Posts Tagged ‘Gretsch’

The Stones’ First Roll Through Georgia

Monday, May 14th, 2012

Charlie Watts backstage at the Georgia Southern show.

By Fred Gretsch

I’ve been a fan and follower of Charlie Watts and the Rolling Stones for many years. After all, Charlie is one of the longest-running Gretsch drum artists—a fact of which I’m very proud. But though I thought I knew a good deal about the band’s history, I recently discovered a bit of that history that I wasn’t familiar with . . . and which connects the Stones with the Gretsch family’s current home state of Georgia.

In 1965 the Rolling Stones were at the vanguard of the British Invasion. They were contemporaries of the Beatles, but they took a very different approach than the Fab Four. Instead of creating happy pop melodies, the Stones’ music was more heavily influenced by the raw, earthy sound of American blues. The band also looked different, with longer hair, a street-oriented wardrobe, and a generally grittier overall attitude.

After two successful European tours, the Stones headed for North America in April of 1965. They started out in Canada, then worked their way through the US Northeast . . . a routing that took them into New York City and their second appearance on The Ed Sullivan Show on May 2.

The Rolling Stones play their first-ever college show on May 4, 1965 at Georgia Southern College in Statesboro.

Following their TV appearance the band headed south. And that’s where the Georgia connection comes in. On May 4, 1965 the Rolling Stones played their first college show—and their first southern-US performance—in Hanner Gymnasium at what was then Georgia Southern College in Statesboro. The show was sponsored by the school’s Sigma Epsilon Chi fraternity, and tickets cost $2.50.

Charlie Watts and bandmates Mick Jagger, Keith Richards, Brian Jones, and Bill Wyman headlined a show that featured a popular local band called The Bushmen as an opening act. The Stones played ten songs to a subdued audience that, frankly, was largely unfamiliar with their music. Although the Stones had appeared on American TV twice, they had yet to break into the US recording scene with the sort of mega-hits that the Beatles had enjoyed.

A ticket for the show cost $2.50.

According to an item that appears as number 38 in Georgia Southern University’s 100 Things You Should Know About GSU, “The Rolling Stones performed their first United States college act at the college on May 4, 1965. Some concert attendees reported a successful show, but the George-Anne reviewer praised the opening act for saving the concert. The review suggested that the Rolling Stones would be easily forgotten.”

As we all know, The Rolling Stones were not forgotten. They went to Florida on the day after the Georgia performance, and while they were there they wrote a little ditty called “(I Can’t Get No) Satisfaction.”  Some Stones historians say that the song title was connected to a blues tune that was a favorite of Keith’s. But other Stonesophiles speculate that it might have been a response to the lukewarm reception that the band received at their Statesboro show.

After finishing the southern leg of their tour in Jacksonville, Florida on May 8, the Stones moved to Chicago. While there they worked on “Satisfaction” at the Chess recording studios.  Two days later they were in Los Angeles, where they recorded the song at RCA studios.  It was in this session, the story goes, that Keith Richards rigged a version of a “fuzz box” to his guitar, giving the song’s opening riff its signature sound and sending  “Satisfaction”—and the Rolling Stones—straight up the charts.

A pensive Mick Jagger in Florida the day after the show in Statesboro…and one day before co-writing “Satisfaction.”

Gretsch Family Connection to Titanic Passengers

Monday, April 16th, 2012

RMS Titanic

A family note from Fred W. Gretsch . . .

The Titanic has been back in the news lately, owing to the 100th anniversary of its ill-fated voyage on April 15. The stories arising from the tragic sinking of the legendary liner have captured the imagination of millions of people. Interestingly, the Gretsch Family has a direct connection to at least one of those stories.

My younger sister, Gretchen Gertrude Gretsch, is the namesake of that connection. She’s also our “family historian,” and she relates this particular story as follows:

As many fans of the Titanic story (or even just of the James Cameron blockbuster movie), one of the wealthy first-class passengers aboard the Titanic was John Jacob Astor IV, whom the New York Times referred to after his death as the man who “had put up and owned more hotels and skyscrapers than any other New Yorker.” Astor was traveling with his much younger wife, who, although they had only recently been married, was pregnant at the time of the voyage.

John Jacob Astor IV went down with the Titanic. His pregnant wife boarded a lifeboat and was rescued. When the child she carried was born, he was named John Jacob Astor V. And, twenty-nine years later, he would become the husband of Gertrude Gretsch, the cousin of my father William “Bill” Gretsch.

Gertrude Gretsch Astor was born in 1923 to Walter and Gertrude Gretsch—both of whom were in their early 40s. Gertrude’s father Walter and his older brother, Fred Gretsch Sr.(my grandfather), ran their late father’s musical instrument company for almost twenty years together after the business was incorporated around 1903. Fred Gretsch Sr. was the president of the Fred Gretsch Manufacturing Company. As the younger brother, Walter had a less noble title and a smaller role in the business. So in 1923 he started his own business—Gretsch & Brenner—in partnership with a man who had once worked for the Gretsch Company.

Gertrude married John Jacob Astor V in 1943. Her father Walter had died the previous a year, so she asked her uncle Fred Gretsch Sr.—whom she barely knew—to walk her down the aisle. The family story goes that Gertrude was actually a lot closer to her uncle Louie Gretsch. Gertrude had spent a lot of time with Louie’s daughter Marion as a child, and Gertrude wanted to ask her Uncle Louie to walk her down the aisle. But Gertrude’s mother thought it would look better in the newspapers to have Fred Gretsch Sr. (who was then president of the Lincoln Savings Bank as well as of the Fred. Gretsch Manufacturing Co.) walk her daughter down the aisle. Gertrude’s mother insisted, Gertrude reluctantly agreed, and Fred Gretsch Sr. walked the soon-to-be Mrs. John Jacob Astor V down the aisle.

More information about the Gretsch family, particularly the ladies of Gretsch, can be found here.

Chet Atkins Exhibit Extended Through July 15!

Friday, April 13th, 2012

From the Country Music Hall of Fame® and Museum:

COUNTRY MUSIC HALL OF FAME® AND MUSEUM TO EXTEND ITS EXHIBITION CHET ATKINS: CERTIFIED GUITAR PLAYER THROUGH JULY 15, 2012

Upcoming Programs Include April 28 Interview with Jerry Bradley and May 5 Concert, Guitar Man: A Tribute to Jerry Reed

The Country Music Hall of Fame® and Museum’s special exhibition Chet Atkins: Certified Guitar Player, which was originally scheduled to close June 11, 2012, has been extended through July 15, 2012, museum officials announced.  The exhibit is being held over in part to accommodate members of the Chet Atkins Appreciation Society, who will visit Nashville in July; the extension also allows the museum to present additional public programs exploring the Hall of Fame member’s robust career and lasting influence.   Among the upcoming programming highlights are an April 28 interview with Jerry Bradley, and a May 5 concert saluting Jerry Reed.

On April 28, music executive Jerry Bradley will sit down with museum Senior Historian John Rumble for an interview at 1:30 p.m. in the museum’s Ford Theater. Bradley, son of Country Music Hall of Fame member Owen Bradley, learned record engineering and production from his father before working at RCA Records with Chet Atkins. First Atkins’ assistant then his successor, Bradley headed RCA Nashville from 1973–82. He signed Alabama and Ronnie Milsap, among others, and contributed greatly to the creation of country music’s ‘Outlaw’ movement. Bradley will discuss his career and the influence Atkins had on it.

On May 5, Guitar Man: A Tribute to Jerry Reed, a concert celebrating the music of Chet Atkins’ friend and collaborator, will begin at 1:30 p.m. in the museum’s Ford Theater. Jerry Reed was known for his innovative fingerstyle guitar playing; his catalog of boisterous country hits including “When You’re Hot, You’re Hot” and “She Got the Goldmine (I Got the Shaft)”; and his good-humored film roles (Smokey and the Bandit). Chet Atkins helped shepherd Reed’s career at RCA, recorded dozens of his musical compositions and gave him the coveted honorary designation certified guitar player (c.g.p.).  Thom Bresh, Craig Dobbins, John Knowles c.g.p., Brent Mason, Richard Smith, Mark Thornton, Darrell Toney and Sean Weaver, backed by a house band of Steve Bryant, Ric McClure and Matt Raum, will perform their favorite Reed tunes.

Both programs, offered as part of the special exhibition Chet Atkins: Certified Guitar Player, made possible through the generous support of the Gretsch Company with additional support provided by Great American Country Television Network, are included with museum admission and free to museum members. The Ford Theater offers limited seating. Museum ticket or membership does not guarantee entry to museum programs. Both programs will also be streamed live at www.countrymusichalloffame.org.

Chet Atkins:  Certified Guitar Player Upcoming Programs Schedule

All programs are included with museum admission and free to museum members, except as noted below.

Sunday, April 29, 1:00 p.m., CDT

Fingerstyle Guitar Demonstration: Pat Kirtley

Guitarist Pat Kirtley blends the musical heritage of Merle Travis and Chet Atkins with an eclectic and contemporary repertoire, in genres from bluegrass to Brazilian. Kirtley has won the title of U.S. National Fingerstyle Champion, and in 2006 he was inducted into the National Thumbpicking Hall of Fame.

Sunday, April 29, 2:00 p.m. CDT

Film Screening: Chet Atkins: Rare Performances 1976-1995 (FREE)

Saturday, May 12, 1:00 p.m. CDT

Family Program: Introduction to Thumbpick Guitar (FREE)

Learn to play guitar like Chet Atkins and Merle Travis. This hands-on workshop will teach the basics of thumbpick guitar. Led by versatile guitar player Sean Weaver, recipient of awards from Home of the Legends Thumbpickers Contest and the Jimi Hendrix Electric Guitar Competition. Guitars provided. Ages 6 to 18. No reservations required.

Sunday, May 13, 1:00 p.m. CDT

Fingerstyle Guitar Demonstration: Craig Dobbins

Craig Dobbins is an Alabama-based guitarist, writer, and composer. He has authored many books and recordings about fingerstyle guitar, and has contributed to Acoustic Guitar, Acoustic Guitar Workshop, Fingerstyle Guitar and Just Jazz Guitar magazines.

Saturday, May 19, 2:00 p.m. CDT

Community Outreach: Introduction to Thumbpick Guitar at Nashville Public Library, Goodlettsville Branch

205 Rivergate Parkway, Nashville, TN 37072. (615) 862-5862. Ages 13 to 19. No reservations required. Free.

Museum programs are made possible, in part, by grants from the Metropolitan Nashville Arts Commission and by an agreement between the Tennessee Arts Commission and the National Endowment for the Arts.

Accredited by the American Association of Museums, the Country Music Hall of Fame® and Museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The museum’s mission is the preservation of the history of country and related vernacular music rooted in southern culture. With the same educational mission, the foundation also operates CMF Records, the museum’s Frist Library and Archive, CMF Press, Historic RCA Studio B and Hatch Show Print®.

More information about the Country Music Hall of Fame® and Museum is available at www.countrymusichalloffame.org or by calling (615) 416-2001.

Gretsch Celebrates Its Heritage at Elmhurst Jazz Festival

Wednesday, March 28th, 2012

Gretsch drums have enjoyed an inseparable link with jazz music for generations. Jazz drumming greats of the past—including Tony Williams, Max Roach, Art Blakey, and Elvin Jones—made their reputations on Gretsch drums. Likewise, contemporary jazz stars like Bill Stewart, Cindy Blackman-Santana, and Keith Carlock find their musical expression through That Great Gretsch Sound.

In addition to the legacy of the past and present, Gretsch is also keenly concerned with the future of jazz. In an effort to promote that future, Gretsch Drums and the Gretsch Family recently lent instrumental and financial support to the 45th annual Elmhurst College Jazz Festival. Elmhurst is the alma mater of current Gretsch Company president Fred W. Gretsch, and the Gretsch Family has a long history of philanthropic support of college activities.

The Elmhurst College Jazz Festival

Each February, the best college jazz bands in the country converge on Elmhurst’s Chicago-suburb campus for three days of performances and education. The bands take turns performing for some of the greatest names in professional jazz today, who offer critiques and award a variety of honors. The professionals cap off each night of the Festival with a rousing performance of their own. The list of performers and adjudicators at this year’s festival included the Jeff Hamilton Trio, Elmhurst College Jazz Faculty member Mark Colby, Denis DiBlasio, Frank Greene, the Elmhurst College Jazz Band, the North Texas State University One O’clock Jazz Band, and The Clayton Hamilton Jazz Orchestra.

One of the many combos that performed during the four-day Jazz Festival.

As a tangible expression of Gretsch’s support for jazz education, all of the performance stages at the Elmhurst Festival were supplied with professional-quality Gretsch drum sets. So in addition to gaining the wisdom imparted by the Festival’s artist/clinicians, students got to experience for themselves the musical joy that only comes from performing on a Gretsch kit.

Taking Support To The High School Level

Gretsch’s support of the Elmhurst Festival didn’t stop at the college-band level. After a Festival hiatus of more than twenty years, a full day was devoted to the Elmhurst College High School Invitational Jazz Festival. This clinic/performance program for high school jazz bands was underwritten by a generous grant from the Sylvia & William W. Gretsch Memorial Foundation (named for the parents of Fred W. Gretsch).

The participating bands came from across Illinois.  They included York High School, Wheeling High School, Hersey High School, St. Charles North High School, and Champaign Central High School. Each was given forty minutes total stage time:  twenty minutes of performance and twenty minutes to work with the judges in a clinic-style setting.  All bands were in the audience listening when not warming up. As a result, each band had the benefit of hearing not only their comments from the judges, but also critiques from three other sessions. Most importantly, the students had the great fortune to perform for and work with some of the greatest American musicians of our time:  Jeff Hamilton (drums), Tamir Hendelman (piano), and Christoph Luty (bass).  The experience will surely have a lasting impact on their musical lives.

Jeff Hamilton and Mark Colby address the St. Charles North Jazz Ensemble while the Jeff Hamilton Trio members look on before addressing the group.

Outstanding musician awards were given by the judges, and each band director was given comment sheets to review with their band members.  At the end of the afternoon, the students were treated to a concert by the three judges and the Elmhurst College Jazz Band.  They also received wristbands that allowed them entry to the rest of the college performances as well as the Friday-evening performance of the Jeff Hamilton Trio with the Elmhurst College Jazz Band.  This was a perfect opportunity for budding high school musicians to experience music from up to thirty-seven different college groups from all around the United States.

Response from the high school band directors was universally positive, leading the organizers of the Elmhurst College Jazz Festival to plan on adding the High School Festival day to the overall program for the future. Said Elmhurst College music department chairman Pete Griffin, “We look forward to many years of touching teenagers through music and inspiring them to continue on their educational journey with jazz.”

The Gretsch Foundation—and the Gretsch Family—is proud to help those teenagers on that musical journey by supporting the Elmhurst College High School Invitational Jazz Festival. That support is a tangible illustration of the Gretsch Family’s mission statement, which is to “enrich lives through participation in music.”

Photo above:  Participating directors and Doug Beach in front of one of the Gretsch sets used at the Festival.  From left to right: Scott Casagrande (Hersey High School; Arlington Heights), Bill Riddle (York High School; Elmhurst), Doug Beach (Elmhurst College), Jim Stombres and John Wojciechowski (St. Charles North High School; St. Charles), John Currey (Champaign Central High School; Champaign), (seated) Brian Logan (Wheeling High School; Wheeling).

For more information on Elmhurst College and the Jazz Festival, visit their website.

For more information on The Gretsch Foundation, click here.

Musikmesse–Where the Music World Comes Together

Sunday, March 25th, 2012

With over 1,500 exhibitors, Musikmesse, “the world’s most international fair for musical instruments, sheet music, music production and marketing, and . . . the foremost meeting place for the musical-instrument industry for over 25 years,” took place from March 21 to 24 in Frankfurt, Germany.

This year Bigsby Vibratos worked in cooperation with the Warwick and Framus companies and set up shop at their booth.  In addition to showcasing the Bigsby vibrato line, product specialist Adam Seutter kept very busy conducting twice-daily installation demonstrations and answering attendee questions.

Framus Panthera with Bigsby

Guitars that received special Bigsby installations courtesy of Adam included the Framus Panthera and Mayfield models.

For all things Bigsby as well as a post-Messe report and pictures, please visit Bigsby.com.

Other Sights and Sounds at Messe:

Gretsch drummer Mark Schulman participated as part of the Fender Rock Trio along with Greg Koch and Roscoe Beck and gave standing-room-only daily performances on the Agora Stage.

GuitarPoint Vintage Instruments brought along a beautiful 1955 Gretsch Roundup to display at the International Vintage Show. A very nice example to be appreciated by all, not just vintage guitar collectors.

1955 Gretsch Roundup

Gretsch Brushed Brass Snare

And Gretsch Drums released a new Brushed Brass Snare combining the sound of a brass shell with the look and feel of a hand-finished shell.  Due to the hand-brushing process, no two shells are identical.

Bigsby Display Looking Good

Gretsch USA Brooklyn Kit

Tower of Gretsch Drums

And Here’s Some Photos of Dinah, Fred, and Friends (Old and New).

Dinah & Fred with Messe thumbpicking enthusiast Roger, a regular visitor. Nice t-shirt too!

The GuitarPoint Germany family photo: Detlef, Fred, Petra, Wolfgang, & Karolin.

Fred and Mark Schulman

Musikmesse 2012 is now in the history books.  It was another great trade show for Gretsch Guitars, Drums, and Bigsby Vibratos.  We look forward to being back in Frankfurt in 2013.

Chet Atkins: CGP Exhibit Presents New Programs in March

Friday, February 24th, 2012

Update:

Check the Chet Atkins: Certified Guitar Player Programming Calendar page for the latest special programs added in March.

RECENTLY FROM THE COUNTRY MUSIC HALL OF FAME AND MUSEUM:

COUNTRY MUSIC HALL OF FAME® AND MUSEUM TO CELEBRATE THE LEGACY OF CHET ATKINS WITH TWO MARCH PROGRAMS

Programs are in support of the exhibition Chet Atkins: Certified Guitar Player, Made Possible Through the Generous Support of the Gretsch Company

NASHVILLE, Tenn., February 23, 2012 – The Country Music Hall of Fame® and Museum will present two special programs next month in support of the exhibition Chet Atkins: Certified Guitar Player.

On March 3, The Life and Times of Chet Atkins by Dr. Richard Hood will begin at 1:30 p.m. in the museum’s Ford Theater. Dr. Hood, a Chet Atkins scholar and finger-style guitarist, will trace Atkins’ life from his rural childhood to his career as a legendary guitarist and producer.  Ben Hall and Eddie Pennington, both winners of the National Thumbpicking Championship, will perform selections from the Chet Atkins catalog. Pennington will also present a thumbpick guitar demonstration on March 4, at 1:00 p.m. in the museum’s SunTrust Community Room.

On March 17, Chet Atkins at Studio B, a panel discussion featuring some of Atkins’ closest associates, will begin at 1:30 p.m. in the museum’s Ford Theater. RCA crossover artists Bobby Bare (“Detroit City”) and Jim Ed Brown (“The Three Bells”), background singer Delores Dinning Edgin, studio guitarist Ray Edenton, and hit songwriter John D. Loudermilk (“Abilene”) will share stories of their work with Atkins, providing insights into what made him one of country music’s most successful producers of all time. The program will be streamed live at www.countrymusichalloffame.org.

Following the panel discussion, museum staffer Ben Hall will present The House That Chet Built: A Chet Atkins Tour of Historic RCA Studio B. This unique guided tour will show how Atkins worked in his longtime recording home, logging many hours as a musician and a producer, and cutting records that helped define the classic Nashville Sound.

The Life and Times of Chet Atkins, the guitar demonstration and Chet Atkins at Studio B are included with museum admission and are free for museum members.

Tickets for The House That Chet Built: A Chet Atkins Tour of Historic RCA Studio B can be purchased as an add-on to museum admission or for $9 for museum members. Reservations are required, and seating is limited. The shuttle departs from the museum promptly at 3:30 p.m. For information call 615-416-2001.

Museum programs are made possible, in part, by grants from the Metropolitan Nashville Arts Commission and by an agreement between the Tennessee Arts Commission and the National Endowment for the Arts.

Accredited by the American Association of Museums, the Country Music Hall of Fame® and Museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The museum’s mission is the preservation of the history of country and related vernacular music rooted in southern culture. With the same educational mission, the foundation also operates CMF Records, the museum’s Frist Library and Archive, CMF Press, Historic RCA Studio B and Hatch Show Print®.

More information about the Country Music Hall of Fame® and Museum is available at www.countrymusichalloffame.org or by calling (615) 416-2001.


Fred & Joe Show Visit Blues Angel Music

Wednesday, February 22nd, 2012

>>UPDATE: MUSIC TRADES APRIL 2012 ISSUE–STORY ON BLUES ANGEL MUSIC GRAND OPENING<<

Click HERE to read the story online.

The above images are of portions of pages from the April 2012 edition of The Music Trades, published by The Music Trades Corporation, Englewood,  NJ 07631, http://www.musictrades.com/index.html.

Original Story and Update #1 Here:

>>UPDATE:  POST-EVENT PHOTOS ADDED BELOW!!<<

The Fred & Joe Show will be making its first stop of 2012 at Blues Angel Music in Pensacola, FL on March 3 for their Grand Opening and charity raffle event benefiting the Red Cross and United Services Organizations (USO). The event will take place from 10 a.m. to 6 p.m. in its brand new facilities at 657 N. Pace Blvd. The new 14,000-square-foot building replaces its previous location at 3733 West Navy Blvd., and boasts modern retail, music lesson, and musical instruments and electronics repair space.

In addition to the Fred & Joe Show featuring a multi-media presentation by Gretsch Company president, Fred Gretsch, and Joe Carducci, Gretsch product specialist, the event will feature continuous musical performances. A special exhibit paying tribute to George Harrison will also be on display and Gretsch Girl Kim Falcon will be on hand to autograph her new poster.

Entrance to the event is free of cost and raffle tickets are available in-store throughout the month of February for a minimal cost of $2. World class, fine instruments will be up for grabs, including a Gretsch George Harrison Signature Duo Jet valued at $5,000. All proceeds of the event will benefit the Red Cross and the USO.

For more information, visit the Blues Angel website.

>>EVENT PHOTOS:<<

Gretsch Wall at Blues Angel Music New Location

Grand Opening Draws 1K+. Photo: Phil Short.

Fred Gretsch Busily Signs Autographs. Photo: Phil Short.

Formal Portion of the Day. Photo: Phil Short.

Fred & Joe Show Presentation. Photo: Phil Short.

Gretsch Introduces New Brooklyn Series

Thursday, January 19th, 2012

From the Gretsch Drums Website:

Gretsch drums were born in Brooklyn, New York in 1883. They were proudly crafted in the vibrant city for the better part of the 20th Century. Brooklyn and Gretsch share an inseparable history that is part of American music history and folklore. It is a shared legacy that cannot be duplicated. Today, Brooklyn represents a renaissance community that vibrates with contemporary artistic expression, youthful innovation and passionate musical commitment. Gretsch Brooklyn series celebrates the rejuvenated Brooklyn city passion and spirit and expands on its distinctive shared American experience.

Gretsch Brooklyn Series

Sound

Rooted in classic Gretsch design, Brooklyn delivers vintage Gretsch tones that are full, punchy and warm. These classic tones are modified by the 6-ply North American maple/ poplar shells and “302″ hoops. Innovative specs drive a new Gretsch tonal characteristic that is slightly more open and ambient. Brooklyn drums sound like classic Gretsch drums, but speak with their own sonic personality.
The Shells

All Brooklyn drums feature 6-ply North American maple/ poplar shells. Toms are .220″ thick and snare and bass drums shells are .310″ thick, slightly thicker than standard USA Custom shells. All shells have the proprietary Gretsch 30-degree bearing edge. Shell interiors are finished with classic Gretsch Silver Sealer. Each shell comes with a distinctive Brooklyn internal shell label that contains drum shell model number and serial number.

The Hardware

Brooklyn toms and snares come fitted on batter and resonant side with the new Gretsch “302″ hoop. At 3mm thick and double-flanged, it is reminiscent of hoops used by Gretsch up until the mid 1950’s. The 302 hoop has the same height profile as the classic Gretsch die-cast hoop to provide a playing experience that feels the same as traditional Gretsch USA Custom drums. All other drum hardware components – lugs, claws, brackets, spurs, etc – are the same that is used on Gretsch USA Custom.

Snare Drum

Gretsch Brooklyn series metal snare drums add another professional and distinctive voice to the Gretsch snare line up. The straight-sided chrome over brass shell (with Gretsch center knurl pattern) is offered in two sizes, 5×14 (8 lug) and 6.5×14 (10 lug). Also offered is hammered chrome over brass shell in 6.5×14 (10 lug). All shells include Gretsch “302″ 3mm/double-flanged hoops, Lightning throw off and butt plate, “Snap-in” drum key holder, 20-strand snare wire and Gretsch Permatone drum heads. The brass shells resonate with classic, musical tones and are extremely versatile. The “302″ hoops provide a timbre that is more open and ambient than traditional Gretsch die-cast hoops.

The Badge

The return to Brooklyn means a return to a Round Badge. The Brooklyn Round Badge has a black/pewter color scheme with classic embossed Gretsch design.

The Finishes

Satin Finish Colrs: Mahogany (SM), Dark Ebony (SDE), Tobasco (ST), Emerald Green (SEG)
Nitron (Wrap) Finish Colors: Vintage Cream Oyster (CO), Smoke Grey Oyster (GO), Ruby Red Oyster (RO), Royal Blue Oyster (BO)

Brooklyn Series Colors

Series Specs

Shell: Gretsch Maple/American Poplar 6-Ply
Bearing Edge: Gretsch Style 30-degree
Hardware: USA Custom drum hardware in chrome
Shell Interior: Gretsch Silver Sealer with serialized Brooklyn shell label
Hoops: “302″ double-flanged 3.0mm
Badges: Brooklyn Round Badge
Configurations: 6 total configurations
Finishes: 4 Satin, 4 Nitron
BD Hoops/Satin: Maple hoops finished in satin natural
BD Hoops/Nitron: Maple hoops finished in satin black with matching inlay
Drum Heads: Gretsch Permatone by Remo

Brooklyn Metal Snare Drums

Shell: Rolled 1.1mm brass with center knurl pattern or 1.1mm hammered brass
Finish: Chrome with chrome hardware
Hoops: Gretsch “302″ 3mm, double flanged
Throw-off: Lighting Throw-off / Butt plate
Snare Wires: 20 Strand
Heads: Permatone coated batter with white sound dot and clear snare-side heads
Features: Snap-in key holder

For all the details and more photos, please visit the GretschDrums website.