Posts Tagged ‘John Knowles’

Great Gretsch Weekend in Nashville

Monday, July 30th, 2012

The weekend of this past July 13 and 14 saw a once-in-a-lifetime confluence of events in Nashville, Tennessee, otherwise known as “Music City USA.” And Gretsch was an important participant in all of them.

NAMM In Nashville

To begin with, there was the summer NAMM show, an annual trade show conducted by The National Association of Music Merchants. That organization is a not-for-profit association created to strengthen the global musical instruments industry, while promoting the pleasures and benefits of making music to people of all ages. NAMM is comprised of more than 9,000 member companies in eighty-seven countries around the world.

Each summer’s NAMM show brings many of the world’s top musical instrument manufacturers to Nashville to display their wares. This year’s show, presented July 12 through July 14 at the city’s downtown convention center, featured 372 exhibitors from across the globe.

As you might expect from its Nashville setting, the summer NAMM show tends to be heavily populated by manufacturers of guitars and guitar accessories—and heavily attended by guitar aficionados. So it was the perfect place for The Gretsch Company to showcase its Bigsby brand of True Vibratos.

Paul Bigsby was a musician, a guitar-maker, and an inventor. In 1951 he presented the first Bigsby True Vibrato to guitar pioneer Merle Travis—immediately revolutionizing guitar design. From that day to this, Bigsby Vibratos have been making major contributions to guitar history.

They’ve been featured continuously on Gretsch guitars since 1955, and they’ve been heard on recordings in almost every musical genre from punk to folk and from country to rock. Versions are now available to fit almost every brand and model of guitar on the market.

Visitors to the Gretsch/Bigsby booth during the three days of the summer NAMM show had the opportunity to examine all of the Bigsby True Vibratos first-hand. But visitors on Friday, July 13 got a special treat: the opportunity to meet and speak with Fred W. Gretsch himself. Representing the fourth generation of Gretsch musical instrument makers, Fred greeted and signed autographs for Gretsch fans from across the country.

Also on hand at the booth was Gene Haugh, a long-time Gretsch guitar craftsman who was instrumental in the development of the famous Chet Atkins “Super Chet” signature guitar model.

Gretsch guitar craftsman Gene Haugh (left) and Gretsch Company representative Adam Seutter (center) were joined by Fred W. Gretsch at the Gretsch Company booth at the summer NAMM show in Nashville.

These Bigsby True Vibrato tailpieces were the focal point of the Gretsch Company booth.

Gretsch drums were at the show in spirit if not in fact, as represented by this T-shirt sporting the classic Gretsch drum logo.

The Gretsch Company also holds title on another classic American drum brand: Leedy. This custom-crafted Leedy snare drum is a faithful reproduction of a vintage Leedy model.

For more information about Bigsby True Vibratos visit www.bigsby.com. For more information about NAMM visit www.namm.org.

Closing Ceremonies For The Chet Atkins: Certified Guitar Player Exhibit At The Country Music Hall of Fame® & Museum

Just three blocks away from the Nashville Convention Center is the Country Music Hall of Fame® and Museum, which is home to a variety of unique historic exhibits.

On this particular weekend the Hall was holding a series of events to mark the closing of one such exhibit: a fond and fascinating look at the life and career of Chet Atkins. Titled Chet Atkins: Certified Guitar Player, it paid tribute to the versatility and vision of the legendary guitar artist, with historic information, personal memorabilia, performance clips, and guitars of all descriptions on display.

After opening on August 12, 2011, the exhibit was originally scheduled to run through June 11, 2012 but was extended due to popular demand. Throughout its duration it was accompanied by an ongoing series of educational and performance programs. By the time of its closing on July 15, 2012 it had hosted more than 300,000 visitors.

The Gretsch Company was the title sponsor for the Chet Atkins exhibit. Gretsch enjoyed a long and fruitful association with Chet, during which he helped design and popularize several guitar models that are still best-sellers today.

At a reception held prior to the public opening of the Chet Atkins exhibit in August of 2011, Fred Gretsch, said, “As a guitar manufacturer Gretsch is proud of its long association with Chet. As a family, we cherish the special relationship that we had with such a fine individual. We’re honored to be the title sponsor for the Country Music Hall of Fame® and Museum’s tribute to Chet, and we share the Hall’s commitment to ensuring that his unrivaled legacy will continue to be celebrated for generations to come.”

A highlight of the exhibition’s opening weekend came on Saturday, August 13, 2011, when Steve Wariner and Chet Atkins’ daughter Merle read a proclamation bestowing the final “Certified Guitar Player” honor on Paul Yandell, who was Chet Atkins’ bandleader, friend, and confidant for more than thirty years. Chet coined the term “Certified Guitar Player” to describe an artist who personified the ultimate in performance skill and musical quality. Only four other guitarists—Wariner, Jerry Reed, Tommy Emmanuel, and John Knowles—had received such recognition from Chet. It was a bittersweet tribute, as Yandell was ill and would pass away only a few months later.

A Quick Walk Through The Chet Atkins: Certified Guitar Player Exhibit

The exhibit featured multiple screens showing clips of Chet from throughout his career.

By the mid-1950s Chet had established himself as one of the most successful guitar soloists of all time—earning him the name of “Mr. Guitar.” And in 1954 he began his long association with the Gretsch company.

Pictured below and on the left is a 1959 Gretsch Country Gentleman that was one of Chet’s primary guitars throughout the 1960s and ’70s. Chet modified it with a Super ’Tron neck pickup and an internal phase shifter. On the right is a 1954 Streamliner special-order model that became the basis for the legendary Gretsch Chet Atkins Signature (6120) hollow-body guitar.

In addition to his performing skills, Chet enjoyed success as an executive with RCA Records. Below is a letter written to Chet in 1968 by then-Gretsch Company president Fred Gretsch Jr., congratulating Chet on his appointment as vice president at RCA.

Chet was a skillful and talented producer. In addition to signing and producing many top country artists, he also branched out into the pop field. This photo below shows him in the studio with crooner Perry Como in 1973.

Of course, it was as a performer that Chet made his greatest impact…and earned his greatest rewards. Below are the Grammys he won in 1967 for his Chet Atkins Picks The Best album and in 1971 for his recording of “Snowbird.”

Chet was an inveterate “tinkerer” whose hobbies included photography and ham radio in addition to electronics and recording. The exhibit included a faithful display of Chet’s home workshop, just as it was left upon his passing in 2001.

Closing Luncheon

To commemorate the Chet Atkins: Certified Guitar Player exhibit at its closing, the Country Music Hall of Fame® and Museum hosted two special events. The first was a private luncheon held on Friday, July 13, 2012 and attended by a select group of individuals who had been instrumental in the establishment of the exhibit.

Attendees included Hall board chairman Steve Turner and museum director Kyle Young, as well as exhibit sponsors Fred and Dinah Gretsch (and their grandson Logan Thomas), Merle Atkins Russell (Chet’s daughter), Marie Yandell (widow of Paul Yandell), and CGP guitarist John Knowles.

Fred and Dinah Gretsch and grandson Logan with Merle Atkins Russell, daughter of Chet Atkins.

As a gesture of thanks for the Gretsch Company’s support of the exhibit, Kyle Young presented Fred and Dinah Gretsch with a scrapbook containing photos and other material documenting every stage of the exhibit’s creation.

Country Music Hall of Fame® and Museum director Kyle Young (left) and board chairman Steve Turner (rear) presented Fred and Dinah Gretsch with a scrapbook documenting every step of the creation of the Chet Atkins: Certified Guitar Player exhibit.


Friends & Flamekeepers Concert

The second special closing event took place on Saturday, July 14 in the Hall of Fame’s Ford Theater. A concert “Chet Atkins: Friends And Flame Keepers,” featured a stellar group of performers. Some were veteran artists who had enjoyed personal relationships with Chet; others were rising stars who were influenced by Chet and are carrying on and expanding his unique fingerstyle guitar technique. The lineup included John Knowles, Muriel Anderson, Meagan Taylor (great-niece of Chet Atkins), Ben Hall, Thom Bresh, Brooks Robertson, and Gretsch guitar artists Guy Van Duser and Joe Robinson.

Anecdotes and stories about Chet Atkins were plentiful, and the musical performances were heartfelt and beautiful. It was an amazing—and entirely appropriate—tribute to the memory of a man who had such an important impact on guitarists everywhere.

A full-length performance video of the Friends & Flamekeepers concert may be viewed HERE.

For additional information on the Country Music Hall of Fame® and Museum visit Countrymusichalloffame.org. For more information on Gretsch and its association with Chet Atkins, visit gretsch.com.

Chet Atkins Appreciation Society Convention

While the Summer NAMM show and the Country Music Hall of Fame® and Museum events were taking place in downtown Nashville, the Chet Atkins Appreciation Society was holding its 28th annual convention at the Music City Sheraton Hotel & Convention Center just outside of town. From July 11 through 14 attendees enjoyed fully-packed days and nights of the music of the legendary guitarist.

Through 2000, Chet Atkins himself participated in the CAAS conventions, and his presence was warmly appreciated by the members. Since his passing in 2001, the Society has continued to preserve his legacy and to encourage young and old alike to keep his music alive and appreciate the many contributions he made to the guitar and the music of America.

Current CAAS president Dr. Mark Pritcher, his wife Carol, and an able staff of dedicated volunteers keep the organization running and growing. Although membership is around 1,000, this year’s CAAS convention welcomed over 1,500 avid Chet Atkins fans.

The convention hosted a variety of guest artists who performed concerts, played at intimate close-up sessions, and conducted top-notch workshops for attendees. Performances ran concurrently on two stages and in nearby meeting rooms. The main stage hosted concerts each night until late evening. In between all of these activities, retailers, collectors, and guitar makers displayed instruments, recordings, and memorabilia for sale. Personal interaction between established artists, professional and hobbyist musicians, and just plain fans was a great part of the fun for everyone in attendance.

A particularly popular feature at the convention was the Gretsch guitar display (presented in cooperation with Broadway Music of Nashville.) Not only did the display showcase a bevy of beautiful instruments, it also presented ongoing performances by great Gretsch guitar artists including Pat Corn, Bobby Gibson, and Richard Kiser. And, to the delight of convention goers, Fred W. Gretsch dropped by the display on Friday, July 13 to introduce some of the performers. Fred then stayed to chat with fans and sign autographs—which he did on programs, T-shirts . . . and one brand-new Gretsch guitar!

From left: Pat Corn, Bobby Gibson, and Richard Kiser performed at the Gretsch Guitars display.

Fred Gretsch was on hand to autograph programs, T-shirts...and this Gretsch guitar.

Veteran Gretsch guitar craftsman Gene Haugh (who helped develop the “Super Chet” model) admired the display of beautiful new Gretsch guitars.

The Gretsch Family and Gretsch Guitars have been major supporters of the Chet Atkins Appreciation Society for many years. As a result, coming to the CAAS convention has become a regular family event for Fred and Dinah Gretsch—as well as for their grandson Logan, who was at the show this year.

Logan Thomas, grandson of Fred and Dinah Gretsch

When asked how he was enjoying the convention, the articulate twelve-year-old replied, “This is the fourth or fifth year that I’ve come here, and it’s always great. But it’s especially great for me this year, because I’ve been studying the guitar myself for the past year. One of my favorite players is Joe Robinson, and he’s playing at the convention, which is really cool.”

In addition to pursuing his musical goals, Logan is also an athlete, playing quarterback for his team at Thomas Heyward Academy in his home town of Ridgeland, South Carolina. Ridgeland is also home to the Gretsch USA drum manufacturing operation. As a sixth-generation member of the Gretsch family, Logan occasionally helps out at the factory. As he proudly explained, “I’ve been helping move things around to make more space for The Vineyard.” Logan’s reference is to Gretsch’s unique collection of vintage drum shells from the 1980s and earlier, which are used to create historically authentic custom drumkits.

Chet Atkins Tribute Concert

The CAAS convention came to a rousing conclusion on Saturday, July 14 with a gala Chet Atkins tribute concert. This show featured special guests from the Nashville pantheon of performers, as well as international guest artists. Most of these had taken part in earlier convention activities, and many had also appeared at the Country Music Hall of Fame & Museum’s “Friends & Flamekeepers” tribute concert. Like that earlier event, this concert showcased fingerstyle guitar playing by newcomers and established stars alike.

The evening’s many fond recollections of Chet Atkins were joined by remembrances of Paul Yandell, whose long association with Chet—as well as his own noteworthy musical accomplishments—had made him an important figure on the Nashville scene for decades. The verbal and musical tributes offered to these two guitar giants gave a very personal quality to each performance.

Family and friends at the CAAS closing concert, from left: Judy Edwards, Nokie Edwards, Deed Eddy, Gretsch guitar great Duane Eddy, Dinah and Fred Gretsch, and Logan Thomas.

Special moments abounded during the concert. Just a few of those included:

The introduction of Fred Gretsch by CAAS president Mark Pritcher, and Fred’s comments regarding Paul Yandell and Chet Atkins, both of whom had long associations with Gretsch guitars.

Fred and Dinah Gretsch and grandson Logan presenting a 1959 Gretsch 6119 guitar to lucky raffle winner Jimmy Lapham, who came to the CAAS convention from Camilla, Georgia.

Fifteen-year-old Australian phenom Josh Needs playing an original composition on a Gretsch Country Gentleman guitar that had been given to the CAAS by guitar great Scotty Moore—who had himself been given the guitar by Chet Atkins.

Gretsch artist and guitar icon Duane Eddy presenting a custom replica of Buddy Holly’s guitar to long-time Ventures lead guitarist Nokie Edwards. Nokie was being honored with the Buddy Holly Legacy Award, presented by the Buddy Holly Education Foundation in recognition of outstanding artistry.

Rising Gretsch guitar star Joe Robinson wowing the crowd with his unique combination of blazing technique and musical creativity on an original tune appropriately titled “It’s Not Easy.”

After relating how they each had learned Chet Atkins’ “Happy Again,” a moving trio performance of the tune by John Knowles, Thom Bresh, and Brooks Robertson.

Gretsch artist Guy Van Duser—and the entire concert audience—performing “We Love You Chet,” an original tune composed in tribute to the guitar great.

In addition to the artists named above, the roster of performers at the CAAS closing concert included Shane Adkins, Rick Allred, Craig Dobbins, Phil Hunt & Eddie Estes, Pat Kirtley, Jimmy, John, and Morning Nichols, Ben Owings, Eddie Pennington & Paul Moseley, and Sean Weaver.

For more information on the Chet Atkins Appreciation Society, go to ChetSociety.com.

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Chet Atkins: CGP Exhibit To Close with Slew of Special Programs

Monday, June 18th, 2012

From The Country Music Hall of Fame® and Museum:

Slate of Finale Programs Includes a Special June 30 Performance by Earl Klugh, Tribute Concerts, Film Screenings and More.

The Country Music Hall of Fame® and Museum is preparing to bid farewell to the cameo exhibit Chet Atkins: Certified Guitar Player, Made Possible by the Gretsch Company, which opened in the museum’s East Gallery on August 12, 2011.  In recognition of the exhibit’s July 15 finale, the museum is offering a packed lineup of Atkins-themed programs including a special program starring Grammy-winning guitarist Earl Klugh on Saturday, June 30; additional concerts by some of Atkins’ friends, peers and protégés; a series of film screenings; and daily instrument demonstrations.

The Earl Klugh program, instrument demonstrations and concerts are included with museum admission and free to museum members; admission to the film screenings is free. Visit the museum’s website for complete admission details.

Born Chester Burton Atkins on June 20, 1924, in Luttrell, Tennessee, Chet Atkins became one of the most respected musicians and producers in American music history.   His unparalleled achievements were acknowledged formally with his 1973 induction into the Country Music Hall of Fame.  Atkins died on June 30, 2001, and was posthumously inducted into the Rock and Roll Hall of Fame the following year.

Renowned for his sweet tone and his mastery of the acoustic guitar, Grammy Award-winner Earl Klugh ranks as one of the world’s finest guitarists. He was barely a teen in Detroit when he was awestruck by seeing Atkins play guitar on television. After meeting in the late 1970s, Klugh and Atkins collaborated frequently. “Earl can wail with the best,” Atkins told Guitar Player magazine, “but he prefers to touch people emotionally. He reaches your heart with that romantic special something.”

On Saturday, July 7, the museum will pay tribute to Atkins’ thumbpicking inspiration, Merle Travis, with the concert Muhlenburg County Thumbpickers, a reference to Travis’ birthplace in Kentucky. Award-winning Muhlenburg County-area guitarists Joe Hudson, Paul Mosely, Eddie Pennington and Freddie Russell will perform.

On Saturday, July 14, at 1:30 p.m., Chet Atkins: Friends and Flame Keepers will honor Atkins’ legacy as a generous teacher, collaborator, and even a student of other guitarists. The concert will highlight the relationships forged and nurtured around Atkins’ music, as well as the artists who are carrying on and expanding Atkins’ guitar style. Performers include John Knowles, c.g.p., Guy Van Duser, Thom Bresh with Brooks Robertson, Ben Hall with Megan Taylor Anderson and more.

A complete list of closing programs presented in conjunction with the exhibition follows below:

Chet Atkins: Certified Guitar Player, Made Possible by the Gretsch Company, Closing Programs–

Sunday, June 24, 2:00 p.m., CDT – Film Screening: Chet Atkins and Friends: Music from the Heart (1987)

Chet Atkins fronts an ace band and hosts this concert special, originally recorded for television in Nashville. Guest performers include the Everly Brothers, Emmylou Harris, Waylon Jennings, Mark Knopfler, Michael McDonald, Willie Nelson, and others. 60 Minutes. Free.

Saturday, June 30, 1:30 p.m., CDT, Concert: Earl Klugh

Grammy-winning guitarist Earl Klugh will perform solo in tribute to his hero, Chet Atkins. This concert will be streamed live at www.countrymusichalloffame.org. Following the program, Klugh will sign copies of his CDs and a limited edition Hatch Show Print.

Sunday, July 1, 2:00 p.m., CDT, Film Screening: The Jerry Reed Show (1976)

This colorful episode of The Jerry Reed Show features performances by and interviews with Lynn Anderson, Atkins, Jerry Clower, and Terry McMillan. Reed performs “Baby’s Coming Home” with Atkins, and all the guests join in on “Thank God I’m a Country Boy.” The live house band is conducted by Bill Justis. 45 minutes. Free.

Saturday, July 7, 1:30 p.m., CDT, Concert: Muhlenburg County Thumbpickers

Chet Atkins was inspired by the complex fingerstyle guitar playing of Merle Travis called “thumbpicking.” This guitar style has been developed, passed down, preserved, and expanded by generations of players around Travis’s birthplace in Muhlenburg County, Kentucky. Award-winning Muhlenburg area guitarists Joe Hudson, Paul Mosely, Eddie Pennington, and Freddie Russell will perform.

Sunday, July 8, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: Joe Edwards

Sunday, July 8, 2:00 p.m., CDT, Film Screening: Nine Pound Hammer (1998)

In the early 20th century a few guitar players in Western Kentucky developed a unique style of guitar playing that used the thumb to pick out a steady bass rhythm while the first finger played a melody. This style, which became known as “thumbpicking” was popularized by Capitol Records recording artist and Muhlenburg County native Merle Travis, and had a significant influence on Chet Atkins. This film features stories and performances from eight Kentucky thumbpickers, some of whom have been playing since the time Travis rose to stardom, while others are from a younger generation of guitarists who have carried on and expanded this traditional style. 52 minutes. Free.

Monday, July 9, 1:00 p.m., CDT, Vocal and Fingerstyle Guitar Demonstration: Jim and Morning Nichols

Tuesday, July 10, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: Phil Hunt and Eddie Estes

Wednesday, July 11, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: Mark Mazengarb and Loren Barrigar

Thursday, July 12, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: John Standefer

John Standefer is the winner of the 2002 National Fingerstyle Guitar Championship at Winfield, Kansas, and the Open Division winner of the 2004 International Home of the Legends Competition. He teaches and performs yearly at the Chet Atkins Appreciation Society convention in Nashville. Made possible by Gibson Guitar Corporation. Presented in support of the exhibit Chet Atkins: Certified Guitar Player, made possible by the Gretsch Company. Limited seating. Program pass required.

Thursday, July 12, 1:00 p. m., CDT, Offsite Chet Atkins Appreciation Society Program: Panel Discussion: Remembering Chet

John Rumble, senior historian for the Country Music Hall of Fame and Museum, will lead a panel discussion featuring four highly acclaimed music veterans who worked closely with Chet Atkins for many years. Panelists include Jim Ed Brown, Ray Edenton, Charlie McCoy, and Wayne Moss. Presented in support of the exhibit Chet Atkins: Certified Guitar Player, made possible by the Gretsch Company. [program at CAAS - NOT HELD AT THE MUSEUM]

Friday, July 13, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: Jonathan Brown

Jonathan Brown is a fingerstyle guitarist and composer from Nashville. His influences include Jerry Reed, Chet Atkins, Merle Travis, George Benson, Lenny Breau, and Tommy Emmanuel. Offered as part of the special exhibition Chet Atkins: Certified Guitar Player, Made Possible through the Generous Support of the Gretsch Company. Included with museum admission. Free to museum members. Limited seating. Program pass required.

Saturday, July 14, 11:30 a.m., CDT, Lecture-demonstration: Chet Atkins with Strings: Pat Kirtley

Starting in the late 1950s, Chet Atkins, Owen Bradley, Ken Nelson, and arranger Anita Kerr brought violins, violas, and cellos into the sonic blend that would become the Nashville Sound. The sophisticated arrangements created for Eddy Arnold, Patsy Cline, Jim Reeves, and others attracted new listeners and sold millions of records. Atkins was also a pioneer in using string sections on his own recordings. Guitarist Pat Kirtley and the Endless Road Strings will tell the story by recreating some of Chet’s signature pieces, with added commentary on the history of pop and country string sections in Nashville. Offered as part of the special exhibition Chet Atkins: Certified Guitar Player, Made Possible Through the Generous Support of the Gretsch Company. Included with museum admission. Free to museum members. Limited seating. Program pass required.

Saturday, July 14, 1:30 p.m., CDT, Concert: Chet Atkins: Friends and Flame Keepers

Chet Atkins was known as an innovative guitarist; as a producer who helped define the Nashville Sound; as a generous teacher and collaborator; and even as a student of other guitarists. This exhibit-closing concert will highlight the relationships that have been sparked and continue to grow around Chet’s music, as well as the artists who are carrying on and expanding Chet’s guitar style. John Knowles, c.g.p., will host this tribute with guest performances by Megan Taylor Anderson, Muriel Anderson, Thom Bresh, Guy Van Duser, Ben Hall, Brooks Robertson, Joe Robinson, and others.  The program will be streamed live on www.countrymusichalloffame.org. Offered as part of the special exhibition Chet Atkins: Certified Guitar Player, Made Possible Through the Generous Support of the Gretsch Company. Included with museum admission. Free to museum members. Limited seating. Program pass required.

Sunday, July 15, 1:00 p.m., CDT, Fingerstyle Guitar Demonstration: Brooks Robertson

Oregon-based Brooks Robertson is a composer and arranger in the style of Merle Travis, Jerry Reed, Thom Bresh, and his own mentor, Buster B. Jones. In 2004, Robertson won first place in Prairie Home Companion’s Talent from Twelve to Twenty Contest.  Offered as part of the special exhibition Chet Atkins: Certified Guitar Player, Made Possible Through the Generous Support of the Gretsch Company. Included with museum admission. Free to museum members. Limited seating. Program pass required.

Sunday, July 15, 2:00 p.m., CDT, Film Screening: Austin City Limits – “Chet Atkins and Friends” (1987)

In this episode of the long-running public television series, Chet Atkins demonstrates his trademark guitar style as well his love of collaboration. His guests include Thom Bresh, Larry Carlton, Johnny Gimble, Peter Ostroushko, Butch Thompson, and the Prairie Home Companion Band. Offered as part of the special exhibition Chet Atkins: Certified Guitar Player, Made Possible Through the Generous Support of the Gretsch Company. 55minutes. Free.

These programs are made possible, in part, by grants from the Metropolitan Nashville Arts Commission and by an agreement between the Tennessee Arts Commission and the National Endowment for the Arts. Film screenings are made possible by Iron Mountain Film and Sound Archives.

Accredited by the American Association of Museums, the Country Music Hall of Fame® and Museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The museum’s mission is the preservation of the history of country and related vernacular music rooted in southern culture.  With the same educational mission, the foundation also operates CMF Records, the museum’s Frist Library and Archive, CMF Press, Historic RCA Studio B and Hatch Show Print®.

More information about the Country Music Hall of Fame® and Museum is available at www.countrymusichalloffame.org or by calling (615) 416-2001.