Posts Tagged ‘Gretsch Drums’

Gretsch Seen by Millions Over the Holidays

Friday, January 6th, 2012

From the Gretsch Drums website:

Rockin’ in the New Year with Omar Tavarez!

Omar Tavarez with Pitbull: With this being the 40th anniversary of Dick Clark’s New Year’s Rockin’ Eve, ratings were at their highest in 11 years! At one point, there were 22.6 million viewers!

Omar Tavarez on Gretsch Drums

Here is a link to Pitbull’s performance with new Gretsch/Gibraltar artist Omar Tavarez!

Eddie Fisher with OneRepublic

We also had Gretsch placed with Eddie Fisher and OneRepublic. They appeared on Dick Clark’s Rockin’ Eve as well. And did you happen to see the new Disney commercial featuring OneRepublic that premiered on New Year’s Eve? If not, check it out here . . . another Gretsch logo appearance! Even Donald Duck plays Gretsch!!

Eddie Fisher on Gretsch Drums

Update: Louis Messina and Electric Touch

Recent Gretsch/Gibraltar signee, Louis Messina and his band Electric Touch are just under a quarter of a million views on their new video “Don’t Stop.” Amazing Gretsch logo coverage!

Louis Messina on Gretsch Drums

Check the video out here.

For more information on Gretsch drum artists, make sure to visit the Gretsch Drums website.

Dinah and Fred Gretsch Host Drum-Makers Holiday Lunch

Wednesday, December 21st, 2011

Dinah and Fred Gretsch recently hosted a special holiday lunch for all the staff at the Gretsch USA Drum Manufacturing facility in Ridgeland, SC. The “Drum-makers Holiday Lunch” featured a splendid feast of southern delicacies and this special occasion was very much enjoyed by one and all.

Dinah Gretsch began the lunch by thanking everyone for all their hard work during the year and acknowledged the very important role that they play in upholding the Gretsch tradition for quality and for creating “That Great Gretsch Sound”. Fourth Generation family member Fred Gretsch further demonstrated the long history of this tradition by showing images of some of the earliest Gretsch drums from the pages of a 1912 Gretsch catalog.

With demand for Gretsch USA drums growing all around the world, the factory has recently been expanding its production staff.  So the holiday lunch also provided a great opportunity for the Gretsches to get to know better the newest members of the drum-making team.

Gretsch Drum Team

Front row:  Mrs. Dinah Gretsch, Tonya Munn, Lorena Ortuno, Juana Nunez, Emilia Ortiz, Maria Perez, Barbara Fennell, Harry Dailey, Paul Cooper.

Back row:  Mr. Fred Gretsch, Joshua Safer, Craig Johansen, Lee Vallier, Matt Collett, Adam Dycus.

Spotlight: Catalina Club Limited Edition Drum Sets

Tuesday, November 29th, 2011

From the Gretsch Drums website:

Gretsch Drums added three Limited Edition shell pack kits to the Catalina Club series. These kits feature original pearloid finishes and there are three unique configurations. A limited number of a matching 7×10 add-on toms are also available in each finish. These kits have been available since October 2011.

Catalina Club Funk Jazz CC-J684-WKP

The Catalina Club Funk Jazz (CC-J684-WKP) set in Whiskey Pearl includes a standard 18” diameter bass drum with a 16” depth. The 2” extra depth (standard jazz size is 14”x18”) projects a punchier and deeper tone with tight articulation. The Whiskey Pearl finish gives a distinctive vintage appearance. This kit is limited to 90 pieces North America.

Retail: $1075, sale price starting at $699.
Sizes: 16×18, 8×12, 14×14, 5×14 8 lug snare

Catalina Club Jazz 20” CC-J404-WKP

Drawing from classic configurations of the 1960’s, the Catalina Club Jazz 20” (CC-J404-WKP) includes a 14”x20” bass drum. This classic bass drum size delivers warm, punchy tones and provides flexibility that can be used in a wide variety of music settings. The 4.5”x14” snare provides a crisp attack that still retains the sensitivity needed for brush work. The Whiskey Pearl finish gives a distinctive vintage appearance. This kit is limited to 90 pieces North America.

Retail: $1075, sale price starting at $699.
Sizes: 14×20, 8×12, 14×14, 4.5×14 8 lug snare

Catalina Club Jazz CC-J484-WMG

The final addition to this limited run of kits is the Catalina Club Jazz (CC-J484-WMG) in White to Mint Green Pearl fade. The traditional “bop” sized drums perform well as a jazz kit, but it is also capable of performing in low volume situations where space is limited. The White to Mint green pearl fade gives a boutique look and vibe. There are 250 kits available worldwide.

Retail: $999, sale price starting at $649
Sizes: 14×18, 8×12, 14×14, 5×14 8 lug snare

For more information on these and other Gretsch drums, please visit the Gretsch Drums site.

Gretsch Previews New Brooklyn Series at PASIC

Saturday, November 12th, 2011

At this year’s Percussive Arts Society International Convention (PASIC), Gretsch Drums provided a sneak peak of the new Gretsch Brooklyn Series drums.  Pictured below in Cream Oyster, this USA-made kit made a huge splash with show attendees.

The Brooklyn Series kits will officially launch in 2012.

New Gretsch Brooklyn Series at PASIC 2011

Stay tuned for more details to come.

Check out Drum! Magazine’s report and video here.

Spotlight: Gretsch Renegade & Energy Drums

Thursday, October 27th, 2011

New for 2011:  Two exciting new drum set packages designed for those just beginning their drumming adventures.

Gretsch Renegade

Gretsch Renegade
A complete drum set package designed specifically for the entry-level drummer and packed with value. Toms have “quick” sizes, which provide punchy tones and allow for lower positioning that benefits younger drummers. Hardware is double-braced and includes stylized Gretsch Renegade pedal boards and a comfortable drum throne. 13” hi-hats and 18” crash/ride brass cymbals are also included. All shells are 9-ply basswood with 45-degree bearing edges. Other features include ball-style tom holders, adjustable bass drum spurs and metal BD hoops with matching inlay.

Gretsch Energy

Gretsch Energy
A drum set package that comes complete with hardware and Sabian SBR cymbals. The toms feature “quick” sizes, which provide punchy tones and allow for lower positioning to benefit younger drummers. Hardware is double braced and includes stylized Gretsch Energy pedal boards. The 30 degree bearing edges, 5 Lug configuration and Gretsch style lug draw from the rich Gretsch lineage. The Gretsch Energy series is perfect for the first time buyer and packed with features that are found on semi-pro drum sets, including non-drilled bass drum.

Get complete specs at GretschDrums.com.

Art Blakey – The Driving Force

Thursday, October 6th, 2011

The history of Gretsch drums is inseparably linked to the history of American music. And never was that more true than during the “Golden Age” of jazz that began at the end of the 1940s and ran through the early 1960s. In those years jazz dominated New York’s legendary 52nd Street club scene, with groups powered by stellar drummers playing on Gretsch drumsets.

“First among equals” in a group that included Max Roach, Elvin Jones, and “Philly Joe” Jones was the inimitable Art Blakey. Art’s unique drumming style combined a primal force and an elemental simplicity. With a driving 2/4 hi-hat pulse, a hissing ride cymbal sound, and loud snare and bass drum accents in triplets or cross-rhythms, Art streamlined the swinging groove of bebop, making it less busy and spasmodic.

Art established himself in the 1940s, working as a sideman for some of the biggest jazz artists of the day. During that same period he visited West Africa—after which he converted to Islam and took the name Abdullah Ibn Buhaina (which led to his nickname of “Bu”).

In the early 1950s Art formed the Jazz Messengers, a group based on his belief that a jazz group should be a solid cohesive unit, not just “five guys blowing on the same changes.” Accordingly, the Jazz Messengers rhythm section didn’t just play time behind the horns. Instead they backed up the horn section solidly and would set up the soloist—who, in turn, would listen and pick up cues that would be thrown his way.

For more than thirty years this legendary group served as the launching pad for young players who would influence music for generations to come. Just a short list of Messengers alumni includes Clifford Brown, Horace Silver, Wayne Shorter, Lee Morgan, Freddie Hubbard, and Wynton Marsalis.

One of the pinnacles of Art’s career was his appearance on the unparalleled jazz classic album Gretsch Drum Night At Birdland. Recorded live at the famous New York City nightclub in 1960, this remarkable album documents performances by four great Gretsch drum artists: Blakey, Charlie Persip, Elvin Jones, and “Philly Joe”Jones.

Long-time Gretsch AR director Phil Grant said of Blakey, “Art was everybody’s all-time drummer. He was an individualist, a soloist. Not the greatest technician, by far. But he made up for that with his ideas and innovations; the way he did things. When he played a roll, it wasn’t the greatest roll, but it did things for you. He was quite a guy.”

Art continued to perform with the Jazz Messengers into the late 1980s. Over the years his force and fury on the drums eventually cost him much of his hearing. At the end of his life he often played strictly by instinct. Art died in 1990, leaving behind an enviable legacy and an approach to jazz that’s still the model for countless hard-bop players.

Enjoying Art Blakey

YouTube has an abundance of clips that showcase Art Blakey in his innovative prime, as well as clips from his later years when he was as much a musical mentor as a bandleader.  To begin with, check out a great Blakey drum solo from 1965 here.

Who says jazz can’t groove? Listen to “Moanin’,” performed by Art and The Jazz Messengers live in Belgium in 1958 here.

Art’s dynamic approach is evident on “Dat Dere,” played with the Messengers on a TV appearance in 1961 here.

A trademark drum intro and a dynamic solo by Art spice up a super-cool jazz waltz called—appropriately enough—“Kozo’s Waltz”—from the classic  ANight In Tunisia album. A clip from the record can be seen here.

You can see and hear the terrific interplay between Art and the various soloists in the Messengers playing “Close Your Eyes” on another TV clip from the 1960s. The sidemen are Lee Morgan – trumpet, Wayne Shorter – sax, Jymie Merritt – bass, and Walter Davis – piano. The clip can be seen here.

Art Blakey’s discography as a solo artist, as a sideman with other jazz greats, and as the leader of The Jazz Messengers is a study in itself, which you can pursue at WikiPedia or AllMusic.com. Just to get you started, three classic Blakey recordings to check out include The Big Beat (Blue Note, 1960), A Night In Tunisia (Blue Note, 1960), and Ugetsu—Art Blakey’s Jazz Messengers At Birdland (Riverside, 1963). They’re available through Amazon, CDUniverse, and other online sources.

Appreciating Sonny Payne

Friday, September 16th, 2011

by Fred Gretsch

I recently came across a terrific YouTube link leading to a rare early TV clip that showcases the Count Basie Orchestra performing at New York City’s legendary Birdland club in the mid-1950s. Among the many great moments in this clip are several shots of drummer Sonny Payne driving the band in his inimitable style.

Because Gretsch drums are so strongly identified with the small-group drummers of the be-bop era, people sometimes forget that they were also the choice of some of the greatest big band drummers ever to play, including Louie Bellson, Don Lamond, Sam Woodyard—and Sonny Payne.

Vintage Gretsch Ad Featuring the Great Sonny Payne

Sonny played with the Count Basie band from 1955 through 1965. And though initially it might have been a challenging task for him to follow his predecessors—the inimitable “Papa” Jo Jones and the vastly underappreciated Shadow Wilson—Sonny brought his own special brand of dynamic technique and showmanship to the drum chair.

No less a drum giant than Elvin Jones said of Sonny: “I first saw Sonny in the early 1950s with Count Basie. Swinging…dynamics…intensity. He was happy—a pure showman. But a showman who knew what he was doing. He just made that band come alive.”

Louie Bellson added, “For a while everybody was criticizing Sonny [because] he was a [drumstick] juggler. But boy, he kicked that Basie band. The minute you walked in and heard Basie’s band, right away your eyes went up to Sonny Payne. Basie himself summed it up, when he said ‘No question about it, Sonny Payne was the spark plug in my band.’”

Sonny Payne and That Great Gretsch Sound

Sonny left the Count Basie Orchestra in 1965. He worked with a number of different artists over the next several years, but his main gig was drumming for Harry James, whose high-energy band was a perfect fit for Sonny’s high-energy style. Sonny drummed with the Harry James band from 1966 until his untimely passing in 1979 at the age of fifty-four.

You can find additional terrific clips of Sonny’s drumming at YouTube:  Sonny Solo and  Zurich Concert.  All great viewing and listening!

Stanton Moore Brings N’Awlins Down Under

Monday, August 29th, 2011

Stanton Moore

Gretsch drum great Stanton Moore recently completed a whirlwind clinic/performance tour of Australia, where he delighted drummers with his New Orleans-flavored funky style. Stanton’s appearances were part of the Drumscene Live Australia Tour 2011, sponsored by Drumtek, the country’s largest percussion retailer.

From August 14 through August 21 Stanton and his tour mates crossed the continent, entertaining drummers in Brisbane, Sydney, Canberra, Newcastle, and Adelaide. They finished up at the 2011 edition of Australia’s Ultimate Drummers Weekend & Drum Expo in Melbourne, where Stanton conducted master classes on Saturday the 20th and closed the show on Sunday the 21st.

As a native son of New Orleans, Stanton is especially connected to that city, its culture, and its collaborative spirit. Inspired by a thriving music scene that includes such greats as Professor Longhair, Doctor John, and The Meters, Stanton is now regularly mentioned amongst these Big Easy mainstays.

In the early ’90s, Stanton helped found the New Orleans-based essential funk band Galactic. Their first album, 1996’s widely acclaimed Coolin’ Off, led to intense touring over the next ten years. Six additional albums later, Galactic continues to amass a worldwide audience.

In 1998 Stanton launched his solo career, aided by guitar virtuoso Charlie Hunter and saxophonist Skerik. The group’s All Kooked Out! release evolved into another project, leading to the first Garage a Trois release, Mysteryfunk (1999). In 2000 the trio was joined by percussionist Mike Dillon and has since released three more albums: Emphasizer in 2003, Outre Mer in 2005, and Power Patriot in 2009.

Stanton is also highly regarded as a clinician and educator. His Groove Alchemy book/DVD/CD package has been hailed by drummers and teachers alike, and was named best educational book and DVD in the 2011 Modern Drummer Readers Poll.

More information on the Drumscene Live tour is available at drumtek.com.au. More information on Stanton Moore is available at Gretschdrums.com and StantonMoore.com.