance.

Joe’s travels continued throughout the year, with additional 130th anniversary shows at Sam Ash Music in Hollywood on July 20 and at Guitar Center in Chicago on August 15. Fred and Dinah Gretsch acted as emcees for both events.

Brooklyn’s Street Sounds Stages Major Gretsch Day Event

Street Sounds, Brooklyn, NY

The first stop on Fred and Dinah Gretsch’s 130th Anniversary Tour was at Street Sounds in Brooklyn, New York on Saturday, June 15. Touting itself as “the world’s largest Gretsch dealer” (for guitars, amps, and related accessories), Street Sounds staged an all-day event that showcased Gretsch products and Gretsch artists alike.

Store owner Rocky Schiano began the festivities by giving the Gretsch fans in attendance a guided tour of the shop’s impressive array of Gretsch guitars. This presentation segued into a video about the Gretsch Custom Shop operation, introduced by Gretsch’s lead custom guitar builder Stephen Stern. Rocky then introduced Fred and Dinah Gretsch, who greeted the crowd on behalf of the Gretsch Family and Gretsch Guitars.

Fred spoke about the importance of family heritage to a business, commenting on how he and Dinah shared a multi-generational involvement in business with Rocky and his family. Dinah Gretsch offered her thanks to the audience for their attendance, then went on to express her deep personal conviction that music enriches the lives of those who pursue it. She encouraged all the musicians in the room to offer their time and skills to local schools as a way to promote and perpetuate the impact of music on young people.

The Foxy Studs. Photo by Mike Beitchman.

Entertainment for the day began with Foxy Studs—a talented young contemporary rock group featuring Rocky’s daughter Kristina on drums. They were followed by a video tribute to veteran studio and touring guitarist Al Caiola. On hand as an honored guest, Al came on stage to receive a plaque commemorating his long and distinguished musical career.

Al Caiola Sits in with Jet Weston & the Atomic Ranch Hands.

Next up was Jet Weston and his Atomic Ranch Hands, who offered an eclectic mix of western swing and jazz standards. Later in their set they invited Al Caiola to join them, and the 92-year-old guitar star added his special touch to several tunes . . . including his own 1960s hit, “Theme From The Magnificent Seven.”

Rocky Presents Fred with Anniversary Cake. Photo by Mike Beitchman.

Rocky Schiano returned to the stage to display a large sheet cake decorated with the Gretsch Logo and the words “Happy 130th Anniversary.” Everyone in the crowd was invited to enjoy the anniversary treat.

Michelle Marie on Stage. Photo by Mike Beitchman.

When introducing the next act, Fred Gretsch said that it was “great to see a girl playing guitar.” The “girl” in question was Michelle Marie, and play she did, leading her own trio in a set of primarily instrumental fusion and progressive jazz compositions.

Throughout the day Dinah Gretsch joined with Rocky to give away a selection of door prizes. These included Gretsch T-shirts as well as several Gretsch guitars. The day’s big winner took home a classic orange-finish Gretsch Electromatic guitar.

The performances closed with an appearance by 1970s New Wave recording stars The Romantics. The group immediately launched into their signature style of pop-punk rock, playing two tunes before stopping to greet the crowd, to thank Street Sounds for inviting them, and to acknowledge Fred and Dinah Gretsch. Then it was right back into the music, rocking song after song before closing with their monster hit “What I Like About You.”

Rocky Schiano joined Fred and Dinah Gretsch in thanking everyone for attending and offering one more round of congratulations to Gretsch on its 130th Anniversary.

The Romantics.

Gretsch Anniversary Honored In US Congress

Gretsch’s 130th anniversary celebration reached all the way to Washington DC on Thursday, June 25th, when the honorable Jack Kingston, representative from Georgia’s 1st congressional district, rose to congratulate Fred and Dinah Gretsch, and to note the history and achievements of the Gretsch Company.

As part of his remarks, congressman Kingston said, “Over a span of 130 years, the Gretsch Company has grown into an international business and produces some of the world’s finest drums and guitars. Because of the tireless dedication of Mr. Fred Gretsch and his wife, Dinah to their family business and the music industry, The Gretsch Company is celebrating a significant milestone that many small businesses never reach. I am happy to congratulate them on this accomplishment.”

Congressman Kingston’s remarks were entered into The Congressional Record, and may be seen in full at this link.

Congressman Jack Kingston.

Fred And Dinah Gretsch Attend Music Makes Us Event Celebrating Nashville’s Commitment To Music Education

On July 11 an event was held in coordination with the Summer NAMM musical-instrument trade show in Nashville, Tennessee. There the Music Makes Us luncheon celebrated the importance of music education in the enrichment of young people’s lives. Fred and Dinah Gretsch—well known for their charitable efforts on behalf of music education—attended the event as honored guests, accompanied by their grandson Logan Thomas.

Fred Gretsch commented, “Dinah and I were pleased to attend the Music Makes Us luncheon, where we were honored to sit with Nashville’s mayor, Karl Dean, and NAMM president Joe Lamond. We were also extremely impressed with the Music Makes Us program, and with the Nashville school system’s overall commitment to music education. I believe that Nashville’s progressive approach to music and arts education should be a model for the rest of the country.”

Postcard From Nashville

Each summer two exciting musical events happen simultaneously in Nashville. One is the annual convention of the Chet Atkins Appreciation Society (CAAS), which draws Atkins fans and guitar aficionados from across the country. The other is the Summer NAMM trade show, which attracts thousands of music retailers to view the musical-instrument industry’s latest products. Gretsch Guitars is a sponsor and participant in the CAAS convention, and is an exhibitor at the NAMM show.

Fred and Dinah Gretsch (along with grandson Logan Thomas) attended both of these events this past July 10 through 14. Fred is grateful to those who visited with him, and offers the following photos as a “postcard from Nashville.”

Met lots of great folks in Nashville such as Osmond Patterson of Artesian Music, Jerry Ozee, Don Graham, Don Cerce, Carlton, Bill Lord, Eric Hartley, Joey Joy, and Harrison Woodlief.

Fred Gretsch Offers Insight at Summer NAMM, Participates In a Unique Panel of Industry Icons

With nearly fifty years in the music business, Fred Gretsch has earned the respect and admiration of his industry peers—including the organizers of the NAMM musical-instrument trade show. That admiration led them to invite Fred to participate in their “Insight—Hard-Earned Wisdom From Industry Icons” panel event on July 11. The event was a feature of the Summer NAMM show held in Nashville from July 11 through July 13.

The Insight Panel Along with NAMM President Joe Lamond and Moderators Tom Bedell and Vince Gill.

As part of the “Insight” panel Fred joined several other gentlemen whose family names are also iconic musical brands, including Chris Martin, Sterling Ball, Jim D’Addario, Bob Taylor, and Hartley Peavey. Other industry notables included Henry Juszkiewicz (Gibson Guitars) and Andy Zildjian (Sabian Cymbals). The panel was hosted jointly by country music superstar Vince Gill and NAMM director Tom Bedell.

Fred Gretsch Shares a Thought as Sterling Ball Looks On

The evening’s program gave each member an opportunity to address topics of personal interest, as well as to respond to specific questions posed by the moderators. The goal was to offer meaningful advice to the music retailers in attendance. “I was honored to be a part of this great program,” says Fred Gretsch, “and to share some of my thoughts about the current state of the music industry and how it can be improved. When we were asked what we would do if we were ‘king for a day,’ I responded that my ‘kingly decree’ would be to implement Nashville’s progressive music-education program in all 164,000 school systems in America. I got a terrific round of applause from the 1,000-plus folks in attendance.”

A Special Card For Bill

July 13 marked the 90th birthday of Bill Hagner—a gentleman who figures highly in the history of Gretsch musical-instrument manufacturing. Bill started working at Gretsch’s Brooklyn factory as a clerk in 1941 and eventually rose to the position of plant manager. When Fred Gretsch brought the Gretsch Company back to family ownership in 1985, Bill’s help proved invaluable in getting the operation up and running in its new home in Ridgeland, South Carolina.

All in all, Bill Hagner spent fifty-eight years associated with Gretsch. His contributions over that time are a significant part of the Gretsch legacy. So it was important to Fred Gretsch to do something special to mark Bill’s 90th birthday. To help him in this project, he turned to Rob Cook—producer of the Chicago Drum Show, noted drum historian, and author of the recently released Gretsch Drum Book.

Rob picks up the story saying, “I immediately thought of all the drummers coming to the Chicago Drum Show in May who would want to send their best wishes. So we created a giant birthday card that could accommodate lots of signatures. And we definitely got them, from drummers across the country.”

This special card was created to mark Bill Hagner’s 90th birthday. It was signed by over ninety drummers at the Chicago Drum Show this past May

After collecting all the signatures, Rob forwarded the card to Fred Gretsch. Fred and his wife Dinah added their own congratulatory message, and then arranged to have the card presented to Bill Hagner on their behalf by Ken “K.C.” Kramer—who lives in Florida not far from Bill’s home in Fort Myers. Ken is the son of Duke Kramer, who was himself a key figure in Gretsch operations for almost seventy years.

Ken “K.C.”Kramer (right) presented the card to Bill Hagner.

“Bill was extremely appreciative of the card and all the well wishes that came with it,” says Ken. “In addition to the card, my wife Gail and I gave him ninety Florida lottery scratch-offs, just for fun. He told us that this was the best birthday he’s had in many years.”

Along with the card, Bill received ninety Florida lottery scratch-off sheets to commemorate his ninety years.

Party At 12,000 Feet! – Taking Gretsch’s 130th Anniversary Celebration To New Heights

After criss-crossing the United States to attend 130th Anniversary events this year, Fred and Dinah Gretsch took the celebration international. Following a stop at the Sam Ash Music store in Hollywood on July 20th, they left Los Angeles on the 22nd for a flight to Tokyo, Japan. Because they crossed the International Date Line they arrived on the 23rd—an auspicious date in itself, since it was Fred Gretsch’s birthday.

The Gretsches were actually in Japan to celebrate two anniversaries. The first is the Gretsch Company’s 130th. The second is the 25th anniversary of Gretsch’s distribution partnership with the Kanda Shokai Company. To make that celebration particularly special, the directors of Kanda Shokai arranged for Fred and Dinah to take part in a unique excursion: a journey to the top of Japan’s iconic Mt. Fuji.

Fred Gretsch left at 4:30 a.m. for his ascent of Mt. Fuji. It takes twelve to fourteen hours to make the climb up and down.

On July 26 at 4:30 a.m. Fred Gretsch left his hotel for a car trip to a point nearly 8,000 feet up on the mountain. (Dinah followed in a car a bit later to a station at 6,600 feet.) After spending an hour acclimating to the lower air pressure at that elevation, Fred embarked with a Kanda Shokai team and an experienced mountain guide on a six-hour climb to the summit. There—at an elevation of just over 12,000 feet—Fred proudly displayed Gretsch drum and guitar banners to commemorate his accomplishment and celebrate the double anniversary. Then it was another six-hour descent back to the 7,300-foot point and a welcome car ride back to the hotel.

Dinah Gretsch traveled by car to Mt. Fuji’s 4th station, at 2020 meters (6,300 feet). “It was a three-hour wait to go any higher,” says Dinah. “Beautiful ride.”

Fred Gretsch and Kanda Shokai director Mr. Sakurai at the 8th station, on their way towards the summit.

Taking a break.

Fred Gretsch and Kanda Shokai Team at Top of Mt. Fuji 7-26-13

Gretsch’s Anniversary Celebration Comes “Home” To NYC

Events celebrating Gretsch’s 130th anniversary took place all over the U.S. this year—as well as in Canada and Japan. But it was particularly fitting for two of those events to be held on August 3 in Gretsch’s “home town” of New York City. The Gretsch Company was founded in 1883 when Friedrich Gretsch opened his musical-instrument shop in Brooklyn. The company grew over the next several decades, ultimately being located in the famous Gretsch factory building at 60 Broadway, in the shadow of the Williamsburg bridge. And although the company vacated that building in the late 1960s, it still stands today as a monument to the legacy of a great New York-based musical enterprise.

And so it was that Fred Gretsch—representing the fourth generation of the Gretsch Family—came to New York City on August 3 to bring the anniversary celebration “back home.” Accompanying Fred (who himself grew up in Forest Hills, Long Island) was his grandson Logan Thomas—a sixth-generation Gretsch family member.

Meet And Greet At Maxwell’s Drum Shop

Fred and Logan’s first stop was at Steve Maxwell’s Custom & Vintage Drum Shop on Seventh Avenue at 48th Street. In addition to serving drummers across the country with vintage sales and custom repairs, Maxwell’s is the second-largest dealer of new Gretsch USA Custom drums in America. The shop is filled with new and vintage Gretsch drums, posters, and memorabilia, including a drumkit that once belonged to jazz legend Elvin Jones.

At Steve Maxwell’s Custom & Vintage Drum Shop, celebrating Gretsch’s 130th anniversary and the release of Rob Cook’s The Gretsch Drum Book. From left: Steve Maxwell, Fred Gretsch, Rob Cook, Logan Thomas, and John Sheridan. Rob presented Steve, Fred, and John with special leather-bound editions of the new book.

Owner Steve Maxwell offered his shop as a site for a meet-and-greet between local drummers and Fred Gretsch. In addition, the shop hosted a book-signing party celebrating the release of The Gretsch Drum Book, a new in-depth chronicle of Gretsch drums and the Gretsch Company authored by noted drum historian Rob Cook with researcher John Sheridan.

A special guest at the event was Sam Ulano, who himself is an NYC drumming icon. Sam has been an active player and a highly revered teacher since the early 1950s. And, at the age of ninety-three, he’s the oldest living Gretsch drum endorser.

Fred Gretsch spent most of the time chatting with drummers, signing autographs, and even adding his signature to several drums. One was a 1961 Starlight Sparkle kit owned by jazz drummer Brandon Sanders. Another was a snare drum belonging to Pavel Timoveev, who had just come to America from Moscow a week earlier dreaming of owning Gretsch drums and who couldn’t quite believe his good fortune.

Distant cousins Bill Gretsch (at left) and Sally Gretsch Coulson presented Fred Gretsch with an album documenting many generations of Gretsch Family history.

Fred himself received a pleasant surprise with the arrival of two distant relatives—Bill Gretsch, of Maryland, and his sister Sally Gretsch Coulson, of New Jersey—who had traveled to this event specifically to present Fred with an album illustrating Gretsch Family history back to well before Friedrich Gretsch came to America. Fred commented that having documentation of the family that far back in his hand while his grandson was at his side placed seven Gretsch generations in the room.

Gretsch’s anniversary celebration at Maxwell’s was also attended by several key figures in the Gretsch Drums manufacturing and sales operation. These included Jim Druckrey (COO of distributor KMC Music) and his family, John Palmer (Gretsch Drums product manager for KMC), Steve Nigohosian and Kim Graham (KMC artist relations), and Paul Cooper (production manager for Gretsch USA Custom drums).

The indomitable Sam Ulano was a special guest at the anniversary event. At ninety-three Sam is the oldest Gretsch drum endorser. He’s still an active player and teacher in NYC. Here Sam autographs a drumhead for an admirer.

Russian jazz drummer Pavel Timoveev (at right) got the thrill of a lifetime when he was able to purchase the Gretsch snare drum he’d always dreamed of owning—and then have it personally autographed by Fred Gretsch himself.

Concert at Rudy’s Music

Rudy's Gretsch Guitar Wall and Posters

In quintessential New York fashion, Fred Gretsch and Logan Thomas then took a subway from Midtown south to SoHo for the second event of the day: A concert held at Rudy’s Music on Broome Street (just across the Manhattan Bridge from Brooklyn, and thus even “closer to home” for Gretsch). Rudy’s is an upscale shop specializing in upscale new and vintage guitars, and Gretsch guitars of both types were on display.

Once again Fred and Logan represented the family, signing autographs and chatting with Gretsch fans. Meanwhile, a stellar roster of performers was on hand to entertain the enthusiastic crowd. Fred acted as emcee, introducing each of the artists.

Kim with Her Band.

The first performer the talented Kimberly Thompson. Well known as the former drummer for pop star Beyonce, Kim is also extremely skilled at jazz, as was made evident by the playing she did with her own quartet. Up next were the CAAS Cats, a group named for and drawn from the Chet Atkins Appreciation Society. Led by long-time Gretsch guitar artist Bobby Gibson, the group demonstrated the finger-picking playing style made famous by Chet Atkins (himself an iconic Gretsch artist and the namesake of several Gretsch guitar models).

The CAAS Cats ably demonstrated the finger-picking style of guitar playing made famous by Chet Atkins.

Shop owner Rudy Pensa took the stage next to thank the audience for coming, and to deliver a heartfelt description of how he came to America from Argentina with the dream of operating a professional guitar shop. He offered his thanks to Gretsch Guitars for helping to make that happen.

Fred Gretsch returned to the stage to make some special presentations. The first was plaques for Rudy Pensa and Steve Maxwell honoring their achievements in the music business and particularly on behalf of Gretsch guitars and drums. The second was framed copies of the Gretsch 130th Anniversary Timeline Poster, which graphically depicts significant milestones in the company’s history.

Fred next introduced the day’s closing act: Paul Pigat & Cousin Harley. This Vancouver, Canada-based trio played an eclectic set of rockabilly, country, Latin, swing, and blues—all founded on Paul’s blazing guitar technique and roots-rock vocals.

Guitar ace Paul Pigat led his trio through a rousing and eclectic set of rockabilly, country, swing, blues…and much more.

Fred Gretsch closed the show with his thanks to everyone for their support of the day’s events and for their ongoing allegiance to Gretsch guitars and drums. It had been an amazing party, celebrating an equally amazing 130 years of That Great Gretsch Sound!

Video clips from the concert event at Rudy’s Music can be seen on the Gretsch Company’s YouTube channel.

Twang-O-Rama Concert at Guitar Center Chicago

On August 15 the anniversary celebration moved to Chicago, where Guitar Center Chicago hosted a concert event at their North Halsted location. Music was provided by the Joe Robinson Trio and Mister Barrington.

Twang-O-Rama Concert at Cream City Music

The next stop in August was Cream City Music in Brookfield, Wisconsin. There the Twang-O-Rama concert event on Saturday, the 17th, featured Paul Pigat & Cousin Harley, The Mike Elred Trio, and Jet Weston and his Atomic Ranch Hands. In addition, the appearance of Fred and Dinah Gretsch delighted attendees.

Twang-O-Rama Concert at Blues Angel Music

In September the anniversary celebration moved south to Pensacola, Florida, where a Twang-O-Rama concert was held at Blues Angel Music on Saturday, the 14th. There the music was provided by The Romantics, Rosie Flores & the Rivetors, Ed Roland and the Sweet Tea Project, The Octanes, and Gretsch Lyles and the Modern Eldoradoes.

Gretsch Guitar Round-Ups

Clair Tappaan Lodge

From Thursday September 5th through Sunday the 8th Gretsch Guitar aficionados came to the Claire Tappaan Lodge in Norden, California for the first Guitar Round-Up of 2013. Organized and run annually by Gretsch guitar aficionados from across the country, the weekend-long Round-Ups feature camping, camaraderie, story-swapping…and lots of guitar playing.

Nashville

From Thursday September 26th through Sunday the 29th the scene moved to Hachland Hill Farms in Joelton, Tennessee, nestled in a rural setting in the Tennessee hills. More info and photos can be found at Gretschpages.com, under “Happenings.”

The Nashville Gretsch Guitar Roundup

130th Anniversary Multi-Media Presentation at Class Axe Guitars

The final 130th Anniversary event—originally scheduled to be held at Class Axe Guitars in Kemptville, Ontario, Canada on Saturday, October 12—generated such a high demand for tickets that it had to be moved to a larger venue. That evening Fred and Dinah Gretsch hosted a special multi-media presentation that explored the remarkable musical journey of the Gretsch Family that began in 1883. There were also great prizes including a Gretsch G5420T Electromatic® guitar. It was a true Gretsch extravaganza and a fitting close to a year of 130th Anniversary celebrations.

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